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Pickup String Spacing – choosing a humbucker

Pickup string spacing is something you need to be aware of when you’re buying guitar pickups, particularly humbuckers. Guitar bridges come with different string widths so pickups need to match that. In this blog post I’m going to explain what It’s all about and how to measure it.

What is a Pole Piece?

Pickups have pole pieces, think of these as magnets mounted in the pickup listening for string movement. Sometimes they are actual magnets, sometimes pieces of steel directing magnetism towards the strings. In this case they are steel screws.

Humbucker pole pieces, Mr Glyns Pickups

This is what we mean by ‘pole spacing’ its the distance between the outer most poles, centre to centre.

Pickup String Spacing

What you don’t need to know

The way a pickup works is the string sitting inside the magnetic field actually becomes a temporary magnet and when it vibrates it disturbs this magnetic field and creates an electrical signal in the coil of wire around the magnet.

It’s a tiny signal but enough to get through your guitar’s on board circuit and down a cable to an amplifier. It’s hard to imagine that such a small amount of electricity can produce such a lot of sound. Have a think about it next time you’re at a big gig. What you’re hearing is just that small amount of electricity generated in a coil of wire. It’s really cool stuff and I find it fascinating. But you don’t really need to know all that.

Pickup String spacing – what you need to know

What you do need to know is that the string needs to align with the magnet to get the best signal. Magnets are, however, not lasers, they generate a magnetic field and not a precise beam. If the string isn’t in perfect alignment it’s fine. If the slightest misalignment made a difference then string bending would cause a drop in volume. Have a look next time you bend a string how far the string moves away from the pole.

Guitar string alignment to a humbucker

As you can see, a little bit out of line makes no difference. Eddie Van Halen used a vintage PAF on Van Halen I with a Fender type bridge – the PAF ‘s were 49.2mm (1 15/16″) spacing and Fender bridges are usually 52mm. If there had been a problem he would have noticed.

Please remember that if a humbucker has 49.2mm spacing or 52mm spacing it’s outer dimensions are the same. The overall size of the pickup doesn’t change. So if you take out a 49.2mm humbucker and replace it with a 52mm it will still fit, it’s just the pole alignment to the strings that will be different.

Guitar bridges come in various sizes giving different string spacing. So if you have a Gibson ABR Tune-o-matic your string spacing will be narrower than a Fender Strat bridge, for instance.

By the time the strings get to the neck pickup the spacings are just about the same so neck pickups don’t vary in width. We’re just talking about bridge pickups here.

So we really want the strings to line up as best as possible with the pickup’s poles but we’re not getting too hung up on it.

How to measure string spacing

The measurement is the distance from the first to the sixth strings centre to centre at the bridge pickup. This diagram should help:

Measurment strat bridge

You can simply do this with a ruler, like I have.

As you can see this ’89 Strat bridge has 52mm string spacing. If you wanted to choose a bridge humbucker to make it a HSS Strat than choose the 52mm option.

If you’re buying a Mr Glyns Pickup and have any doubt just send me a pic of your bridge and I should be able to advise you.

What is F spacing?

F spacing simply means a wider spaced bridge humbucker – 52, 52.5 or 53mm. The F stands for either ‘Fender’ or ‘Floyd Rose’. It isn’t clear which and doesn’t really matter.

Why 49.2mm not just 49mm? You may well ask! It’s the metric equivalent of the pole spacing for a Gibson PAF which is the pickup most humbuckers are based on. The original measurement in imperial is 1 15/16″ – which if you ask me is no less silly a number that 49.2 but we’re stuck with it.

If this has given you a need for a new set of humbuckers you can find the Mr Glyns Pickup humbucker range here.

Here is a link to my YouTube playlist for humbucker demos.

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Epiphone Les Paul pickup upgrade

Integrity humbuckers. PAF Alnico 2 vintage voiced pickups

The biggest difference you can make to an Epiphone Les Paul is a pickup upgrade. In this video Ben Neal does just that.

