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Maxon humbucker?

Antoria with Maxon pickups

I thought it was going to be a straightforward pickup repair but is this pickup actually a Maxon humbucker?

As part of my work I repair pickups for luthiers. Most guitar repairers don’t wind pickups and even the ones that do often send me pickups to repair, it saves them a lot of time. One such repairer is Auckland’s Ramsay Phillips.

For me repairing pickups is a really interesting part of my job. I enjoy seeing how the basic concept of a magnet and a coil of wire can be made in so many different ways. Back in the 1990’s I first learned about pickups by repairing them and I don’t think that instinct ever leaves. Most of my pickup repair work is very straight forward but occasionally something interesting comes along. This is one of those.

So Ramsay sent me a bridge humbucker from this 1970’s Antoria to repair. I was expecting something like the classic Maxon U-1000 but there was a surprise.

Antoria with Maxon pickups
Antoria

This is not the first Maxon Humbucker I’ve seen I’ve worked on a few old Maxon pickups in my time and they have always deserved their great reputation. So I had a good idea what to expect from this humbucker.

Maxon humbucker?
Maxon 4917

Maxon serial number dating

The number on the base plate of this pickup is a date stamp not a model number though it would be nice to have both.

So to translate the Maxon pickup dating code:

The first number is a production line code

second number is the year, so in this case 1974

third number, the month, so September

and the last 2 are the day, so the 17th

So that tells us its from Sept 17th 1974. I always wonder why manufacturers can’t just write the date plainly instead of a secret code but they all seem to do it.

Something unusual

But there’s something odd here. The pole piece screws don’t extend under the base plate. The 6 holes in the base where I expected to see the poles are blocked by something. Time to get the cover off and see what’s inside.

Maxon 4917 baseplate
Maxon 4917

What’s Inside?

This is exactly what was inside – a single coil disguised as a humbucker! So Maxon humbucker? Well, it’s a Maxon but not a humbucker.

Maxon 4917 inside
Maxon 4917

It has the typical floppy nylon bobbin I would expect to see in a Maxon but this one is sitting on top of a large ceramic magnet.

Maxon 4917 assembly inside
Maxon 4917
Maxon 4917 baseplate and magnet
Maxon 4917 magnet

My job here is to fix this pickup so I remove the bobbin and start to carefully remove the sticky old tape.

Maxon 4917 bobbin
Maxon 4917 bobbin

I remove the hookup wires and try re-soldering them to the winding wire and the pickup comes to life. It was simply a dry joint. This one is showing me 8KOhms on the meter which is in the ballpark of a PAF though it would sound nothing like one.

You can see the metal plate mounted inside the bobbin that connects the short pole screws to the magnet.

Maxon 4917 bobbin with keep bar

So, Maxon humbucker? Well, certainly Maxon but not a humbucker. Beware – not all Maxon pickups are classics.

I’ve had a look on line and can’t find a model number for this pickup. It seems the only distinguishing feature from the outside is the lack of pole screws through the base plate.

If you are interested in vintage humbucker tones check out the Mr Glyn’s ‘Integrity’ humbucker. It comes in 4 flavours or both bridge and neck.

.

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updated July 2023

Maxon humbucker?

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Draig doom set

Draig doom set NZ$379 for NZ customers, if you’re overseas they’re GST free; NZ$329.56

Draig doom single humbucker bridge NZ$199 for NZ customers, if you’re overseas it’s GST free; NZ$173.04

Bridge covers are $20 for NZ customers, if you’re overseas they’re GST free; NZ$17.39

Draig doom single P90 neck NZ$189 for NZ customers, if you’re overseas it’s GST free; NZ$164.35

Draig doom set specifications: Alnico VI – Bridge 9.18 KOhms, 7.42H, Ceramic 8 – Neck 6.96 KOhms

The Draig doom set is a pickup set designed for all the genres encompassed by Doom Metal. It has strong mids, smooth treble and a bass response immediate enough to cope with low tunings but not the harsh, dry percussive bass needed for extreme metal. It really is all in the bass and mids.

Draig doom set in chrome and open chrome covers

The Draig is inspired by the sound of Tony Iommi and that heavy riffing guitar tone, mid forward. Iommi’s tone has been in my head since I was a teenager m, I’m delighted to make this pickup available.

Power and Tone

But there’s another factor with this pickup. You’ll notice the Ohms for the bridge are in the 9Krange, lower that you might expect for a powerful humbucker. This is all about increasing the dynamics and reducing compression. When using heavy fuzz, it’s really useful to be able to back off using just playing technique; the Draig is designed to do just that. It’s designed to work along with your fuzz.

The coils are tuned to give the Draig its tonal characteristics with the magnet providing the engine.

Draig Doom Humbucker by Mr Glyn's Pickups
Draig in ‘Dragon Breath’

Pickups designed to derive most of their power from the strength of the coil, rather than the magnet, sound smooth, even and compressed like my Attitude humbucker. The Draig bridge gets a lot of power from its oversized alnico 6 magnet. This makes the Draig touch sensitive, dynamic and punchy.

Draig doom humbucker in chrome
Chrome cover Draig

So why alnico 6 in the Draig doom bridge humbucker?

Alico 6 has similar properties to the more familiar alnico 5 but with more mids – it’s all about the mids. As you’d imagine, it has a little more power too.

Draig Doom Bridge Humbucker
Draig bridge humbucker

Draig doom bridge humbucker design

It wasn’t an easy pickup to design. It was designed for low tuning but with more of a Doom vibe in mind. I’ve made pickups before for extreme metal and it a very different approach to the bottom end. With extreme metal the bottom needs to be much drier and more immediate and percussive. With the bass on this one I’ve tried to walk the line between over hard and dry on one side and soggy and undefined on the other.

The choice of magnet was a big part of this. A bigger magnet has a more immediate response than the conventional size and I experimented with a few different types of alnico, finally settling on alnico 6. This oversized alnico 6 magnet gives all the punch and immediacy I wanted but with slightly stronger mids than alnico 5. Being an unusual size and material, I get these magnets manufactured specifically for this bridge pickup.

Like with many pickups to focus on the winding alone is telling only a small part of the story. The winding is 9.18K Ohms which might seem small but it’s all about balancing the mids. That oversized alnico 6 magnet is where the power comes from. The blade pole pushes more of that magnetic energy to the side of the pickup furthest away from the bridge, lessening the ‘pingy’ high end. It’s all about balancing the tone and emphasizing the mids.

