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Draig doom set

Draig doom set NZ$379 for NZ customers, if you’re overseas they’re GST free; NZ$329.56

Draig doom single humbucker bridge NZ$199 for NZ customers, if you’re overseas it’s GST free; NZ$173.04

Bridge covers are $20 for NZ customers, if you’re overseas they’re GST free; NZ$17.39

Draig doom single P90 neck NZ$189 for NZ customers, if you’re overseas it’s GST free; NZ$164.35

Draig doom set specifications: Alnico VI – Bridge 9.18 KOhms, 7.42H, Ceramic 8 – Neck 6.96 KOhms

The Draig doom set is a pickup set designed for all the genres encompassed by Doom Metal. It has strong mids, smooth treble and a bass response immediate enough to cope with low tunings but not the harsh, dry percussive bass needed for extreme metal. It really is all in the bass and mids.

Draig doom set in chrome and open chrome covers

The Draig is inspired by the sound of Tony Iommi and that heavy riffing guitar tone, mid forward. Iommi’s tone has been in my head since I was a teenager m, I’m delighted to make this pickup available.

Power and Tone

But there’s another factor with this pickup. You’ll notice the Ohms for the bridge are in the 9Krange, lower that you might expect for a powerful humbucker. This is all about increasing the dynamics and reducing compression. When using heavy fuzz, it’s really useful to be able to back off using just playing technique; the Draig is designed to do just that. It’s designed to work along with your fuzz.

The coils are tuned to give the Draig its tonal characteristics with the magnet providing the engine.

Draig Doom Humbucker by Mr Glyn's Pickups
Draig in ‘Dragon Breath’

Pickups designed to derive most of their power from the strength of the coil, rather than the magnet, sound smooth, even and compressed like my Attitude humbucker. The Draig bridge gets a lot of power from its oversized alnico 6 magnet. This makes the Draig touch sensitive, dynamic and punchy.

Draig doom humbucker in chrome
Chrome cover Draig

So why alnico 6 in the Draig doom bridge humbucker?

Alico 6 has similar properties to the more familiar alnico 5 but with more mids – it’s all about the mids. As you’d imagine, it has a little more power too.

Draig Doom Bridge Humbucker
Draig bridge humbucker

Draig doom bridge humbucker design

It wasn’t an easy pickup to design. It was designed for low tuning but with more of a Doom vibe in mind. I’ve made pickups before for extreme metal and it a very different approach to the bottom end. With extreme metal the bottom needs to be much drier and more immediate and percussive. With the bass on this one I’ve tried to walk the line between over hard and dry on one side and soggy and undefined on the other.

The choice of magnet was a big part of this. A bigger magnet has a more immediate response than the conventional size and I experimented with a few different types of alnico, finally settling on alnico 6. This oversized alnico 6 magnet gives all the punch and immediacy I wanted but with slightly stronger mids than alnico 5. Being an unusual size and material, I get these magnets manufactured specifically for this bridge pickup.

Like with many pickups to focus on the winding alone is telling only a small part of the story. The winding is 9.18K Ohms which might seem small but it’s all about balancing the mids. That oversized alnico 6 magnet is where the power comes from. The blade pole pushes more of that magnetic energy to the side of the pickup furthest away from the bridge, lessening the ‘pingy’ high end. It’s all about balancing the tone and emphasizing the mids.

Draig doom humbucker in uncovered black
Open, no cover Draig

I made a short video explaining the thought behind the Draig pickup and how it works:

Draig

Test, tweak and test – Draig doom set

I rigorously test all my pickups in various situations, different amps, pedals and always next to a drummer. For the Draig I asked Timmy Smalls in Australia for his opinion on the Draig bridge humbucker. He has a great Instagram channel and makes fantastic demo videos. Always good to have a second opinion you can trust.

There are always changes along the way; this video is from when the Draig had an alnico 5 magnet.

Draig neck – humbucker size P90

With the success of the Draig bridge pickup I was asked by a few players about a matching neck pickup to complete the Draig doom set.

It was an interesting challenge. I wanted the neck to have a similar ‘mids forward’ character to the bridge pickup. It needed a smooth lead tone but a lot of clarity when playing chords. It needed to hit a fuzz pedal with just the right amount of power so as not to make the sound into an undefined mush. And it needed to be a good match for the bridge pickup.

I decided upon a humbucker size P90.

P90’s have a very different magnetic field to humbuckers with woody mids and less of a lower midrange push. It’s those lower mids that can create a mush.

After a lot of experimenting I landed on a combination of winds and magnet that did what I want.

I used a pair of undersized ceramic magnets that I have specially made for me. Ceramic has a drier tone than alnico which helps with the clarity and I designed the coil windings to compensate for the ceramic’s reduced mid range.

After some tweaking and, as ever, playing the pickup set alongside a drummer and bass player I was happy.

The Draig neck pickup has a different look to the bridge but I think they compliment each other well.

The name – “Draig”

So why call it ‘Draig’? Well, the word Draig means dragon in Welsh and although I’ve lived in New Zealand since ’05 I was born and grew up in Wales.

Roboguy Logo. Draig Doom Humbucker

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updated 26 June 2023

Draig doom humbucker

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The Duchess – Tele set

Single “The Duchess” – NZ$129 for NZ customers. If you’re overseas it’s GST free; $NZ112.17

Pair “The Duchess” – NZ$249 for NZ customers. If you’re overseas they’re GST free; $NZ216.52

Alnico 5; Bridge 7.28KOhms, Neck 7.1KOhms

The Duchess – Tele set is for the Telecaster player in need of that distinctive smooth Tele twang but with none of the ice pick cut. The neck pickup is warm and balanced with a full clarity and string separation. This a medium powered set that sits nicely in my range between the Silver Lady and Cruel Mistress.

The Duchess - Tele set
The Duchess Tele Set

The Duchess – Tele set will do just about everything from ‘vintage’ Tele twang to a platform for pedals.

The idea for this pickup started in 2021. I had some work at Roundhead recording studios in Auckland looking after the guitars of an American recording artist. During the process, the producer and engineer (working from the US) decided to send over their favourite ‘magic’ telecaster because they wanted that sound on the record.

The guitar arrived and it was an original ’61 Fender Esquire Custom, sunburst, double bound and just beautiful.

Although it was an Esquire it had a neck pickup that they told me had been added later. After taking the pick guard off it looked more like the neck pickup had been fitted in the factory so maybe it was a custom order.