Take a look at his YouTube channel for more great videos – https://www.youtube.com/c/BenNeal

There are many ways to upgrade a guitar, changing the pickups is the most significant.

Epiphone pickup upgrade

He goes through every aspect of what these guitars are capable of. I think he proves that these can be great guitars with just a few extra tweaks.

If you need help choosing just get in touch. Just go to this page and answer two simple questions and Ill get back to you with a recomended pickup.

Roboguy - Mr Glyns Pickups mascot. pickup upgrade

pickup upgrade

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Integrity humbucker in a HSS Strat

Roboguy. Humbucker

Had some fun today making a short stop-motion movie of Roboguy to demonstrate an Integrity humbucker in a HSS Strat.

The ‘real’ guitar is being played by Warren Mendonsa aka Blackstratblues.

Of course, any of my humbuckers will work as part of a HSS Strat set but I think the Integrity matches single coil pickups best.

For more demos of this pickup have a look here: https://mrglynspickups.com/2020/03/29/integrity-vintage-humbucker-2/

Inspired by the early Gibson PAF pickups the Integrity-vintage humbucker give the classic full, balanced tone we all love. Asymmetric coils give an open sounding mid range and the Alnico II magnet gives clarity and balance. A rich bottom end, characterful mids and sweet treble make this a pickup set for every situation – Jazz, Blues, Rock, it does it all.

The full and honest sound of the Integrity-vintage humbucker along with it’s timeless tone inspired the name “Integrity”. https://mrglynspickups.com/

humbucker in a HSS Strat

Integrity humbucker in a HSS Strat

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‘Mini’ – mini humbucker

Single NZ$199 for NZ customers, if you’re overseas it’s GST free; NZ$173.04

Pair NZ$379 for NZ customers, if you’re overseas they’re GST free; NZ$329.57

AlnicoV – Bridge 7.25 KOhms, AlnicoV – Neck 6.6 KOhms

The ‘Mini’ is inspired by the Gibson mini humbuckers of the 70’s used in the Les Paul Deluxe.

The ‘Mini’ is a clean clear sounding mini humbucker with the warmth and clarity from an alnico II magnet combined with low winding strength. This gives them a full, smooth, chiming bass, clear mids and an almost jangly treble, present but never harsh.

Great for jazz, funk, blues, pop or any genre that requires a clean, low powered humbucker set.

Mini humbucker by MrGlyn’s Pickups

Mini humbuckers are great pickups, lower in power than their full size sisters their clarity comes from less windings around a smaller bobbin. The smaller size of the pickup means they ‘hear’ less of the string length than a full size humbucker. The result is a clearer tone with less of the lower mid range push that you get from a PAF.

Mini humbucker set by MrGlyn’s Pickups

The neck pickup has a clear voice ideal for funk or jazz. The neck and bridge pickups together have a perfect balance when used together, ideal for clean rhythm playing. The bridge pickup alone has a cheeky ‘cut through’ quality pushing you to the front of any mix.

Although he Les Paul Deluxe was a short lived guitar in the Gibson range the mini humbucker has lived on. It is a very popular pickup in custom guitars particularly the neck pickup and is a great match for Mr Glyn’s ‘Cruel Mistress’ telecaster bridge pickup.

mini humbucker

If you’re looking for a pickup that is clearer than a PAF, has a less prominent lower mid spike with an even balanced tone then the mini humbucker could be the pickup for you.

The Mini has a more powerful sister – the Minx https://mrglynspickups.com/2021/11/11/minx-mini-humbucker/

mini humbucker https://www.youtube.com/c/MrGlynsPickups/videos

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How do Humbuckers Work?

So How do Humbuckers Work? By a clever quirk of physics humbuckers manage to cancel out the hum they pick up. So how do they do it? Here’s a simple explanation with some help from Sammy the dog. https://mrglynspickups.com/

Mr Glyn’s pickups are hand made in New Zealand.