Draig doom humbucker in uncovered black
Open, no cover Draig

I made a short video explaining the thought behind the Draig pickup and how it works:

Draig

Test, tweak and test – Draig doom set

I rigorously test all my pickups in various situations, different amps, pedals and always next to a drummer. For the Draig I asked Timmy Smalls in Australia for his opinion on the Draig bridge humbucker. He has a great Instagram channel and makes fantastic demo videos. Always good to have a second opinion you can trust.

There are always changes along the way; this video is from when the Draig had an alnico 5 magnet.

Draig neck – humbucker size P90

With the success of the Draig bridge pickup I was asked by a few players about a matching neck pickup to complete the Draig doom set.

It was an interesting challenge. I wanted the neck to have a similar ‘mids forward’ character to the bridge pickup. It needed a smooth lead tone but a lot of clarity when playing chords. It needed to hit a fuzz pedal with just the right amount of power so as not to make the sound into an undefined mush. And it needed to be a good match for the bridge pickup.

I decided upon a humbucker size P90.

P90’s have a very different magnetic field to humbuckers with woody mids and less of a lower midrange push. It’s those lower mids that can create a mush.

After a lot of experimenting I landed on a combination of winds and magnet that did what I want.

I used a pair of undersized ceramic magnets that I have specially made for me. Ceramic has a drier tone than alnico which helps with the clarity and I designed the coil windings to compensate for the ceramic’s reduced mid range.

After some tweaking and, as ever, playing the pickup set alongside a drummer and bass player I was happy.

The Draig neck pickup has a different look to the bridge but I think they compliment each other well.

The name – “Draig”

So why call it ‘Draig’? Well, the word Draig means dragon in Welsh and although I’ve lived in New Zealand since ’05 I was born and grew up in Wales.

Roboguy Logo. Draig Doom Humbucker

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updated 26 June 2023

Draig doom humbucker

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P90 Pickup Height

Setting P90 Pickup Height is an essential part of your tone. More than any other pickup they really do like being up close to the strings. In this blog post I’m going to give you some measurements and info on how to measure pickup height. And there’s help for you dogear P90 players too. I’m going to give you some free dogear P90 height spacers.

How to measure P90 Pickup Height

The pickup height is measured from the top of the pickup pole (or cover) to the underside of the string when fretting the highest fret. Not easy to describe in words so here’s Roboguy demonstrating to clarify:

how to adjust P90 Pickup Height
Pickup Height Adjustment

Here is the P90 Pickup Height I suggest but I’d like to emphasise these are not set in stone, just a guide. P 90’s do like to be close to the strings but if you prefer the sound of them further away that’s fine – up to you and your ears. The closer a pickup is to the strings the louder it is. More importantly, the more dynamic and touch sensitive it is. So with the pickup further away, your sound is more compressed and less dynamic. There is no right or wrong here but especially for lead playing a P90 close to the strings gives a great sensitivity.

There’s also the matter of sustain. If the pickup is too close the magnetic field it produces can inhibit the vibration of the strings and reduce sustain. So it really is all about finding that sweet spot for you and your sound.

So start with this measurement and then find your sweet spot. I think the other important factor is that when you find what works for you, stop fiddling. It’s all about playing guitar . It’s easy to spend all your practice time adjusting things instead of playing – I’m as guilty as anyone of this.

P90 Pickup heigt measurements

What about dogear P90’s?

Now, that’s all well and good for soapbar or humbucker size P90’s but if you have a Les Paul Junior or an SG Junior with dogear P90’s it’s not as easy. Dogears aren’t height adjustable but don’t worry I have a plan.

As you can see below I’ve drawn some height adjustment shims for 3D printing. They have a few different heights and the taller ones are angled at 3 degrees to match Gibson neck angles. That way your pickups are kept parallel to the strings. A set of these should be all you need for a 2 pickup guitar. So this set should have you covered.

We don’t all have 3D printers but here in New Zealand larger libraries have 3D printers or there are many businesses offering printing services. I’m not sure how it is where you are but in most places it’s pretty easy to get things printed out. And, of course, having a Mate with a printer is ideal. It’s very easy to get done and it’ a way I can help you out without the delivery costs. I’ve sent this file to players all over the World for all brands of Dogear P90’s.

Dogear P90 height shims for free

If you want the file just get in touch with me and I’ll send it to you, no charge. You don’t have to buy my pickups (though that would be nice), I’m just happy to help out. simply email me at mrglynspickups@gmail.com

Dogear P90 spacers - Mr Glyn's Pickups

P90 Pickup Height

For pickup demos head to YouTube

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updated 3 April 2023

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HS Strat Wiring

HS Strat wiring diagram

Here’s a suggested wiring diagram for a HS Strat.

I originally drew it up for Gabor from superfunawesimehappytime pedal show.

He has a green Strat with a Mr Glyns Tui neck pickup and a Cloud Nine bridge pickup that he’s been using for YouTube pedal demos. https://www.youtube.com/c/thesuperfunawesomehappytimepedalshow

HS Strat Wiring diagram

The format is:

1 Humbucker

2 Coil tap Humbucker

3 Humbucker and Neck

4 Coil tap Humbucker and Neck

5 Neck

The 470K Ohm resistor is there so that the humbucker ‘sees’ the volume pot as 500KOhm and the single coil ‘sees’ it as 250KOhm, clever eh.

Here is is in action:

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updated 4 September 2023

Roboguy Logo HS Strat Wiring

HS Strat Wiring

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Pandora 3 way Esquire

Pandora 3 way Esquire specifications: Alnico V – 10.07 KOhm 4.4H, 7.28KOhm 2.3H, 5.49KOhm 1.15H

NZ$149 for NZ customers, if you’re overseas it’s GST free; NZ$129.57

The Pandora 3 way Esquire pickup took its inspiration from my desire to fix a problem.

'Pandora' 3 way Esquire Mr Glyns Pickups

I’ve never been happy with the switching options given on the Fender Esquire so I came up with a plan.

Rather than switch in some capacitors or switch out parts of the circuit and create sounds you can make anyway using the tone control, I thought it would be better to have a tapped pickup so the player could generate usable, ‘real’ tones.

It’s simply a case of ‘tapping’ into the winding at different points to obtain different strength pickups from the one coil.

This essentially gives the player 3 different pickups in one.

So in the middle position it’s an Esquire pickup, one way it’s less than that (I’m calling it ‘Gold Foil’ though it isn’t). The other way it’s more – my Cruel Mistress pickup. This gives 3 distinct tones going from jangly rhythm to fat lead without losing the distinctive Esquire/Telecaster character.

It makes use of the normal 3 way switch to achieve this.