My job was to check over this guitar and set it up for the recording.

Fender Esquire '61. Mr Glyn's Duchess pickup set

I plugged it in and loved the sound immediately, now I understood why they’d shipped it over from the US for this session. So, I got my test meters out to analyse every aspect of the pickup. It was rather unusual for a Fender pickup of that time so maybe it had been re-wound at some stage. That didn’t matter, it sounded great, so I set out to make a Telecaster set in that style but with my own spin.

I made quite a few prototypes and did all the usual testing but didn’t quite get around to releasing the pickup.

The Duchess – Tele is finally born

Then in 2022 I had the idea for my Pandora 3-way pickup. I used the design for The Duchess bridge pickup as the middle position for the Pandora. I knew all along the Pandora was never going to be for everyone but was pleasantly surprised when the idea caught on.

An order for a Pandora came in from an old friend of mine in the UK. He’s called Darren Driver and he’s in a well-established Springsteen tribute band – The Boss and the Beeston Street Band

Darren had been a customer of mine when I had a guitar shop in Leeds in the late 90’s. He was a Telecaster player back then. It’s always good to re-connect with people.

A couple of months later Darren got in touch saying how the mid position of the Pandora was his ideal Telecaster sound. Well, that was all it took. I got into the workshop and made a matching neck pickup for the Duchess. That week’s band practice I tested the set next to the drummer and was still really happy with it. So, I sent a set off to Yorkshire.

Darren said he was happy to make a demo of the pickups once he had got them into him number one Telecaster.

And so The Duchess – Tele set was born.

The Duchess – Tele set is great with either 250KOhm or 500KOhm volume pots. It’s really up to you – 500K will give more high-end Tele twang while the 250K will sound warmer. It really is a great pickup set either way.

Check out our YouTube

Robot

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updated 17 May 2023

The Duchess – Tele set

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Pandora 3 way Esquire

Pandora 3 way Esquire specifications: Alnico V – 10.07 KOhm 4.4H, 7.28KOhm 2.3H, 5.49KOhm 1.15H

NZ$149 for NZ customers, if you’re overseas it’s GST free; NZ$129.57

The Pandora 3 way Esquire pickup took its inspiration from my desire to fix a problem.

'Pandora' 3 way Esquire Mr Glyns Pickups

I’ve never been happy with the switching options given on the Fender Esquire so I came up with a plan.

Rather than switch in some capacitors or switch out parts of the circuit and create sounds you can make anyway using the tone control, I thought it would be better to have a tapped pickup so the player could generate usable, ‘real’ tones.

It’s simply a case of ‘tapping’ into the winding at different points to obtain different strength pickups from the one coil.

This essentially gives the player 3 different pickups in one.

So in the middle position it’s an Esquire pickup, one way it’s less than that (I’m calling it ‘Gold Foil’ though it isn’t). The other way it’s more – my Cruel Mistress pickup. This gives 3 distinct tones going from jangly rhythm to fat lead without losing the distinctive Esquire/Telecaster character.

It makes use of the normal 3 way switch to achieve this.

Then, of course, I realised that the main use for this wouldn’t be in Fender Esquires but in single pickup builds. The single pickup movement is getting bigger and this is the perfect tool to give those guitars extra versatility while still using a single Tele style bridge pickup.

So the experiments and trials began, there’s a lot to test with this sort of pickup.

The ‘Cruel Mistress’ part was easy, it’s my best selling Telecaster pickup set. The middle position is based on a ’61 Esquire I once had the good fortune of getting to know. I was going for that clear, ringing bridge pickup tone we all know and love, a sound that stands out from a mix. I was so happy with how this pickup turned out that I have since made a Telecaster set from it – The Dutchess. The third position I’m calling ‘Gold Foil’ but I could have equally called it ‘Lipstick’. It’s a tone in the character of that style of pickup though technically is neither.

I sat on the design for quite a while (about a year) thinking that although I really liked it the idea might be a bit complicated.

Then on a whim I just posted on Instagram about it and received a huge response. It seemed players and builders liked the idea. So here it is, the Pandora 3 way Esquire.

The Pandora sounds great with a 500KOhm volume pot or to get the most out of it I recommend this wiring diagram:

Pandora 3 way Esquire suggested wiring diagram

Pandora 3 way Esquirewiring diagram

The difference is that 1Meg pot (it’s usually 250KOhms) and those resistors. This enables each of the 3 pickup settings to ‘see’ the volume pot as a different value. It just emphasises the good points of each setting, it’s subtle but it does make a difference.

Pandora

Check out Mr Glyn’s YouTube channel https://www.youtube.com/@MrGlynsPickups/videos

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Kōkako Strat Pickup

Single Kōkako Strat Pickup NZ$129 for NZ customers, if you’re overseas it’s GST free; NZ$112.17

Set Kōkako Strat Pickup NZ$339 for NZ customers, if you’re overseas they’re GST free; NZ$294.78

AlnicoV – Neck 6.15 KOhms, 2.79H, Middle 6.15 KOhms, 2.79H, Bridge 6.64 KOhms, 3.08H

The Kōkako Strat Pickup is is strongly influenced by the Fender Stratocaster pickups of the 60’s but with a little more. It has a full yet clear bottom end , smooth highs and clear mids. It’s aimed at players who love the sounds of Frusciante and Hendrix.

The Kokako set was spawned by a few things coming together in November ’22.

For a while I’ve been offering my Bellbird Strat set with various winding options – 5% under, 5% over or 10% over wound. I’ve been playing with a 10% over wound set in one of my own Strats and for me they have ‘that’ vintage Strat tone that’s perfect with a little dirt be it fuzz or overdrive.

I was sent a Strat pickup to re-wind and the customer told me his ideal sound was Hendrix.

I’d just read an article saying how Seymour Duncan had wound some pickups for Hendrix and the spec of those pickups looked very similar to the 10% over wound Bellbirds.

That got me thinking.

The same day a customer contacted me wanting advice about my pickups and which one would be best for a John Frusciante sound.

Well, it’s the Bellbird +10%.

Kokako Strat Pickup

I thought this was too good to let go.

I could have left the pickup as a version of the Bellbird but decided it needed its own life.

My Strat pickups are named after native New Zealand birds like the Bellbird and the Tui; I chose the Kokako because its song reflects the tonal characteristics of the pickups. I wanted a bird that has a song fatter and fuller sounding than the Bellbird but not as aggressive as the Tui – so Kōkako Strat Pickup it is.

