Posted on Leave a comment


Tūmatauenga is the Signature Pickup of Lewis De Jong – Alien Weaponry

NZ$229. If you’re overseas it’s GST free; NZ$199.13

Ceramic 8 – Bridge 13.6 KOhms, 9.65H

The Tūmatauenga bridge pickup is the signature pickup of Lewis De Jong from the band Alien Weaponry.

This is no ordinary pickup, it’s specifically designed around Lewis’ requirements on stage and in the studio.

This pickup is aggressive and immediate, the bass is tight and punchy, mids powerful and clear with clear highs. It has power but also clarity to bring out the complex chords in Lewis’ playing.

Mr Glyn's Pickups Alien Weaponry signature pickup

These samples were recorded by Lewis using: a DBZ Bolero guitar, D’addario 11-56 Nickel Wounds tuned to drop C#, Marshall JCM 2000 DSL 50 heads x2, Marshall MF280 4×12 with V30s x2, Shure Wireless/tuner, Ibanez Weeping Demon, Line 6 M5, Boss HM6, Radial ABY box (all off/bypassed for this demo), mics used – Sennheiser ES906, Audio i5

Alien Weaponry signature pickup. Mr Glyn's guitar pickups
Photo:Taylor Baron

The Story of the Tūmatauenga Pickup

I was contacted by Alien Weaponry in December 2021 on their way back from a US tour. They were wondering if it was possible to have a NZ pickup made for Lewis. I jumped at the chance.

I’d been working on a pickup for extreme metal for some time and thought this might be me chance to use it. I loaded a test guitar with this pickup and headed to Waipu to meet Lewis. The band are based about 2 1/2 hours from my home so it was a great opportunity to do everything in person.

We plugged my test guitar into Lewis’ Marshall at their rehearsal room and it was obvious from their reaction that this wasn’t the sound they wanted. Okay, so it was going to take some work.

I had a listen to the pickups he was using and we had a long chat about what he wanted. I took one of their pickups out of his No.2 guitar to take back to the workshop to analyse.

Back at the workshop I measured all the parameters of the pickup and made a plan. I didn’t want to clone his existing sound but I couldn’t go too far away from it. I wanted to increase the punch of the bass and add a little clarity to the mids. One thing that was important was that it still sounded like their last album – you can’t go out on tour with a completely different sound.

I made a couple of prototypes and the following week headed back to Waipu.

I had one of the prototypes in my LTD test guitar and although it wasn’t exactly right is was close. From now on all the testing would be in Lewis’ own guitars. Once you’re close you need to minimise the parameters. And that’s how it went, swapping pickups and testing until Lewis was happy.

Finally we had the sound but that wasn’t all, it needed to look right.

The design on the pickup

Tūmatauenga - signature guitar pickup for Lewis De Jong from the band Alien Weaponry

The design on the pickup came from the band – hereis what they say about it:

Mangopare (Hammerhead shark) is a kaitiaki (guardian) and tohu āriki (sacred chiefly symbol) of our family.

It is a traditional design motif that appears throughout Māoridom but is particularly treasured by my tribal group (Te Arawa) It stands for strength, courage and power.

Name of the pickup – Tūmatauenga (Māori god of war) 

The name was decided to be Tūmatauenga (pronounced “2 ma toe enga”) the Māori god of war.

Tūmatauenga Alien Weaponry

Enjoy this? You might also be interested in…

Posted on Leave a comment

Minx – mini humbucker

Single NZ$199 for NZ customers, if you’re overseas it’s GST free; NZ$173.04

Pair NZ$379 for NZ customers, if you’re overseas they’re GST free; NZ$329.57

AlnicoV – Bridge 10.5 KOhms, AlnicoV – Neck 6.6KOhms

Minx hot mini humbucker  MrGlyn’s Pickups

If you love your mini humbucker guitar but want a bit more power than standard Deluxe style pickups the ‘Minx’ mini humbucker is the pickup for you.

The Minx has plenty of that mini humbucker clarity and tonality but with more power and more grit.

The ‘Minx’ is a clean clear sounding mini humbucker but with more power than the vintage Gibson’s. There is warmth and clarity but with more powerful windings than the ‘Mini’ along with an alnicoV magnet they will push your amp harder.

With narrower coils than a PAF mini humbuckers ‘hear’ a narrower part of the string resulting in cleaner highs, a less pushy lower mid range and a distinctive clear bass that’s never woofy or wooly.