Then, of course, I realised that the main use for this wouldn’t be in Fender Esquires but in single pickup builds. The single pickup movement is getting bigger and this is the perfect tool to give those guitars extra versatility while still using a single Tele style bridge pickup.

So the experiments and trials began, there’s a lot to test with this sort of pickup.

The ‘Cruel Mistress’ part was easy, it’s my best selling Telecaster pickup set. The middle position is based on a ’61 Esquire I once had the good fortune of getting to know. I was going for that clear, ringing bridge pickup tone we all know and love, a sound that stands out from a mix. I was so happy with how this pickup turned out that I have since made a Telecaster set from it – The Dutchess. The third position I’m calling ‘Gold Foil’ but I could have equally called it ‘Lipstick’. It’s a tone in the character of that style of pickup though technically is neither.

I sat on the design for quite a while (about a year) thinking that although I really liked it the idea might be a bit complicated.

Then on a whim I just posted on Instagram about it and received a huge response. It seemed players and builders liked the idea. So here it is, the Pandora 3 way Esquire.

The Pandora sounds great with a 500KOhm volume pot or to get the most out of it I recommend this wiring diagram:

Pandora 3 way Esquire suggested wiring diagram

Pandora 3 way Esquirewiring diagram

The difference is that 1Meg pot (it’s usually 250KOhms) and those resistors. This enables each of the 3 pickup settings to ‘see’ the volume pot as a different value. It just emphasises the good points of each setting, it’s subtle but it does make a difference.

Pandora

Check out Mr Glyn’s YouTube channel https://www.youtube.com/@MrGlynsPickups/videos

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Dirty Jack – don’t blame your pickups

Les Paul Jack

The season is changing, old guitars are coming out of cupboards, if your electrics are crackly or your guitar keeps cutting out it might just be a Dirty Jack – don’t blame your pickups.
 It’s pretty simple really, if you’ve got a crackly guitar the jack may just need cleaning. Don’t blame your pickups straight away, jack sockets, switches and pots are more likely to cause problems than your pickups.

Of course, when you eliminate all the other possibilities you might be needing me:

https://mrglynspickups.com/contact/

Incidentally, it’s an “output” jack, not an “input” jack – just a pet hate of mine.

You can see the jack in this Les Paul is looking a tad fluffy. This one isn’t very bad but it’s worth a clean anyway as part of a set up.

Les Paul jack Mr Glyn's Pickups

I use 600 grade wet’n’dry paper used dry.

Mr Glyn's Pickups

I simply tear a piece off, roll it up and clean the jack out with it. A squirt with some contact cleaner can help. It’s good to keep a piece in your guitar case in case your jack goes crackly at a gig.

Dirty Jack  - cleaning

 You can see a fair bit of dirt can come off even this relatively clean jack. Just think what that was doing to your earth connection.

Dirty Jack - how to clean it

If a jack is really bad and you are gigging just replace it. It doesn’t cost much and it’s something you just can’t do without. If your jack stuffs up on stage it’s not a good look. I always have a small piece of 600 grade in my gig bag just in case.
   Cheers
       Glyn

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updated August 2023

Dirty Jack – don’t blame your pickups

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Hofner Pickup – an interesting repair

Hofner pickup toaster

I came across a blog I wrote in 2010 about a repair on an old Hofner pickup, thought you might be interested:

I had a visit from Paul Crowther the other day (always a pleasure to see him). He’s rather a legend for amongst other things his ‘Hotcake’ overdrive pedals and the ‘Prunes and Custard’ (my favorite for theremin).

http://en.wikipedia.org/wiki/Emlyn_Crowther

 He wanted to know if my coil winding machine was up and running –  he had an interesting pickup for me to wind.

Early Hofner toaster pickup

 Its an old Hofner pickup which I guess is from the 50’s. The guitar has 3 of them and this one has a break in the windings so needs to be re-wound.
This would normally be a straight forward job except for the design of this pickup.

inside an old hofner

 This is the inside of it. The windings (around the outside) are not wrapped around a bobbin. They are just sitting in the pickup and have been wrapped in tape to protect them. In the middle you can see the magnets sitting in a hard putty. There are incidentally only 5 magnets.
 So the problem Paul left me with was how to wrap about 5000 turns of extremely thin wire into a coil and therefore make a pickup.
 After a long brainstorming session with Sheena we came up with a plan.

Very tricky re-wind



 We figured that the wire had to be wound around a bobbin and then somehow the bobbin removed.

repair hofner pickup

 So I made this bobbin. The sides are plastic from a Strat pickguard (white) and the centre has been carved from candle wax.

hofner bobbin

The bobbin bolts together and is attached to another plastic plate which in turn fits to the winding machine.
 The idea is to wind the pickup on this and then warm the completed coil up and melt the wax. The wax should seep into the coil thus potting it as well. Then the sides can be unbolted and voila a copy of the original coil.

hofner repair

 Winding the coil wasn’t any different from any other pickup – so now for the tricky bit.

hofner repair

 I warm the coil ever so gently with a heat gun. I put my free hand next to the work to judge the temperature – if it gets too hot the plastic will melt and I’ll be starting again.

hofner pickup repair

 When I see some wax oozing out I ever so gently remove the top plate.

hofner pickup repair

 With the wax exposed I can apply more heat and watch it flow into the coil and as it cools becomes solid.

hand made coil

Then I wrap tape around it to hold everything in place. I cannot emphasize enough how fiddly this is. There are a few stray wires and if any of them break I’m starting again.

 coil

It may not be much to look at but its taken hours. The slight curve is to match the shape of the pickup casing. I’ve tested it and I’m pleased with it at 5.5Kohms.
 In the background you can see the magnetic lugs – I had to dig them out of the putty.

pickup fix

 I put the whole thing back together using ‘friendly plastic’ instead of putty then fill the casing with wax, solder the back on and its finished.

 Its been quite a task but I’m happy with the result.

   Glyn

Hofner Pickup – an interesting repair

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updated July 2023

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Kōkako Strat Pickup

Single Kōkako Strat Pickup NZ$129 for NZ customers, if you’re overseas it’s GST free; NZ$112.17

Set Kōkako Strat Pickup NZ$339 for NZ customers, if you’re overseas they’re GST free; NZ$294.78

AlnicoV – Neck 6.15 KOhms, 2.79H, Middle 6.15 KOhms, 2.79H, Bridge 6.64 KOhms, 3.08H

The Kōkako Strat Pickup is is strongly influenced by the Fender Stratocaster pickups of the 60’s but with a little more. It has a full yet clear bottom end , smooth highs and clear mids. It’s aimed at players who love the sounds of Frusciante and Hendrix.