Here’s the original Bellbird pickup https://mrglynspickups.com/2020/03/29/bellbird-vintage-strat-set/

And YouTube demos of all my Strat pickups https://www.youtube.com/playlist?list=PLOdXLT6XwMymw8-Kvl1fQi1wfkQ-iDg7z

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updated 22 Sept 2023

Kōkako Strat Pickup

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Customer Feedback

In the last week I have received 2 emails from customers with YouTube demos attached showing how Mr Glyn’s Pickups are working for them. Customer Feedback is always gratefully received.

If you like their YouTube channels don’t forget to Subscribe.

Firstly, Reg in Christchurch NZ with a set of Cruel Mistress Telecaster pickups:

Then Antonio from Tasmania who has a Cloud Nine bridge pickup.

Here is the email he sent me along with the links to his YouTube:

Hi mate.

Just wanted to give you some feedback on the cloud nine i recently installed.

Firstly, thanks for the amazingly fast service.

Secondly the pickup sounds fantastic, especially alongside the dimarzio hs4s that were already installed on the guitar. I got the cloud nine to replace the paf pro which was only standard spacing but needed to be f spaced. I absolutely love the paf pro, but im so glad i went with the cloud nine.

Even in coil cut mode it sounds fantastic.

Anyways i wanted to send you a couple of links to videos i made with the finished guitar.

The cold chisel one i used the humbucker in full mode on the second solo.

As for the Europe cover, all the rhythm guitars were recorded in coil cut mode including the parts of the solo when i switch to the bridge. Because the hs pickups are such low output pups, the cloud nine in coil cut mode is a perfect output match.

Im definitely going to give more of your pickups a go.

Exceptionally well made mate.

Regards

Antonio

Here is my YouTube channel

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Customer Feedback

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Tūmatauenga Alien Weaponry

Tūmatauenga Alien Weaponry is the Signature Pickup of Lewis De Jong

NZ$229. If you’re overseas it’s GST free; NZ$199.13

Ceramic 8 – Bridge 13.6 KOhms, 9.65H

The Tūmatauenga bridge pickup is the signature pickup of Lewis De Jong from the band Alien Weaponry.

This is no ordinary pickup, it’s specifically designed around Lewis’ requirements on stage and in the studio.

This pickup is aggressive and immediate, the bass is tight and punchy, mids powerful and clear with clear highs. It has power but also clarity to bring out the complex chords in Lewis’ playing.

Mr Glyn's Pickups Alien Weaponry signature pickup

These samples were recorded by Lewis using: a DBZ Bolero guitar, D’addario 11-56 Nickel Wounds tuned to drop C#, Marshall JCM 2000 DSL 50 heads x2, Marshall MF280 4×12 with V30s x2, Shure Wireless/tuner, Ibanez Weeping Demon, Line 6 M5, Boss HM6, Radial ABY box (all off/bypassed for this demo), mics used – Sennheiser ES906, Audio i5

Alien Weaponry signature pickup. Mr Glyn's guitar pickups
Photo:Taylor Baron

The Story of the Tūmatauenga Alien Weaponry Pickup

I was contacted by Alien Weaponry in December 2021 on their way back from a US tour. They were wondering if it was possible to have a NZ pickup made for Lewis. I jumped at the chance.

I’d been working on a pickup for extreme metal for some time and thought this might be me chance to use it. I loaded a test guitar with this pickup and headed to Waipu to meet Lewis. The band are based about 2 1/2 hours from my home so it was a great opportunity to do everything in person and ,of course, meet one of New Zealand’s best bands..

We plugged my test guitar into Lewis’ Marshall at their rehearsal room and it was obvious from their reaction that this wasn’t the sound they wanted. Okay, so it was going to take some work.

I had a listen to the pickups he was using and we had a long chat about what he wanted. I took one of their pickups out of his No.2 guitar to take back to the workshop to analyse.

Back at the workshop I measured all the parameters of the pickup and made a plan. I didn’t want to clone his existing sound but I couldn’t go too far away from it. I wanted to increase the punch of the bass and add a little clarity to the mids. One thing that was important was that it still sounded like their last album – you can’t go out on tour with a completely different sound.

I made a couple of prototypes and the following week headed back to Waipu.

I had one of the prototypes in my LTD test guitar and although it wasn’t exactly right is was close. From now on all the testing would be in Lewis’ own guitars. Once you’re close you need to minimise the parameters. And that’s how it went, swapping pickups and testing until Lewis was happy.

Finally we had the sound but that wasn’t all, it needed to look right.

The design on the pickup

Tūmatauenga - signature guitar pickup for Lewis De Jong from the band Alien Weaponry

The design on the pickup came from the band – hereis what they say about it:

Mangopare (Hammerhead shark) is a kaitiaki (guardian) and tohu āriki (sacred chiefly symbol) of our family.

It is a traditional design motif that appears throughout Māoridom but is particularly treasured by my tribal group (Te Arawa) It stands for strength, courage and power.

Name of the pickup – Tūmatauenga (Māori god of war) 

The name was decided to be Tūmatauenga (pronounced “2 ma toe enga”) the Māori god of war.

Tūmatauenga Alien Weaponry https://mrglynspickups.com/

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Jazz Bass

Single – “Jazz Bass” NZ$149 for NZ customers; if you’re overseas it’s GST free; NZ$129.57

Pair – “Jazz Bass” NZ$285 for NZ customers, if you’re overseas they’re GST free; NZ$247.83

Neck – 6.84 kOhms, Alnico V. Bridge – 7.45 kOhms, Alnico V

Mr Glyn’s “Jazz Bass” pickups are inspired by the Fender Jazz pickups from the early 60’s. Low powered vintage tones suited to players looking for a clean, clear, springy tone. Positive, percussive bass response, woody mids and clear highs. Designed for players wanting a pure tone with either fingers or a pick.

All my Jazz pickup sets are RWRP so they are hum cancelling when both pickups are on.

I love Jazz basses, that off-set body looks so cool and the narrow neck makes it very easy to get around. Looks, play-ability and versatility make it hard to beat.

The J bass has such a classic tone. The sound of a Jazz with both pickups on can be heard on so many recordings, it’s so distinctive. It’s the sound of two coils connected in parallel, like a Strat in positions 2 or 4. It’s that clear, scooped tone. The pair of coils in a Precision Bass are wired in series which gives it a bigger, more powerful sound with a lot more lower mids but the clarity of a J Bass can really stand out.