The neck pickup has the same coils as the ‘Mini’ but with an alnicoV magnet they have a fatter power and make a great match to the Minx bridge pickup.

The bridge pickup has a characterful mid range with a bite and fullness that is lacking in most mini humbuckers. You wouldn’t describe this pickup as polite and it will certainly put you towards the front of any mix.

Minx hot mini humbucker set MrGlyn’s Pickups

Great for the blues or rock player after dynamics – tickle it and it’s clean but when you dig in there’s enough power to push the front end of your amp into break up when you ask it to.

Although he Les Paul Deluxe was a short lived guitar in the Gibson range the mini humbucker has lived on. It is a very popular pickup in custom guitars particularly the neck pickup and is a great match for Mr Glyn’s ‘Cruel Mistress’ telecaster bridge pickup.

If you’re looking for a pickup that is clearer than a PAF, has a less prominent lower mid spike with an even balanced tone then the mini humbucker could be the pickup for you.

For a lower powered mini humbucker take a look at the ‘Mini’

MrGlyn’s Pickups  Roboguy logo

Have a look at Mr Glyns Pickups on YouTube

updated 8 May 2023

Posted on Leave a comment

“Attitude” 7 string humbucker – Mr Glyn’s Pickups

Attitude 7 string humbucker

For a while I’ve been working on extending my range of humbucking pickups for rock players. The Cloud Nine will do just about anything but I wanted to offer a more specific pickup for modern rock/metal, a 7 string humbucker.

I wanted a tight bottom end, singing highs and a balanced midrange with that slight compression to smooth the dynamics.

I decided to start with a 7 string humbucker which is a slightly unorthodox way of going about it but I was concerned with getting the bottom end right. If there was any sogginess in the bottom end a 7 string would show it up more than a 6 string.

7 string humbucker pickups are not like others. The low bass string reacts so differently, there’s a lot of string deflection and low harmonics. My mission was to tame this bass and keep it tight but not to sacrifice the sound quality of the treble strings. The treble still needed to be sweet and singing. The mids needed to be balanced and noticeable. I didn’t want this pickup scooped; the mids had to stand out from the mix when needed to.

So in October 2019 I got back in touch with my old mate Graham Young in Yorkshire. He’s an amazing player and really knows his gear.

Back in 1998 I wound a 6 string humbucker for Graham. In those days I had a guitar shop and repair business in Leeds in the North of England and he wanted a bridge pickup to suit his style for a parts caster.

Years passed and he became a 7 string player, so when I decided to develop a 7 string pickup Graham was the person I asked to be test pilot. We’d very loosely kept in touch over the years and it turned out he was still using the 6 string pickup I’d made for him back in the 90’s.

We had a chat via messenger and it turned out he’d tried a lot of pickups but none quite did it for him. So I listened to his thoughts, came up with a design and went away and made a prototype.

The first one wasn’t quite right, so he sent it back and I changed a few things and returned it. I don’t know how many adjustments I made but that pickup accumulated quite a few air miles between NZ and the UK over the next few months.

Every time we got closer, every adjustment less than the one before. When you get that close you know you’ve got a good pickup. I was at the point when I felt we really had something great but I just needed that confirmation.

Then Covid 19 happened, the mail got too unreliable to send stuff overseas with any confidence of it arriving and the process was put on hold.

At the end of June 2020 I got a call from Gabe Dovaston in Papamoa. He’d done some demos for me with some of my other pickups and was asking if I did a 7 string, just in case, for an Ibanez of his. Well, this seemed like a chance to test my new pickup on fresh ears. I made a copy of the last one I’d sent Graham, the one I was happy with, and got it off in the post. I sat back and waited. It only took a few days and I got a very happy call, he loved it and he’d already made a demo that he’d put on YouTube.

Great news, but what was I going to call it? The pickup was already on YouTube, it wasn’t on my website yet and it didn’t even have a name!

I got on Facebook and asked people to come up with a name; there were so many excellent suggestions but nothing quite did it. In the end this pickup that had taken so much work to develop, traveled so far and refused to go away I called the “Attitude”.

The Attitude is available in 6 and 7 string, for neck and bridge positions.