The Kokako set was spawned by a few things coming together in November ’22.

For a while I’ve been offering my Bellbird Strat set with various winding options – 5% under, 5% over or 10% over wound. I’ve been playing with a 10% over wound set in one of my own Strats and for me they have ‘that’ vintage Strat tone that’s perfect with a little dirt be it fuzz or overdrive.

I was sent a Strat pickup to re-wind and the customer told me his ideal sound was Hendrix.

I’d just read an article saying how Seymour Duncan had wound some pickups for Hendrix and the spec of those pickups looked very similar to the 10% over wound Bellbirds.

That got me thinking.

The same day a customer contacted me wanting advice about my pickups and which one would be best for a John Frusciante sound.

Well, it’s the Bellbird +10%.

Kokako Strat Pickup

I thought this was too good to let go.

I could have left the pickup as a version of the Bellbird but decided it needed its own life.

My Strat pickups are named after native New Zealand birds like the Bellbird and the Tui; I chose the Kokako because its song reflects the tonal characteristics of the pickups. I wanted a bird that has a song fatter and fuller sounding than the Bellbird but not as aggressive as the Tui – so Kōkako Strat Pickup it is.

Here’s the original Bellbird pickup https://mrglynspickups.com/2020/03/29/bellbird-vintage-strat-set/

And YouTube demos of all my Strat pickups https://www.youtube.com/playlist?list=PLOdXLT6XwMymw8-Kvl1fQi1wfkQ-iDg7z

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updated 22 Sept 2023

Kōkako Strat Pickup

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Pickup Phase Explained

In this short video – Pickup Phase Explained – I look at what phase is, what it isn’t and why you need to know.

I use a Strat to demonstrate the ‘out of phase’ sound and how it would sound if it really was out of phase. There’s no maths, no diagrams. Just a simple explanation with a guitar to demonstrate.

Positions 2 and 4 on Strat switches are often referred to as ‘out of phase’ when they really aren’t. Those positions are the sound of 2 pickups in parallel (a humbucker is in series). Out of phase is quite different as you’ll hear in this video.

There is another video in this series explaining how to test phase – the easy way https://www.youtube.com/watch?v=3lhnCf4JIyw&t=3s

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For more blog posts https://mrglynspickups.com/blog/

Updated July 2023

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How To Test Pickup Phase

As part of my series on How Pickups Work here is How To Test Pickup Phase – The Easy Way.

There is, of course, a hard way and that’s putting pickups into a guitar and having a listen later. That’s fine if you get it right first time but a pain if you have to re-wire the pickup again later.

In this video I demonstrate how to use a cheap test meter to identify which phase your pickup is in out of the guitar.

Traditionally, Gibson style and Fender style pickups are in the opposite phase to each other. This is just how it is.

So it’s really useful to know how to wire your pickups especially if they have an unfamiliar colour code. In my line of work I often repair pickups. I need to send them back to the customer in the correct phase. This is the simple test I use.

I realised after making this video that I needed to make another on what pickup phase actually is. So here’s a link to that one. https://www.youtube.com/watch?v=1eX2VLEDHLY&t=153s

In this second video I demonstrate the sound of pickups out of phase so you can hear the difference which is, of course, the whole point.

There is also a demonstration of the Strat ‘out of phase’ sound and how it isn’t out of phase at all – yeah really! The sound of positions 2 and 4 on a Strat are 2 pickups in parallel.

Roboguy Logo for Mr Glyns Pickups Test Pickup Phase

Here is more about Mr Glyn’s Pickups – https://mrglynspickups.com/mrglyns-pickups/

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How To Test Pickup Phase

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Customer Feedback

In the last week I have received 2 emails from customers with YouTube demos attached showing how Mr Glyn’s Pickups are working for them. Customer Feedback is always gratefully received.

If you like their YouTube channels don’t forget to Subscribe.

Firstly, Reg in Christchurch NZ with a set of Cruel Mistress Telecaster pickups:

Then Antonio from Tasmania who has a Cloud Nine bridge pickup.

Here is the email he sent me along with the links to his YouTube:

Hi mate.

Just wanted to give you some feedback on the cloud nine i recently installed.

Firstly, thanks for the amazingly fast service.

Secondly the pickup sounds fantastic, especially alongside the dimarzio hs4s that were already installed on the guitar. I got the cloud nine to replace the paf pro which was only standard spacing but needed to be f spaced. I absolutely love the paf pro, but im so glad i went with the cloud nine.

Even in coil cut mode it sounds fantastic.

Anyways i wanted to send you a couple of links to videos i made with the finished guitar.

The cold chisel one i used the humbucker in full mode on the second solo.

As for the Europe cover, all the rhythm guitars were recorded in coil cut mode including the parts of the solo when i switch to the bridge. Because the hs pickups are such low output pups, the cloud nine in coil cut mode is a perfect output match.

Im definitely going to give more of your pickups a go.

Exceptionally well made mate.

Regards

Antonio

Here is my YouTube channel

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Customer Feedback

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Modern Wiring – Les Paul

I like to support my customers as much as I can so here is my drawing of Gibson Modern Wiring – Les Paul.

The modern wiring is used in most Les Pauls and it’s great for players wanting to roll off some treble when the guitar volume is turned down.

The difference between the modern and 50’s wiring is in how the tone capacitor is connected to the volume pot. It’s a very simple modification if you have 50’s wiring and are curious.

Modern Wiring – Les Paul

Modern Wiring - Les Paul

I’ve linked below to my 50’s wiring diagram so you can see the difference.

Another thing to remember is that you can actually use both wiring methods on the same guitar. It is possible, for instance, to use 50’s wiring for the neck pickup and modern for the bridge. That way the neck pickup would retain some clarity as you lower the volume. The bridge pickup (with the modern wiring) would loose a bit of high end with the volume down a bit and therefor smoothing off the treble. It just depends on what you’re trying to get out of your Les Paul. Then there’s capacitor choice, pot value, coiltap or series/parallel, or even out of phase – the list goes on. I will be writing more blogs to cover all that at some point.

It’s always important to remember that here is no right or wrong, despite what you may read on social media. It’s all just a matter of personal taste. These wiring differences are all subtle too, the place to start is with great pickups.

I’ve used my humbucker colour code.