I make a few flavours of humbucker:

The Integrity

A full, clear sounding Alnico II pickups in the style of the best of the early PAF’s. Balance and clarity – a humbucker for every situation. https://mrglynspickups.com/2020/03/29/integrity-vintage-humbucker-2/

The Cloud Nine

A mid to hot, pickup made specifically for blues/rock players who want to push the front end of their amps. Plenty of grunt, plenty of mids and enough cut through for you to stand out in the mix. https://mrglynspickups.com/2020/03/29/cloud-nine-hot-humbucker/

The Attitude

A pickup for the modern metal or fusion player. Articulate and balanced, smooth and clear. https://mrglynspickups.com/2020/07/29/attitude-humbucker/

How do Humbuckers Work. Mr Glyn's Pickups Roboguy
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How do Humbuckers Work

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FirehorseFX – Ep#7 MrGlyn Meets Your Maker

FirehorseFX

Just published Ep#7 of MrGlyn Meets Your Maker with Kiran from Firehorse FX in Hamilton. We talk about his range of pedals, how he develops them and what cool stuff is in the pipeline including a Mu-Tron Phaser that’s got my GAS going. I even have one of his pedals on my own board.

You can find out more about FirehorseFX here

I love making these videos, I’ve made so many friends. There is so much to learn listening to professional makers talk about their creations.

www.mrglynspickups.com

MrGlyn Meets Your Maker - FirehorseFX
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Ep#4 MrGlyn Meets Your Maker – Big Noise Amplification

Big Noise Amplification

Just posted Ep#4 of MrGlyn Meets Your Maker with Big Noise Amplification. It would be great if you could help support Kiwi made musical gear by subscribing or sharing.

Stephan Gilberg makes a huge range of guitar pedals from his workshop in Nelson NZ.

In this episode he talks about pedal design, the inspiration behind his creations and what drives him.

If you’re at all interested in unique guitar sounds, expanding on the traditional palette or just want something funky on the floor then this episode on Big Noise Amplification is for you

https://bignoiseamplification.com/

https://www.facebook.com/BigNoise-Amplification-310448832757786

Big Noise Amplification

Hi all, some of you will know how keen I am on NZ made musical gear.

We have world class makers here in Aotearoa and the World needs to know about them. Rather than just having a good moan I’ve been trying to think of ways I can help.

After many conversations with other small manufacturers I’ve come up with an idea. I’m starting a series of YouTube videos where I chat with NZ makers so we can all get to know them a little better. I figure that seeing and hearing the person behind the product, hearing their story, their philosophy, will help promote what they do beyond just their website.

Some of these makers you may not even have heard of. It’s a very simple format, just recording a Skype conversation. There is some editing mainly cutting out my own waffle but I do try and keep edits to a minimum.

I am not a professional presenter I’m just an ordinary bloke working with what I’ve got and this is way out of my comfort zone but I hope you’ll find the content interesting.

I’ve called the series “MrGlyn Meets Your Maker”.

In episode #1 I’m talking with Aiden from Archetype Guitars in Palmerston North who very graciously agreed to go first. If these videos go any way towards you considering buying NZ made then I’ve succeeded.

Please share, link to, subscribe and spread the word, that’s how you can help. Thanks, Glyn https://mrglynspickups.com/

Big Noise Amplification with Mr Glyns Pickups
Mr Glyn’s Pickups
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DiMarzio Super Distortion – Rewind

The other day I had a DiMarzio Super Distortion in for a re-wind. A classic pickup, first made in 1972 and still ROCKS. I’m not sure how old this one is but it has certainly had a life.

Di Marzio Super Distortion repair
DiMarzio SuperDistortion repair
DiMarzio Super Distortion - vintage bobbins

I love seeing the Ohms of each coil hand written on the underside of the bobbins.