Over the years I’ve re-wound a lot of old Fender pickups. I like to make notes to record what I find in these old pickups, wire gauge, insulation types, d.c. resistance, magnetic gauss, dimensions. My notebook is getting pretty full. This is my constant reference when I’m designing a new pickup, that and my ears.

I’ve based these pickups on the best of the old Fenders I’ve come across over the years. Not all vintage pickups are great but when you see enough of the good ones patterns begin to form.

I still repair pickups and still add to my old notebook, always learning 😎.

Check out my P Bass pickup here https://www.youtube.com/watch?v=hG99wNPSSgE&t=46s

Jazz Bass pickup set by Mr Glyn's Pickups
Mr Glyns Pickups

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update 8 May 2023

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Precision Bass

Single – “Precision Bass” NZ$179 for NZ customers, if you’re overseas it’s GST free; NZ$155.65

Alnico V – 10.9 kOhms

The Precision Bass split pair is based on the Fenders of the early/mid 60’s. Full and clear with that distinctive mid range that sits well in any mix. It is the essence of bass. It has the woody, full tones we all love. As a stand alone or used with my Jazz Bass bridge pickup as part of a PJ set.

Arguably the most important instrument of all of Leo Fender’s creations the Precision bass changed music more than any other instrument. From James Jameson to Steve Harris, the P Bass is surprisingly versatile and has such a distinctive tone.

As with the early pickups this split pair is built to be hum cancelling – the two coils are electrically out of phase but also magnetically out of phase. Here’s an explanation: How Humbuckers Work

With fingers, with a pick and especially with flat wounds.

My Precision Bass pickups are designed to be used with 250 K Ohm pots.

Precision bass pickup my mr glyns pickups

For more P Bass fun: https://mrglynspickups.com/2021/04/06/bass-pickup-re-wind/

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Cool 90

Single – “Cool 90” P90 NZ$189 for NZ customers, if you’re overseas it’s GST free; NZ$164.35

Pair – “Cool 90” P90 NZ$369 for NZ customers, if you’re overseas they’re GST free; NZ$320.87

Neck- 6.4 KOhms, 5.45H, Alnico II. Bridge 7.25 KOhms, 6.42H, Alnico II

The Cool 90 is a P90 based pickup available in both Dogear and Soapbar. Designed with Jazz and Blues players in mind it produces a clear, full, well balanced tone. Never harsh, always full and musical.

The bridge pickup has an organic sound with a lower mid push ideally suited to dynamic lead lines and tight rhythm playing.

The neck pickup is clear and chiming with enough clarity to always be heard in the mix. It has that lovely woody tone especially in an archtop.

Cool 90 Guitar Pickup from Mr Gyn's Pickups

For ‘full fat’ P90 tones have a look at our “Sassy” P90 pickup set.

The Cool 90 Story

Like many of my pickups the Cool 90 started with a repair job. A customer sent be a faulty Gibson P90 out of a 1955 Les Paul Junior. Naturally, I took measurements and completely analyzed every detail of it. Unlike the information in the books (and internet) it had less windings and Alnico II magnets instead of Alnico V.

And what a great sounding pickup it was.

I decided to make my own version of it to compliment the ‘Sassy” P90 pickup I was already making. The Sassy has the classic “full fat” P90 tone, plenty of growl and cut through.

The idea behind the “Cool 90” was to make a lower powered version for the cleaner player. Still keeping the classic P90 character but with less grunt.

Cool 90 P90 dogear Alnico 2 by MrGlyns Pickups
Cool 90 soapbar P90 set with alnico 2 magnets

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Roboguy Logo - Cool 90

I also make a humbucker size P90 set – the “Black Sand” if you need some P90 goodness in your humbucker guitar, here’s a link to them: https://mrglynspickups.com/2020/03/29/black-sand-humbucker-sized-p90-neck/

For a full range of demo videos of Mr Glyn’s pickups go to my YouTube channel https://www.youtube.com/c/MrGlynsPickups/featured

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Telecaster Bass

Single – “Telecaster Bass” NZ$149 for NZ customers, if you’re overseas it’s GST free; NZ$129.57

Alnico V – 6.8 kOhms

There is something so unbelievably cool about the Fender Telecaster Bass. The classic lines, that headstock, the pickguard, the association with great players and, of course, the tone. What ever it is we all love about this great instrument here’s a pickup to do it justice.

Whether you play with fingers or a pick this classic pickup will deliver. More present in the mix than the Precision split pair but with that distinctive punch and clarity.

Over the years I’ve re-wound a lot of old Fender pickups. I like to make notes to record what I find in these old pickups, wire gauge, insulation types, d.c. resistance, magnetic gauss, dimensions. My notebook is getting pretty full. This is my constant reference when I’m designing a new pickup, that and my ears.

I’ve based these pickups on the best of the old Fenders I’ve come across over the years. Not all vintage pickups are great but when you see enough of the good ones patterns begin to form.

I still repair pickups and still add to my old notebook, always learning 😎.

Telecaster bass, '51 bass pickup my Mr Glyn's Pickups

You can find all our demos here.

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updated 3 April 2023

Roboguy Logo
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Larry and the Trons

Larry and the Trons is a short video by Brett Kingman to demonstrate Mr Glyn’s Pickups TheTron pickup set in a Telecaster Cabronita.

I sent him a set of TheTron pickups to make a demo and this is the 4th video he’s made – he must like them.

I designed TheTron pickup set with Gretsch guitars in mind and in particular the lightly overdriven sound of early Malcolm Young. It’s great when a player takes your design and makes you re-think it.

Since Brett fitted his set into a Telecaster Cabronita I’ve changed the spec of these pickups and now offer them in 52mm and 49.2mm spacing to match Fender style bridges. I do try and listen to players whenever I can.

TheTron pickup set is based around the legendary Gretsch pickups Of the 50’s and 60’s. To say TheTron has character is an understatement. TheTron is full and rounded with a well balanced mid range but with that distinctive ‘Clank’ that separates it from other pickups. The neck pickup is clear and fat and the bridge stands out from the mix without ever sounding harsh.

Over the years I’ve repaired a fair few old Gretsch pickups and noticed the best sounding ones are at the upper range for ohms. I’ve taken that design and tweaked it until I got the fullness I was looking for but without loosing clarity or clank.

Most of my pickups are made in collaboration with a professional player, but not TheTron. I started playing guitar at the age of 16 when I first heard Malcolm Young – a Filtertron through an almost clean valve amp. I didn’t feel I needed another set of ears for this one, I knew exactly what I wanted.