Here’s my diagram for the 50’s style wiring https://mrglynspickups.com/2022/10/12/50s-wiring/

Here are some demos of my humbuckers https://youtube.com/playlist?list=PLOdXLT6XwMykEOjfDKlY6fBikNmVCBQXB

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updated 3 April 2023

Modern Wiring – Les Paul

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Tūmatauenga Alien Weaponry

Tūmatauenga Alien Weaponry is the Signature Pickup of Lewis De Jong

NZ$229. If you’re overseas it’s GST free; NZ$199.13

Ceramic 8 – Bridge 13.6 KOhms, 9.65H

The Tūmatauenga bridge pickup is the signature pickup of Lewis De Jong from the band Alien Weaponry.

This is no ordinary pickup, it’s specifically designed around Lewis’ requirements on stage and in the studio.

This pickup is aggressive and immediate, the bass is tight and punchy, mids powerful and clear with clear highs. It has power but also clarity to bring out the complex chords in Lewis’ playing.

Mr Glyn's Pickups Alien Weaponry signature pickup

These samples were recorded by Lewis using: a DBZ Bolero guitar, D’addario 11-56 Nickel Wounds tuned to drop C#, Marshall JCM 2000 DSL 50 heads x2, Marshall MF280 4×12 with V30s x2, Shure Wireless/tuner, Ibanez Weeping Demon, Line 6 M5, Boss HM6, Radial ABY box (all off/bypassed for this demo), mics used – Sennheiser ES906, Audio i5

Alien Weaponry signature pickup. Mr Glyn's guitar pickups
Photo:Taylor Baron

The Story of the Tūmatauenga Alien Weaponry Pickup

I was contacted by Alien Weaponry in December 2021 on their way back from a US tour. They were wondering if it was possible to have a NZ pickup made for Lewis. I jumped at the chance.

I’d been working on a pickup for extreme metal for some time and thought this might be me chance to use it. I loaded a test guitar with this pickup and headed to Waipu to meet Lewis. The band are based about 2 1/2 hours from my home so it was a great opportunity to do everything in person and ,of course, meet one of New Zealand’s best bands..

We plugged my test guitar into Lewis’ Marshall at their rehearsal room and it was obvious from their reaction that this wasn’t the sound they wanted. Okay, so it was going to take some work.

I had a listen to the pickups he was using and we had a long chat about what he wanted. I took one of their pickups out of his No.2 guitar to take back to the workshop to analyse.

Back at the workshop I measured all the parameters of the pickup and made a plan. I didn’t want to clone his existing sound but I couldn’t go too far away from it. I wanted to increase the punch of the bass and add a little clarity to the mids. One thing that was important was that it still sounded like their last album – you can’t go out on tour with a completely different sound.

I made a couple of prototypes and the following week headed back to Waipu.

I had one of the prototypes in my LTD test guitar and although it wasn’t exactly right is was close. From now on all the testing would be in Lewis’ own guitars. Once you’re close you need to minimise the parameters. And that’s how it went, swapping pickups and testing until Lewis was happy.

Finally we had the sound but that wasn’t all, it needed to look right.

The design on the pickup

Tūmatauenga - signature guitar pickup for Lewis De Jong from the band Alien Weaponry

The design on the pickup came from the band – hereis what they say about it:

Mangopare (Hammerhead shark) is a kaitiaki (guardian) and tohu āriki (sacred chiefly symbol) of our family.

It is a traditional design motif that appears throughout Māoridom but is particularly treasured by my tribal group (Te Arawa) It stands for strength, courage and power.

Name of the pickup – Tūmatauenga (Māori god of war) 

The name was decided to be Tūmatauenga (pronounced “2 ma toe enga”) the Māori god of war.

Tūmatauenga Alien Weaponry https://mrglynspickups.com/

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Cool 90

Single – “Cool 90” P90 NZ$189 for NZ customers, if you’re overseas it’s GST free; NZ$164.35

Pair – “Cool 90” P90 NZ$369 for NZ customers, if you’re overseas they’re GST free; NZ$320.87

Neck- 6.4 KOhms, 5.45H, Alnico II. Bridge 7.25 KOhms, 6.42H, Alnico II

The Cool 90 is a P90 based pickup available in both Dogear and Soapbar. Designed with Jazz and Blues players in mind it produces a clear, full, well balanced tone. Never harsh, always full and musical.

The bridge pickup has an organic sound with a lower mid push ideally suited to dynamic lead lines and tight rhythm playing.

The neck pickup is clear and chiming with enough clarity to always be heard in the mix. It has that lovely woody tone especially in an archtop.

Cool 90 Guitar Pickup from Mr Gyn's Pickups

For ‘full fat’ P90 tones have a look at our “Sassy” P90 pickup set.

The Cool 90 Story

Like many of my pickups the Cool 90 started with a repair job. A customer sent be a faulty Gibson P90 out of a 1955 Les Paul Junior. Naturally, I took measurements and completely analyzed every detail of it. Unlike the information in the books (and internet) it had less windings and Alnico II magnets instead of Alnico V.

And what a great sounding pickup it was.

I decided to make my own version of it to compliment the ‘Sassy” P90 pickup I was already making. The Sassy has the classic “full fat” P90 tone, plenty of growl and cut through.

The idea behind the “Cool 90” was to make a lower powered version for the cleaner player. Still keeping the classic P90 character but with less grunt.

Cool 90 P90 dogear Alnico 2 by MrGlyns Pickups
Cool 90 soapbar P90 set with alnico 2 magnets

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Roboguy Logo - Cool 90

I also make a humbucker size P90 set – the “Black Sand” if you need some P90 goodness in your humbucker guitar, here’s a link to them: https://mrglynspickups.com/2020/03/29/black-sand-humbucker-sized-p90-neck/

For a full range of demo videos of Mr Glyn’s pickups go to my YouTube channel https://www.youtube.com/c/MrGlynsPickups/featured

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Telecaster Bass

Single – “Telecaster Bass” NZ$149 for NZ customers, if you’re overseas it’s GST free; NZ$129.57

Alnico V – 6.8 kOhms

There is something so unbelievably cool about the Fender Telecaster Bass. The classic lines, that headstock, the pickguard, the association with great players and, of course, the tone. What ever it is we all love about this great instrument here’s a pickup to do it justice.

Whether you play with fingers or a pick this classic pickup will deliver. More present in the mix than the Precision split pair but with that distinctive punch and clarity.

Over the years I’ve re-wound a lot of old Fender pickups. I like to make notes to record what I find in these old pickups, wire gauge, insulation types, d.c. resistance, magnetic gauss, dimensions. My notebook is getting pretty full. This is my constant reference when I’m designing a new pickup, that and my ears.

I’ve based these pickups on the best of the old Fenders I’ve come across over the years. Not all vintage pickups are great but when you see enough of the good ones patterns begin to form.