Here’s Graham:

7 string humbucker

Posted on Leave a comment

“Black Sand” Humbucker sized P90

Single Humbucker sized P90 NZ$189 for NZ customers, if you’re overseas it’s GST free NZ$164.35

Pair Humbucker sized P90 NZ$369 for NZ customers, if you’re overseas they’re GST free NZ$320.87

Alnico V, Neck- 6.96 KOhms, Bridge 7.94 KOhms

Brett Kingman Black Sand demo



Warren Mendonsa Black Sand demo

The humbucker sized P90 is a great pickup – it sits tonally between a humbucker and and a strat type pickup. If your neck humbucker is a bit thick and woolly sounding for you, you want more clarity, or just want a different tone, then this one may be the answer. The physical size of this pickup is identical to that of a “normal” humbucker so it will pop straight in.

P90’s are different to other single coil pickups. They have a wide, flat coil similar to that of a Jazzmaster but the magnetic field is a very different shape. Fender single coil pickups have the coil wound around the magnet giving a focused, precise percussive sound. A P90 has 2 bar magnets underneath the coil; this broadens the magnetic window allowing the pickup to listen to a bit more string and thickens the sound. I chose Alnico V bar magnets for this model to help give some grit and power characteristic of a P90.

Of course, too much power and the pickup would sound too thick and bass heavy which is not its purpose. Too little power and it just won’t snarl.

Humbucker sized P90s are such a useful pickup. They sit tonally between a single coil and a humbucker (roughly speaking). and their physical size means they pop straight into any humbucker equipped guitar.

The development of my “Black Sand” pickup was a bit backwards. Usually I make a bridge pickup first and work from there but with this one the neck pickup came first. I had a customer ask for a neck pickup for an es335 to sound clearer than his existing Gibson humbucker. I sold a few neck pickups before thinking it would be a good idea to have a set. So I started work on the bridge pickup.

I wanted this bridge pickup to have clarity in the lower mids to stand out from humbuckers while having enough power to grit up nicely. I wanted it to be clean when tickled and to growl at you when you dig in. P90’s are all about dynamics. It had to match the existing neck pickup or work well as a stand alone in a HSS situation.

Of all the pickups in my range this one came together the quickest. There were only 4 or 5 prototypes and I was happy. Experience and intuition combined with a notebook where I’ve written down details of every experimental pickup I’ve made since 1995.

There were a load of prototypes in and out of a Les Paul, Tele Delux and PRS, through different amps and in the hands of different players. I never trust just my own ears with my pickups. I like to get opinions and suggestions from a few players before making any final decisions. I listen to what players say and I adjust prototypes accordingly, but at the end of the day the final decision is mine. I’m always aware of the phrase “a camel is a horse designed by committee”.

It took a while to get this one right. A pickup would sound great at workshop volume, them I’d play it in a band situation and it would be too boomy, too much like a humbucker. So I’d have a think and make another. In the end persistence paid off.

The pickups I finally settled on went into my Les Paul and off to a gig for the ultimate test, and that’s where they’re staying.

The neck “Black Sand” is a great match for either my “Integrity” or “Cloud Nine” bridge humbuckers or as a set with its equivalent “Black Sand” bridge humbucker sized P90.

I agonised over what to call this pickup set. I wanted a name that would reflect the apparent contradiction in P90’s. From the perspective of a humbucker player they are clear and chiming. From the viewpoint of a single coil player they are powerful and gritty. They’re one thing while looking like another. I wanted a oxymoron to reflect this contradiction, one that might include the unique magnetic structure that gives the P90 its character. So I went for a run along Muriwai beach to think. And there it was staring me in the face (literally). Muriwai has black volcanic sand due to its iron content and it’s magnetic. So I’ve called this set “Black Sand”.

I’m very happy with this pickup – hopefully you will be too.

Here are some sound samples recorded clean through a Fender Princeton Reverb-Amp. The overdrive sounds are using an Electroharmonix Soul Food. The guitar is a ’98 Les Paul Std with D’Addario 10-52’s. All of them with the same guitar, same amp, same settings, no reverb or eq added later.

Neck Pickup Clean
Bridge Pickup Clean
Middle Position Clean
Neck Pickup with Overdrive
Bridge Pickup with Overdrive
Middle Position with Overdrive
HBSP90 set
Black Sand – Nickel
Humbucker sized P90 Mr Glyns Pickups
Black Sand Black Cover
Humbucker side P90 by Mr Glyns Pickups

Single $189nz, Pair $369nz

Roboguy Logo

Follow the links to find out more