I needed this pickup set to be crystal clear with a clean amplifier but to come into its own when pushing an amp to clip. The neck pickup needed to be clear, full and chiming in both a big archtop and in the neck position of a Telecaster. The bridge pickup needed to have no shortage of character, a clean almost jangly tone when played gently but with enough go in it to push the front end of a valve amp to clip when you dig in.

TheTron is the perfect pickup as a Gretsch upgrade, for the modern player wanting something other than Gibson style humbuckers, rockabilly players after that traditional tone, jazz players or, like me, Malcolm Young fans. There’s so much you can to with The Tron.

For the modern player with one foot in the past.

Here’s TheTron’s home page for more info and demos https://mrglynspickups.com/2021/09/22/thetron/

Mr Glyns TheTron pickup set. Larry and the Trons

Larry and the Trons https://www.youtube.com/watch?v=ga0qYdh565s

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Epiphone Les Paul pickup upgrade

Integrity humbuckers. PAF Alnico 2 vintage voiced pickups

The biggest difference you can make to an Epiphone Les Paul is a pickup upgrade. In this video Ben Neal does just that.

Take a look at his YouTube channel for more great videos – https://www.youtube.com/c/BenNeal

Here’s some info on the Integrity humbucker set and you can go to my Integrity page for lots more demos:

Inspired by the early Gibson PAF pickups the Integrity-vintage humbucker give the classic full, balanced tone we all love. Asymmetric coils give an open sounding mid range and the Alnico II magnet gives clarity and balance. A rich bottom end, characterful mids and sweet treble make this a pickup set for every situation – Jazz, Blues, Rock, it does it all.

Every pickup manufacturer makes a “Vintage” humbucker based on the Gibson PAF, of course they do – old Gibsons sound so good.

So how come they all sound so different? Well, the simple answer is that PAF’s were all different. I’ve been a full time luthier since 1995, whenever I come across an old humbucker I test the ohms and the gause and have a good listen. They’re all different. My conclusion is that pickup manufacturers have taken the PAF they like and based their own version on that. Old PAF’s vary so much so modern ones do as well.

I like my own version to be clear sounding, have obvious string separation and definition and to keep clarity no matter how much gain. The mids must be strong and woody, this is not a “scooped” pickup. The clean sound needs to be chimey and clear with no mush; through a valve amp I want clarity. When I tickle it I want clean and vocal sounding when it clips. The bridge pickup needs to be well behaved with high gain and clear with enough cut through so the drummer knows you’re there. The neck smooth, clear and articulate. Warm but with none of the boom you get with a more powerful pickup.

I don’t want much do I?

My “Integrity”-vintage humbucker has an Alnico II magnet and I’ve used plain enamel insulated magnet wire with asymmetric coils to open up the mids. The very first pickup I ever made back in 1995 was a PAF style and I’ve been tweaking the recipe ever since. Like all my pickups I’ve used a number of test pilot players in its development as well as gigging it myself. It wasn’t until around 2015 that I settled on this particular design. I did a gig with a set in a PRS SE series only last weekend – sounded great to me.

The full and honest sound of the Integrity-vintage humbucker along with it’s timeless tone inspired the name “Integrity”. 

Roboguy - Mr Glyns Pickups mascot. pickup upgrade

pickup upgrade

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Tele Cabronita – ‘TheTron’

The Tron, filtertron guitar pickup

Was great to see this Brett Kingman demo using a Tele Cabronita with Mr Glyns The Tron pickups to demonstrate some really cool pedals the other day. He’s got dozens of guitars to choose from, so chuffed he chose my pickups.

TheTron pickup set is based around the legendary Gretsch pickups Of the 50’s and 60’s. To say TheTron has character is an understatement. TheTron is full and rounded with a well balanced mid range but with that distinctive ‘Clank’ that separates it from other pickups. The neck pickup is clear and fat and the bridge stands out from the mix without ever sounding harsh.

There are more demos here: https://mrglynspickups.com/2021/09/22/thetron/

The Tron, filtertron guitar pickup

Over the years I’ve repaired a fair few old Gretsch pickups and noticed the best sounding ones are at the upper range for ohms. I’ve taken that design and tweaked it until I got the fullness I was looking for but without loosing clarity or clank.

Most of my pickups are made in collaboration with a professional player, but not TheTron. I started playing guitar at the age of 16 when I first heard Malcolm Young – a Filtertron through an almost clean valve amp. I didn’t feel I needed another set of ears for this one, I knew exactly what I wanted.

I needed this pickup set to be crystal clear with a clean amplifier but to come into its own when pushing an amp to clip. The neck pickup needed to be clear, full and chiming in both a big archtop and in the neck position of a Telecaster. The bridge pickup needed to have no shortage of character, a clean almost jangly tone when played gently but with enough go in it to push the front end of a valve amp to clip when you dig in.

TheTron is the perfect pickup as a Gretsch upgrade, for the modern player wanting something other than Gibson style humbuckers, rockabilly players after that traditional tone, jazz players or, like me, Malcolm Young fans. There’s so much you can to with The Tron.

For the modern player with one foot in the past.

Mr Glyns TheTron pickup set

Tele Cabronita https://www.youtube.com/playlist?list=PLOdXLT6XwMyl5p3dysXkznyAp5gt_Z5HN

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Integrity humbucker demo

Integrity humbuckers. PAF Alnico 2 vintage voiced pickups

Thought I’d let you know about a new demo of my Integrity humbucker by Ben Neil. https://www.youtube.com/channel/UCVg2uivLJff7FTWmwTYVZWQ

Here’s the short, to the point version:

For those of you wanting to delve a little deeper here’s the full version:

Inspired by the early Gibson PAF pickups the Integrity-vintage humbucker give the classic full, balanced tone we all love. Asymmetric coils give an open sounding mid range and the Alnico II magnet gives clarity and balance. A rich bottom end, characterful mids and sweet treble make this a pickup set for every situation – Jazz, Blues, Rock, it does it all.

Every pickup manufacturer makes a “Vintage” humbucker based on the Gibson PAF, of course they do – old Gibsons sound so good.

So how come they all sound so different? Well, the simple answer is that PAF’s were all different. I’ve been a full time luthier since 1995, whenever I come across an old humbucker I test the ohms and the gause and have a good listen. They’re all different. My conclusion is that pickup manufacturers have taken the PAF they like and based their own version on that. Old PAF’s vary so much so modern ones do as well.