I still repair pickups and still add to my old notebook, always learning 😎.

Telecaster bass, '51 bass pickup my Mr Glyn's Pickups

You can find all our demos here.

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updated 3 April 2023

Roboguy Logo
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50’s wiring

I like to support my customers as much as I can so here is my drawing of Gibson 50’s wiring. Hopefully it will help you fit your new pickups.

The 50’s wiring is great for players wanting to retain some treble when the guitar volume is turned down.

The difference between the 50’s and modern wiring is in how the tone capacitor is connected to the volume pot. It’s a very simple modification if you have modern wiring and are curious.

I recommend this wiring for my Integrity humbuckers – https://mrglynspickups.com/2020/03/29/integrity-vintage-humbucker-2/

I’ve used my humbucker colour code.

There really is nothing wrong with modern wiring, having your tone darken as you turn down the volume can be very useful in some settings. So try both and see which suits you best.

It seems that all the cool kids and ‘experts’ on the internet are telling us it has to be 50’s or nothing but for anyone with a soldering iron it’s an easy mod and completely reversible so experiment for yourself. You may find you like 50’s for the neck pickup and modern for the bridge.

Here are some demos of my humbuckers https://youtube.com/playlist?list=PLOdXLT6XwMykEOjfDKlY6fBikNmVCBQXB

Roboguy Logo

Mr Glyns ‘Integrity’ vintage voiced humbucker

Inspired by the early Gibson PAF pickups the Integrity-vintage humbucker give the classic full, balanced tone we all love. Asymmetric coils give an open sounding mid range and the Alnico II magnet gives clarity and balance. A rich bottom end, characterful mids and sweet treble make this a pickup set for every situation – Jazz, Blues, Rock, it does it all.

Every pickup manufacturer makes a “Vintage” humbucker based on the Gibson PAF, of course they do – old Gibsons sound so good.

So how come they all sound so different? Well, the simple answer is that PAF’s were all different. I’ve been a full time luthier since 1995, whenever I come across an old humbucker I test the ohms and the gause and have a good listen. They’re all different. My conclusion is that pickup manufacturers have taken the PAF they like and based their own version on that. Old PAF’s vary so much so modern ones do as well.

I like my own version to be clear sounding, have obvious string separation and definition and to keep clarity no matter how much gain. The mids must be strong and woody, this is not a “scooped” pickup. The clean sound needs to be chimey and clear with no mush; through a valve amp I want clarity. When I tickle it I want clean and vocal sounding when it clips. The bridge pickup needs to be well behaved with high gain and clear with enough cut through so the drummer knows you’re there. The neck smooth, clear and articulate. Warm but with none of the boom you get with a more powerful pickup.

I don’t want much do I.

My “Integrity”-vintage humbucker has an Alnico II magnet and I’ve used plain enamel insulated magnet wire with asymmetric coils to open up the mids. The very first pickup I ever made back in 1995 was a PAF style and I’ve been tweaking the recipe ever since. Like all my pickups I’ve used a number of test pilot players in its development as well as gigging it myself. It wasn’t until around 2015 that I settled on this particular design. I did a gig with a set in a PRS SE series only last weekend – sounded great to me.

The full and honest sound of the Integrity-vintage humbucker along with it’s timeless tone inspired the name “Integrity”. https://mrglynspickups.com/

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Series Parallel switch

There are numerous ways to wire a humbucker but for me the most versatile is with a Series Parallel switch.

So what is series/parallel all about?

The standard way of wiring a humbucker is in series. PAF’s are wired this way and it gives the traditional full sound with plenty of mids and bottom end. Its simply one coil following the other, the end of one coil connected to the beginning of the next.

Wiring a humbucker in parallel is quite a different sound. It’s much more similar to a single coil sound but the pickups is still hum cancelling. There is a drop in volume though not as much as with a coil tap (switching one coil off).

This series parallel humbucker wiring diagram shows how to do it with a push/pull switch. With the switch down and the humbucker is wired in series (normal), pull it up and it’s in parallel. The wiring colour code is for Mr Glyn’s Pickups ( I use the same colours as Seymour Duncan).

Series Parallel switch for guitar pickups humbucker
Series Parallel switch

I’m not sure why series/parallel isn’t more popular. Maybe it’s a little harder to understand than coil tapping, maybe it’s because its a little more complicated to wire up. I certainly prefer it.

I’m going to be posting a few more wiring diagrams in the near future. Keep an eye on this blog or my social media:

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Mr Glyns pickups are individually made near Auckland, New Zealand. From low powered Vintage to powerful ROCK pickups. Designed combining experience, intuition and science. Road-tested by players on stage and in studios. Packaged with care for you and the planet. Food for amplifiers.

Mr Glyns Pickups is a small business which means I can communicate with my customers one to one. I’m always happy to discuss your requirements, answer questions and give advice. I want to know about the guitars my pickups are going in, send me pictures, send me recordings.

Roboguy Logo

For the full range of pickups https://mrglynspickups.com/

Series Parallel switch

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Larry and the Trons

Larry and the Trons is a short video by Brett Kingman to demonstrate Mr Glyn’s Pickups TheTron pickup set in a Telecaster Cabronita.

I sent him a set of TheTron pickups to make a demo and this is the 4th video he’s made – he must like them.

I designed TheTron pickup set with Gretsch guitars in mind and in particular the lightly overdriven sound of early Malcolm Young. It’s great when a player takes your design and makes you re-think it.

Since Brett fitted his set into a Telecaster Cabronita I’ve changed the spec of these pickups and now offer them in 52mm and 49.2mm spacing to match Fender style bridges. I do try and listen to players whenever I can.

TheTron pickup set is based around the legendary Gretsch pickups Of the 50’s and 60’s. To say TheTron has character is an understatement. TheTron is full and rounded with a well balanced mid range but with that distinctive ‘Clank’ that separates it from other pickups. The neck pickup is clear and fat and the bridge stands out from the mix without ever sounding harsh.

Over the years I’ve repaired a fair few old Gretsch pickups and noticed the best sounding ones are at the upper range for ohms. I’ve taken that design and tweaked it until I got the fullness I was looking for but without loosing clarity or clank.

Most of my pickups are made in collaboration with a professional player, but not TheTron. I started playing guitar at the age of 16 when I first heard Malcolm Young – a Filtertron through an almost clean valve amp. I didn’t feel I needed another set of ears for this one, I knew exactly what I wanted.