The whole thing is powered by that over thick ceramic magnet, offset to one side and with a steel bar down the side of one set of bolts to compensate for it. It’s that magnet that gives it the power, articulation and sensitivity.

Never judge a pickup by its ohms!

You will have heard these on thousands of recordings the DiMarzio Super Distortion is such a classic.

Di Marzio

Pickup re-winds are a big part of what I do.

In the early days back in the 1990’s I re-wound a lot of pickups. It was an invaluable introduction into the inner workings of electric guitar pickups.

Back then there were a lot of 60’s and 70’s quality pickups around to practice on, they weren’t as valuable or sought after as they are now. Because of that I got to see how pickups were put together in the old days, the construction, the potting material…

There wasn’t much information available so experimentation was the only way to learn. I made so many bad pickups back then but made a note of every single one, how I’d wound it and what the result was. By using that method I got closer and closer to what I wanted. I also made a note of all the re-winds I did and the original spec if I could get it. I’m still writing in that note book to this day and it’s becoming a fantastic reference tool when I receive an unusual pickup repair from a customer.

I still really enjoy re-winding pickups, I think I have a strong instinct to fix things. I would much rather repair a faulty old pickup than sell a customer a new one. Sometimes, of course, the customer wants a different sound that the old pickup can’t give them and a new pickup is the way to go.

Please feel free to contact me about any faulty pickup by email (mrglynspickups@gmail.com) or by phone (021 912 678).

https://www.youtube.com/channel/UCcDggiRTQyFec5KAVHsC2xA

DiMarzio Super Distortion

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Updated July 2023

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Pickup Relicing available

Pickup Relicing is available, it’s not on the website, just ask me when you’re ordering.

From gentle ageing just to take the glare off to serious steampunk treatement.

Pickup Relicing available
‘Integrity’ light/medium ageing

I am often asked to age pickups to match in with an old guitar. A 40 year old Les Paul can just look wrong with shiny new pickups. Giving them a little head start makes a lot of sense.

Often I’m asked to age pickups to match in with a new but reliced guitar.

Guitar elicing used to be a really controversial subject but it’s so commonplace now that it’s pretty much universally accepted.

Soapbar ‘Sassy’ P90 aged

Aged soapbar P90

Some players feel a guitar should be played for years on end to earn its wear, I get that.

Personally, I like the feel of an aged guitar. A dulled finish, rounded over fretboard edges all make for a more comfortable playing experience.

And then there’s the other factor- fear. I find I’m afraid of a shiny new expensive guitar in mint condition but when there are already a few scratches I can just let go. I play look at a lot better on old or aged instruments.

Black Sand HBSP90 medium Pickup Relicing

Aged HBSP90

I also rather enjoy the process of making a pickup look like it’s the veteran of a World tour. Pickup Relicing is something I openly encourage.

Heavy Relic The Tron

Heavy relic The Tron by Mr Glyns Pickups

Check out our YouTube https://www.youtube.com/@MrGlynsPickups/featured

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updated 3 October 2023

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Integrity-vintage humbucker

Integrity-vintage humbucker Single NZ$199 for NZ customers, if you’re overseas it’s GST free; NZ$173.04

Integrity-vintage humbucker Pair NZ$379 for NZ customers, if you’re overseas they’re GST free; NZ$329.57

Cover NZ$20 ($17.39) extra each pickup

Alnico II – Bridge 8.02 KOhms, 6.43H. Neck 7.41 KOhms, 5.57H

Inspired by the early Gibson PAF pickups the Integrity-vintage humbucker give the classic full balanced tone we all love.

Asymmetric coils give an open sounding mid range and the rough cast Alnico II magnet gives clarity and balance. A rich bottom end, characterful mids and sweet treble make this a pickup set for every situation – Jazz, Blues, Rock, it does it all.

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Every pickup manufacturer makes a “Vintage” humbucker based on the Gibson PAF, of course they do – old Gibsons sound so good.