I like my own version to be clear sounding, have obvious string separation and definition and to keep clarity no matter how much gain. The mids must be strong and woody, this is not a “scooped” pickup. The clean sound needs to be chimey and clear with no mush; through a valve amp I want clarity. When I tickle it I want clean and vocal sounding when it clips. The bridge pickup needs to be well behaved with high gain and clear with enough cut through so the drummer knows you’re there. The neck smooth, clear and articulate. Warm but with none of the boom you get with a more powerful pickup.

I don’t want much do I.

My “Integrity”-vintage humbucker has an Alnico II magnet and I’ve used plain enamel insulated magnet wire with asymmetric coils to open up the mids. The very first pickup I ever made back in 1995 was a PAF style and I’ve been tweaking the recipe ever since. Like all my pickups I’ve used a number of test pilot players in its development as well as gigging it myself. It wasn’t until around 2015 that I settled on this particular design. I did a gig with a set in a PRS SE series only last weekend – sounded great to me.

The full and honest sound of the Integrity-vintage humbucker along with it’s timeless tone inspired the name “Integrity”.

https://mrglynspickups.com/

Integrity humbucker demo

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Mr Glyns Pickups logo. Integrity humbucker demo
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The Tron demo

There’s going to be a full The Tron demo coming soon from the legendary Brett Kingman.

Here’s a wee taster:

https://www.facebook.com/plugins/video.php?height=314&href=https%3A%2F%2Fwww.facebook.com%2FBrettKingman%2Fvideos%2F1177905993037267%2F&show_text=false&width=560&t=0

The real version should be out in the next few weeks.

Here’s some more info https://mrglynspickups.com/2021/09/22/thetron/

TheTron filtertron Mr Glyns pickups

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Integrity humbucker in a HSS Strat

Roboguy. Humbucker

Had some fun today making a short stop-motion movie of Roboguy to demonstrate an Integrity humbucker in a HSS Strat.

The ‘real’ guitar is being played by Warren Mendonsa aka Blackstratblues.

Of course, any of my humbuckers will work as part of a HSS Strat set but I think the Integrity matches single coil pickups best.

For more demos of this pickup have a look here: https://mrglynspickups.com/2020/03/29/integrity-vintage-humbucker-2/

Inspired by the early Gibson PAF pickups the Integrity-vintage humbucker give the classic full, balanced tone we all love. Asymmetric coils give an open sounding mid range and the Alnico II magnet gives clarity and balance. A rich bottom end, characterful mids and sweet treble make this a pickup set for every situation – Jazz, Blues, Rock, it does it all.

Every pickup manufacturer makes a “Vintage” humbucker based on the Gibson PAF, of course they do – old Gibsons sound so good.

So how come they all sound so different? Well, the simple answer is that PAF’s were all different. I’ve been a full time luthier since 1995, whenever I come across an old humbucker I test the ohms and the gause and have a good listen. They’re all different. My conclusion is that pickup manufacturers have taken the PAF they like and based their own version on that. Old PAF’s vary so much so modern ones do as well.

I like my own version to be clear sounding, have obvious string separation and definition and to keep clarity no matter how much gain. The mids must be strong and woody, this is not a “scooped” pickup. The clean sound needs to be chimey and clear with no mush; through a valve amp I want clarity. When I tickle it I want clean and vocal sounding when it clips. The bridge pickup needs to be well behaved with high gain and clear with enough cut through so the drummer knows you’re there. The neck smooth, clear and articulate. Warm but with none of the boom you get with a more powerful pickup.

I don’t want much do I.

My “Integrity”-vintage humbucker has an Alnico II magnet and I’ve used plain enamel insulated magnet wire with asymmetric coils to open up the mids. The very first pickup I ever made back in 1995 was a PAF style and I’ve been tweaking the recipe ever since. Like all my pickups I’ve used a number of test pilot players in its development as well as gigging it myself. It wasn’t until around 2015 that I settled on this particular design. I did a gig with a set in a PRS SE series only last weekend – sounded great to me.

The full and honest sound of the Integrity-vintage humbucker along with it’s timeless tone inspired the name “Integrity”. https://mrglynspickups.com/

humbucker in a HSS Strat

Integrity humbucker in a HSS Strat

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Jazzmaster vintage

Single NZ$149 for NZ customers, if you’re overseas it’s GST free; NZ$129.57

Pair NZ$285 for NZ customers, if you’re overseas they’re GST free; NZ$247.85

Alnico II – Bridge 8.96 KOhms, 6.12H. Neck 7.92 KOhms, 5H

Jazzmaster vintage set from Mr Glyns Pickups

.

Mr Glyns Pickups Jazzmaster vintage set is intended for the clean player needing a low powered Jazzmaster set with full tone, warmth and clarity.

These pickups have smooth a jangly treble , always present, never harsh and distinctively Jazzmaster. The bass is clean, clear, woody and full of character and with the warmth of the original Jazzmaster pickups. The mid range is smooth and well balanced. Alnico II magnets give these pickups a clear, very musical quality.

Wound RWRP they hum cancel when both pickups are on.

Their clarity makes these pickups suitable for many musical styles and lend themselves well to pedals with the personality of the pickups shining through. Drenched in reverb and delay, grinding fat fuzz tones or even clean Jazz.

This pickup set was designed around the standard 1MegOhm pots though work equally well with 500KOhm or 250KOhm. It’s really up to you which tone you prefer.

I’ve always had a fondness for offset guitars and Jazzmasters in particular. Is it the look? The smooth, clear treble? The versatile electronics? Probably all of those things. Jazzmasters are not like anything else, you either get it or you don’t.

I hope you enjoy these pickups, I’ve thoroughly enjoyed designing, and especially testing them. This time the rigorous testing that I put all my pickups through re-kindled my love of Jazzmasters. The sound of a pickup and the way it reacts to pedals and your amp change the way you play. I really like the direction these pickups have steered me in. I wish it was possible to demo the feel of a pickup not just the sound because the feel is a huge part of it.

The sound samples are a CIJ Jazzmaster into a NZ made old Jansen amp – ECC83, 6L6. With a Celestion Hot 100 12″ and using an SM57.

Each riff goes from neck pickup to middle to bridge using the treble circuit. The 4th riff compares the neck pickup on the treble circuit to the neck on the rhythm circuit, then the middle, then bridge.