I needed this pickup set to be crystal clear with a clean amplifier but to come into its own when pushing an amp to clip. The neck pickup needed to be clear, full and chiming in both a big archtop and in the neck position of a Telecaster. The bridge pickup needed to have no shortage of character, a clean almost jangly tone when played gently but with enough go in it to push the front end of a valve amp to clip when you dig in.

TheTron is the perfect pickup as a Gretsch upgrade, for the modern player wanting something other than Gibson style humbuckers, rockabilly players after that traditional tone, jazz players or, like me, Malcolm Young fans. There’s so much you can to with The Tron.

For the modern player with one foot in the past.

Here’s TheTron’s home page for more info and demos https://mrglynspickups.com/2021/09/22/thetron/

Mr Glyns TheTron pickup set. Larry and the Trons

Larry and the Trons https://www.youtube.com/watch?v=ga0qYdh565s

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Epiphone Les Paul pickup upgrade

Integrity humbuckers. PAF Alnico 2 vintage voiced pickups

The biggest difference you can make to an Epiphone Les Paul is a pickup upgrade. In this video Ben Neal does just that.

Take a look at his YouTube channel for more great videos – https://www.youtube.com/c/BenNeal

Here’s some info on the Integrity humbucker set and you can go to my Integrity page for lots more demos:

Inspired by the early Gibson PAF pickups the Integrity-vintage humbucker give the classic full, balanced tone we all love. Asymmetric coils give an open sounding mid range and the Alnico II magnet gives clarity and balance. A rich bottom end, characterful mids and sweet treble make this a pickup set for every situation – Jazz, Blues, Rock, it does it all.

Every pickup manufacturer makes a “Vintage” humbucker based on the Gibson PAF, of course they do – old Gibsons sound so good.

So how come they all sound so different? Well, the simple answer is that PAF’s were all different. I’ve been a full time luthier since 1995, whenever I come across an old humbucker I test the ohms and the gause and have a good listen. They’re all different. My conclusion is that pickup manufacturers have taken the PAF they like and based their own version on that. Old PAF’s vary so much so modern ones do as well.

I like my own version to be clear sounding, have obvious string separation and definition and to keep clarity no matter how much gain. The mids must be strong and woody, this is not a “scooped” pickup. The clean sound needs to be chimey and clear with no mush; through a valve amp I want clarity. When I tickle it I want clean and vocal sounding when it clips. The bridge pickup needs to be well behaved with high gain and clear with enough cut through so the drummer knows you’re there. The neck smooth, clear and articulate. Warm but with none of the boom you get with a more powerful pickup.

I don’t want much do I?

My “Integrity”-vintage humbucker has an Alnico II magnet and I’ve used plain enamel insulated magnet wire with asymmetric coils to open up the mids. The very first pickup I ever made back in 1995 was a PAF style and I’ve been tweaking the recipe ever since. Like all my pickups I’ve used a number of test pilot players in its development as well as gigging it myself. It wasn’t until around 2015 that I settled on this particular design. I did a gig with a set in a PRS SE series only last weekend – sounded great to me.

The full and honest sound of the Integrity-vintage humbucker along with it’s timeless tone inspired the name “Integrity”. 

Roboguy - Mr Glyns Pickups mascot. pickup upgrade

pickup upgrade

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Tele Cabronita – ‘TheTron’

The Tron, filtertron guitar pickup

Was great to see this Brett Kingman demo using a Tele Cabronita with Mr Glyns The Tron pickups to demonstrate some really cool pedals the other day. He’s got dozens of guitars to choose from, so chuffed he chose my pickups.

TheTron pickup set is based around the legendary Gretsch pickups Of the 50’s and 60’s. To say TheTron has character is an understatement. TheTron is full and rounded with a well balanced mid range but with that distinctive ‘Clank’ that separates it from other pickups. The neck pickup is clear and fat and the bridge stands out from the mix without ever sounding harsh.

There are more demos here: https://mrglynspickups.com/2021/09/22/thetron/

The Tron, filtertron guitar pickup

Over the years I’ve repaired a fair few old Gretsch pickups and noticed the best sounding ones are at the upper range for ohms. I’ve taken that design and tweaked it until I got the fullness I was looking for but without loosing clarity or clank.

Most of my pickups are made in collaboration with a professional player, but not TheTron. I started playing guitar at the age of 16 when I first heard Malcolm Young – a Filtertron through an almost clean valve amp. I didn’t feel I needed another set of ears for this one, I knew exactly what I wanted.

I needed this pickup set to be crystal clear with a clean amplifier but to come into its own when pushing an amp to clip. The neck pickup needed to be clear, full and chiming in both a big archtop and in the neck position of a Telecaster. The bridge pickup needed to have no shortage of character, a clean almost jangly tone when played gently but with enough go in it to push the front end of a valve amp to clip when you dig in.

TheTron is the perfect pickup as a Gretsch upgrade, for the modern player wanting something other than Gibson style humbuckers, rockabilly players after that traditional tone, jazz players or, like me, Malcolm Young fans. There’s so much you can to with The Tron.

For the modern player with one foot in the past.

Mr Glyns TheTron pickup set

Tele Cabronita https://www.youtube.com/playlist?list=PLOdXLT6XwMyl5p3dysXkznyAp5gt_Z5HN

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New Alien Weaponry pickup

COMING SOON!

Spent a couple of days with Alien Weaponry working on a signature pickup for Lewis and we’re just about there.

We’ve got the sound, and it’s BIG. This is not a pickup for the timid.

We just have some work to do on the look of the final pickup and it will be available to the public.

Alien Weaponry Mr Glyns Pickups

This is so exciting for me, working with an artist who really knows what he wants and is such a great player and they are lovely people to work with.

More news coming soon. https://alienweaponry.com/tour-dates.html

Tumatauenga Pickups
Tumatauenga

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Integrity humbucker demo

Integrity humbuckers. PAF Alnico 2 vintage voiced pickups

Thought I’d let you know about a new demo of my Integrity humbucker by Ben Neil. https://www.youtube.com/channel/UCVg2uivLJff7FTWmwTYVZWQ

Here’s the short, to the point version:

For those of you wanting to delve a little deeper here’s the full version:

Inspired by the early Gibson PAF pickups the Integrity-vintage humbucker give the classic full, balanced tone we all love. Asymmetric coils give an open sounding mid range and the Alnico II magnet gives clarity and balance. A rich bottom end, characterful mids and sweet treble make this a pickup set for every situation – Jazz, Blues, Rock, it does it all.

Every pickup manufacturer makes a “Vintage” humbucker based on the Gibson PAF, of course they do – old Gibsons sound so good.