So how come they all sound so different? Well, the simple answer is that PAF’s were all different. I’ve been a full time luthier since 1995, whenever I come across an old humbucker I test the ohms and the gause and have a good listen. They’re all different. My conclusion is that pickup manufacturers have taken the PAF they like and based their own version on that. Old PAF’s vary so much so modern ones do as well.

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Here is Nik Dobbin show off an Integrity set in an all mahogany PRS Santana SE II from the early 2000’s.

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Integrity-vintage humbucker requirements

I have designed my own version to be clear sounding, have obvious string separation and definition and to keep clarity no matter how much gain. The mids must be strong and woody, this is not a “scooped” pickup. The clean sound needs to be chimey and clear with no mush; through a valve amp I want clarity. When I tickle it I want clean and vocal sounding when it clips. The bridge pickup needs to be well behaved with high gain and clear with enough cut through so the drummer knows you’re there. The neck smooth, clear and articulate. Warm but with none of the boom you get with a more powerful pickup.

I don’t want much do I.

My “Integrity”-vintage humbucker has a rough cast Alnico II magnet and I’ve used plain enamel insulated magnet wire with asymmetric coils to open up the mids, jusy like the originals.

The very first pickup I ever made back in 1995 was a PAF style and I’ve been tweaking the recipe ever since.

Studying the intricacies of this pickup design have given me a huge respect for Seth Lover the designer of the original Gibson PAF. Its hard to imagine the guitar world without it. Would Gibson be such a popular band without his contribution? Its hard to say.

Like all my pickups I’ve used a number of test pilot players in its development as well as gigging it myself. A huge thanks to all the players and engineers involved in the development.

These pickups were played in studios and on stages in the hands of numerous players long before I gave them a name or built this website.

I t wasn’t until around 2015 that I finally settled on this particular design. It had been a very long road for the Integrity humbucker set and I’m delighted to be offering them to you.

A Pickup in 4 Flavours

This pickup is available in 4 flavours to cover the various applications of this versatile pickup. You can select your option at the checkout.

The idea behind the 4 flavours is to simplify things for you. Rather than have 4 separate pickups with a similar vibe I’ve put them all under the umbrella of ‘Integrity’.

The Standard wind –

This is the one I feel is the best balance between output and tone. All the demos are of this version. After my years of experimenting this is the version I like the best and use myself.

5% Underwound –

This has 5% less windings than the standard pickup. Less wire means less power but it also reduces the bass and gives a little more high end sparkle. If you want a low powered very clean humbucker this is for you. This one is all about clarity. Especially suited to archtop guitars.

5% Overwound –

More windings mean a little more power but more significantly an increase in bass. Ideal for players wanting a classic rock tone or in HSS Strats.

10% Overwound –

An increase in power and bass from the standard pickup. Still very much the PAF vibe but with a bit more. This is a great rock pickup with the dynamic range to clean up nicely but with the power to push you amp. Suited to players using dirtier sounds from classic rock to Slash to early Van Halen.

The Integrity comes with 4 conductor wire to give you all the switching options. I very lightly wax pot the Integrity to reduce microphonic feedback but to retain some of the microphonic character of the originals.

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The full and honest sound of the Integrity-vintage humbucker along with it’s timeless tone inspired the name “Integrity”. https://mrglynspickups.com/

Integrity-vintage humbucker by Mr Glyns Pickups
Humbucker options - Mr Glyns Pickups

Integrity-vintage humbucker

Testimonials

I put the integrity pick ups into my Jim Root Jazzmaster last week.
I gigged with the guitar on Sat night and am so happy.
They have the versatility that I’m looking for.
Thanks

Bought a set of Mr Glyn’s Integrity humbuckers and they are awesome! These pickups do everything from clean to blues rock to screaming distorted rock tones. So great to just roll off the volume, have it clean up but still stay loud and defined. My guitar is now super versatile and sounds great! Thanks

https://keningtonmusic.com/

Integrity-vintage humbucker

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