Jazzmaster vintage voiced  pickups by MrGlyn’s Pickups  NZ

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Mr Glyns Pickups logo

https://www.youtube.com/c/MrGlynsPickups/videos Jazzmaster vintage https://mrglynspickups.com/

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‘Sassy’ P90 skateboard lap steel

Been having some fun making a pickup demo using a skateboard lap steel.

The Mr Glyn’s “Sassy” P90 is a pickup set influenced by the Gibson P90’s of the late 50’s. The “Sassy” have a distinctive woody aggressive tone, full of character. The highs are smooth yet punchy, there’s a chiming bottom end and a very obvious mid range that pushes through the mix. If you tickle the strings they’re clean and clear but dig in and there’s no shortage of power to drive the front end of your amp.

I’ve grown to love P90’s over the years, it’s the sound of those early Gibson Les Paul Juniors. It’s a pickup that needs no extras, just straight into a good amp. They’re happy to power pedals but there’s a fullness and balance that seems to need nothing else.

I wanted the “Sassy” P90 set to live up to its name and have the dynamic range that I love about P90’s. The wide flat coil of a P90 gives a richer, less percussive tone than other single coil pickups and this is where the full tone comes from. I’ve sat both neck and bridge pickups on top of a pair of Alnico V magnets to give the power this pickup needs and help add that bit of grit when played hard.

I’ve made the neck pickup smooth and fat but with clarity and chime enough for jazz. The bridge pickup has the dynamics, pushy mids and aggressive highs when pushed but cleans up when you ask it to.

This is a pickup set that would be happy in almost any situation, blues, rock, punk, reggae… If it’s a full bodied, dynamic P90 you’re after look no further.

The Sassy is available in Dogear and Soapbar. https://mrglynspickups.com/mr-glyns-pickup-store/sassy-p90-set/

I’ve named this set the “Sassy” P90 set to reflect these pickup’s attitude, they’re bold, spicy, disrespectful and a bit cheeky. https://www.youtube.com/watch?v=iJtZkIbaCZU

Sassy P90 dogear black. A full fat P90 from M Glyn's Pickups

skateboard lap steel

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Clear View humbucker set

Take a Squire Affinity, give it to luthier Ramsay Phillips, add some Mr Glyn’s pickups Clear View humbucker set and see what you get? Superb demo from Jason Herbert – all 3 of him.

The “Clear View” humbucker is something different. It’s a humbucker for players that don’t like humbuckers.

This pickup set is all about pure clarity. There are no pushy lower mids that make your clean sound a mush. The highs are clean and clear but not harsh, the bottom end is clear but with none of that humbucker woof.

If single coils are too harsh and unforgiving, conventional humbuckers too powerful and muddy then here’s the solution. The “Clear View” humbucker is low powered and balanced, designed for the textural player, great with reverbs and modulation, sits its the mix without getting in the way.

If you want a low powered ‘Vintage’ humbucker with all the character of a PAF get a MrGlyn’s ‘Integrity’ humbucker. If humbuckers sound too thick and you crave extra clarity then the ‘Clear View’ is for you.

And, of course, it’s hum cancelling.

This is not a pickup born to rock, it’s more than that. https://mrglynspickups.com/2021/08/20/clear-view-humbucker/

The Clear View Story

It started with a phone call from luthier Ramsay Phillips.

I’ve got huge respect for Ramsay, he’s worked all over the world and has a great client list (including Steve Vai). He knows guitars, knows tone and he’s a thinker. So when he calls to talk about a new pickup idea I listen.

He was interested in having a humbucker for people that didn’t like humbuckers (his phrase). A pickup with clear tone and low powered but not like a PAF, clearer than that. He wanted a midrange more like a single coil than a traditional humbucker. At first I thought my ‘Black Sand’ humbucker size P90 would suit him but as he talked I realised he didn’t want the grit of a P90. He’s very well practiced at describing sound so I felt I understood what he meant. He assured me he had customers asking about such a pickup.

He wasn’t in a rush which meant I could have a good ponder over what he’d said before making anything.

Then one morning about a week later I was out on the beach with the dogs. There was quite a big swell (the sea is never calm at Muriwai) and I was listening to the sea. I was trying to figure out which frequencies in that sound I would need to remove to make Ramsay’s pickup. By the time I got home there was a plan.

I made a set of pickups, sent them to him and a few days later he called to say they were spot on. It isn’t usually that easy.

Clear View humbucker set.

Clear View humbucker set.

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New Cruel Mistress Tele Demo

Cruel Mistress hot telecaster pickup set.

A big thanks to Jonathan Ho for this great New Cruel Mistress Tele Demo showing us Tele’s are for more than just country.

Mr Glyns Cruel Mistress hot Telecaster Pickups are designed for the Tele player who wants more than the traditional country twang. They have a full bottom end, cut through mids and a top end that is strong but never harsh. They’ll push you amp that bit harder without loosing that Telecaster character.

There is nothing like the high end snarl of a good Tele bridge pickup. However, Tele Pickups are complicated. It’s a sound that needs to be just right – too much treble and it can sound grating and obnoxious, too little and it just isn’t a Tele. The treble needs warmth while still cutting through a mix like a zombie banjo.

I wanted to make a pickup with a bit more power to drive an amp harder while keeping the Tele character. My biggest concern was not losing what a Tele is all about. In my repair work I come across quite a few replacement Tele pickups that just don’t sound like Teles. Bridge pickups need grit and the neck a chimey clarity and together they should be full and open and matched well enough to create almost a reverb sound with the switch in the middle position.

The “Cruel Mistress” -hot Tele uses AlnicoV magnets to help with the attack and AWG43 wire to help with the snarl.

The neck pickup on a Tele needs to be smooth and warm and have a great balance with the bridge pickup so that the middle position rings with an almost reverb-like tone. The difficulty with Telecaster neck pickups is there just isn’t much space under that cover. As a result it can be a hard pickup to get right and there were a lot of experiments and disappointments on the way. Eventually I came on a design that has enough bottom end to sound full but not so much to sound boomy. And the final pickup was a great match to the bridge.

I had help from the ears of a couple of my regular customers who were generous enough to let me load their guitars with prototypes. The whole process takes time and only after many road tests and versions did I fix on a design. As a result, each of my designs have been developed over many years of subtle changes and road tests. Having help like this means my pickups are trialed through many different amps and playing styles. The neck/bridge balance as well as dynamics/compression need to be tested in as many situations as possible to find a pickup that will work for most players.