So how come they all sound so different? Well, the simple answer is that PAF’s were all different. I’ve been a full time luthier since 1995, whenever I come across an old humbucker I test the ohms and the gause and have a good listen. They’re all different. My conclusion is that pickup manufacturers have taken the PAF they like and based their own version on that. Old PAF’s vary so much so modern ones do as well.

I like my own version to be clear sounding, have obvious string separation and definition and to keep clarity no matter how much gain. The mids must be strong and woody, this is not a “scooped” pickup. The clean sound needs to be chimey and clear with no mush; through a valve amp I want clarity. When I tickle it I want clean and vocal sounding when it clips. The bridge pickup needs to be well behaved with high gain and clear with enough cut through so the drummer knows you’re there. The neck smooth, clear and articulate. Warm but with none of the boom you get with a more powerful pickup.

I don’t want much do I.

My “Integrity”-vintage humbucker has an Alnico II magnet and I’ve used plain enamel insulated magnet wire with asymmetric coils to open up the mids. The very first pickup I ever made back in 1995 was a PAF style and I’ve been tweaking the recipe ever since. Like all my pickups I’ve used a number of test pilot players in its development as well as gigging it myself. It wasn’t until around 2015 that I settled on this particular design. I did a gig with a set in a PRS SE series only last weekend – sounded great to me.

The full and honest sound of the Integrity-vintage humbucker along with it’s timeless tone inspired the name “Integrity”.

https://mrglynspickups.com/

Integrity humbucker demo

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Mr Glyns Pickups logo. Integrity humbucker demo
Mr Glyns Pickups

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The Tron demo

There’s going to be a full The Tron demo coming soon from the legendary Brett Kingman.

Here’s a wee taster:

https://www.facebook.com/plugins/video.php?height=314&href=https%3A%2F%2Fwww.facebook.com%2FBrettKingman%2Fvideos%2F1177905993037267%2F&show_text=false&width=560&t=0

The real version should be out in the next few weeks.

Here’s some more info https://mrglynspickups.com/2021/09/22/thetron/

TheTron filtertron Mr Glyns pickups

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Integrity humbucker in a HSS Strat

Roboguy. Humbucker

Had some fun today making a short stop-motion movie of Roboguy to demonstrate an Integrity humbucker in a HSS Strat.

The ‘real’ guitar is being played by Warren Mendonsa aka Blackstratblues.

Of course, any of my humbuckers will work as part of a HSS Strat set but I think the Integrity matches single coil pickups best.

For more demos of this pickup have a look here: https://mrglynspickups.com/2020/03/29/integrity-vintage-humbucker-2/

Inspired by the early Gibson PAF pickups the Integrity-vintage humbucker give the classic full, balanced tone we all love. Asymmetric coils give an open sounding mid range and the Alnico II magnet gives clarity and balance. A rich bottom end, characterful mids and sweet treble make this a pickup set for every situation – Jazz, Blues, Rock, it does it all.

Every pickup manufacturer makes a “Vintage” humbucker based on the Gibson PAF, of course they do – old Gibsons sound so good.

So how come they all sound so different? Well, the simple answer is that PAF’s were all different. I’ve been a full time luthier since 1995, whenever I come across an old humbucker I test the ohms and the gause and have a good listen. They’re all different. My conclusion is that pickup manufacturers have taken the PAF they like and based their own version on that. Old PAF’s vary so much so modern ones do as well.

I like my own version to be clear sounding, have obvious string separation and definition and to keep clarity no matter how much gain. The mids must be strong and woody, this is not a “scooped” pickup. The clean sound needs to be chimey and clear with no mush; through a valve amp I want clarity. When I tickle it I want clean and vocal sounding when it clips. The bridge pickup needs to be well behaved with high gain and clear with enough cut through so the drummer knows you’re there. The neck smooth, clear and articulate. Warm but with none of the boom you get with a more powerful pickup.

I don’t want much do I.

My “Integrity”-vintage humbucker has an Alnico II magnet and I’ve used plain enamel insulated magnet wire with asymmetric coils to open up the mids. The very first pickup I ever made back in 1995 was a PAF style and I’ve been tweaking the recipe ever since. Like all my pickups I’ve used a number of test pilot players in its development as well as gigging it myself. It wasn’t until around 2015 that I settled on this particular design. I did a gig with a set in a PRS SE series only last weekend – sounded great to me.

The full and honest sound of the Integrity-vintage humbucker along with it’s timeless tone inspired the name “Integrity”. https://mrglynspickups.com/

humbucker in a HSS Strat

Integrity humbucker in a HSS Strat

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Eat My Packaging

I’ve just published a couple of videos on YouTube entitled ‘Eat My Packaging’. The idea is to demonstrate that our packaging is compostable and to have some fun at the same time.

I’d love other businesses to think about how they send their products and maybe make some changes.

If you think this is a good idea I’d love it if you could share it on your social media and maybe ask a business to do the same and post a video or pictures on #eatmypackaging

Here’s the short version:

And there’s a longer talky one:

No pickup makers were harmed in the making of this video.

Eat My Packaging is not something I recommend you try and do – you’ve got way more sense than that.

Mr Glyn’s Pickups is a small manufacturer operating from one of the more distant corners of the planet sending delicate products all over the World. If we can manage to use fully bio degradable packaging then there’s no reason why others can’t. You don’t need bubble wrap, you don’t need plastic bags.

I’m going to use this video to encourage my suppliers to do the same. Too many of the parts we use arrive in plastic bags. We do our best to re-use these and some can be re-cycled. It isn’t perfect but we’re working on it.

The products we sell contain plastics and metals but our pickups are designed to last at least 50 years and after that are repairable. Again not perfect, but we’re doing our best.

If you think this is a good idea please share on all your social media, tell your friends and maybe challenge a business to #eatmypackaging

Mr Glyn Packaging

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Mr Glyn’s Pickups are handmade in New Zealand https://mrglynspickups.com/ https://www.youtube.com/c/MrGlynsPickups/videos

Next time I’ll try and make a cheese toastie 🙂

#eatmypackaging Eat My Packaging

updated 28 August 2023

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Hamurana Guitars NZ

It’s always interesting to see where my pickups end up, in this case Hamurana Guitars NZ.

Hamurana Guitars featuring Mr Glyns Pickups
Hamurana Guitars

They make World class guitars combining looks, playability and tone. I’ve played a few – they are outstanding.

Hamurana have used my pickups in a few builds and it’s always great to see what he comes up with. This time he’s used a pair of my my Black Sand humbucker size P90’s.

You can get in touch with Hamurana Guitars and order your dream guitar here:

https://www.hamuranaguitarworks.co.nz/