So if you need some grit and aggression from your Tele this is the set for you. https://mrglynspickups.com/2020/03/29/cruel-mistress-hot-tele-pickups/ https://www.youtube.com/playlist?list=PLOdXLT6XwMylvwTfhCDTzJjmzhq2kQbLD

Cruel Mistress hot telecaster pickup set.

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Cruel Mistress Tele Demo
Mr Glyn’s Pickups Logo – Roboguy

Cruel Mistress Tele Demo

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Cruel Mistress Telecaster Pickups

Cruel Mistress hot telecaster pickup set.

Cruel Mistress Telecaster pickup specifications are: Alnico V – Bridge 10.05 KOhms, Neck 7.25 KOhms

Mr Glyns Cruel Mistress hot Telecaster Pickups are designed for the Tele player who wants more than the traditional country twang. They have a full bottom end, cut through mids and a top end that is strong but never harsh. They’ll push you amp that bit harder without losing that Telecaster character.

There is nothing like the high end snarl of a good Tele bridge pickup. However, Tele Pickups are complicated. It’s a sound that needs to be just right – too much treble and it can sound grating and obnoxious, too little and it just isn’t a Tele. The treble needs warmth while still cutting through a mix like a zombie banjo.

With the “Cruel Mistress” -hot Tele wanted to make a pickup with a bit more power to drive an amp harder while keeping the Tele character. My biggest concern was not losing what a Tele is all about. In my repair work I come across quite a few replacement Tele pickups that just don’t sound like Teles. Bridge pickups need grit and the neck a chimey clarity and together they should be full and open and matched well enough to create almost a reverb sound with the switch in the middle position.

The “Cruel Mistress” -hot Tele uses AlnicoV magnets to help with the attack and AWG43 wire to help with the snarl.

The neck pickup on a Tele needs to be smooth and warm and have a great balance with the bridge pickup so that the middle position rings with an almost reverb-like tone. The difficulty with Telecaster neck pickups is there just isn’t much space under that cover. As a result it can be a hard pickup to get right and there were a lot of experiments and disappointments on the way. Eventually I came on a design that has enough bottom end to sound full but not so much to sound boomy. And the final pickup was a great match to the bridge.

I had help from the ears of a couple of my regular customers who were generous enough to let me load their guitars with prototypes. The whole process takes time and only after many road tests and versions did I fix on a design. As a result, each of my designs have been developed over many years of subtle changes and road tests. Having help like this means my pickups are trialed through many different amps and playing styles. The neck/bridge balance as well as dynamics/compression need to be tested in as many situations as possible to find a pickup that will work for most players.

So if you need some grit and aggression from your Tele this is the set for you.

There are more demos here: https://mrglynspickups.com/2020/03/29/cruel-mistress-hot-tele-pickups/

https://www.youtube.com/c/MrGlynsPickups/videos

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Mr Glyns Pickups
Mr Glyns Pickups

updated 24 April 2023

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“Black Sand” humbucker size P90

Humbucker side P90 by Mr Glyns Pickups

A big thanks to Brett Kingman in Aussie for his demo of Mr Glyns “Black Sand” humbucker size P90. I love his relaxed approach while giving us a thorough listen to what these pickups can do.

Mr Glyns Pickups

The humbucker sized P90 is a great pickup – it sits tonally between a humbucker and and a strat type pickup. If your neck humbucker is a bit thick and woolly sounding for you, you want more clarity, or just want a different tone, then this one may be the answer. The physical size of this pickup is identical to that of a “normal” humbucker so it will pop straight in.

P90’s are different to other single coil pickups. They have a wide, flat coil similar to that of a Jazzmaster but the magnetic field is a very different shape. Fender single coil pickups have the coil wound around the magnet giving a focused, precise percussive sound. A P90 has 2 bar magnets underneath the coil; this broadens the magnetic window allowing the pickup to listen to a bit more string and thickens the sound. I chose Alnico V bar magnets for this model to help give some grit and power characteristic of a P90.

Of course, too much power and the pickup would sound too thick and bass heavy which is not its purpose. Too little power and it just won’t snarl.

Humbucker sized P90s are such a useful pickup. They sit tonally between a single coil and a humbucker (roughly speaking). and their physical size means they pop straight into any humbucker equipped guitar.


The development of my “Black Sand” pickup was a bit backwards. Usually I make a bridge pickup first and work from there but with this one the neck pickup came first. I had a customer ask for a neck pickup for an es335 to sound clearer than his existing Gibson humbucker. I sold a few neck pickups before thinking it would be a good idea to have a set. So I started work on the bridge pickup.


I wanted this bridge pickup to have clarity in the lower mids to stand out from humbuckers while having enough power to grit up nicely. I wanted it to be clean when tickled and to growl at you when you dig in. P90’s are all about dynamics. It had to match the existing neck pickup or work well as a stand alone in a HSS situation.


Of all the pickups in my range this one came together the quickest. There were only 4 or 5 prototypes and I was happy. Experience and intuition combined with a notebook where I’ve written down details of every experimental pickup I’ve made since 1995.

There were a load of prototypes in and out of a Les Paul, Tele Delux and PRS, through different amps and in the hands of different players. I never trust just my own ears with my pickups. I like to get opinions and suggestions from a few players before making any final decisions. I listen to what players say and I adjust prototypes accordingly, but at the end of the day the final decision is mine. I’m always aware of the phrase “a camel is a horse designed by committee”.

It took a while to get this one right. A pickup would sound great at workshop volume, them I’d play it in a band situation and it would be too boomy, too much like a humbucker. So I’d have a think and make another. In the end persistence paid off.

The pickups I finally settled on went into my Les Paul and off to a gig for the ultimate test, and that’s where they’re staying.

The neck “Black Sand” is a great match for either my “Integrity” or “Cloud Nine” bridge humbuckers or as a set with its equivalent “Black Sand” bridge humbucker sized P90.

I agonised over what to call this pickup set. I wanted a name that would reflect the apparent contradiction in P90’s. From the perspective of a humbucker player they are clear and chiming. From the viewpoint of a single coil player they are powerful and gritty. They’re one thing while looking like another. I wanted a oxymoron to reflect this contradiction, one that might include the unique magnetic structure that gives the P90 its character. So I went for a run along Muriwai beach to think. And there it was staring me in the face (literally). Muriwai has black volcanic sand due to its iron content and it’s magnetic. So I’ve called this set “Black Sand”.

I’m very happy with this pickup – hopefully you will be too.

Humbucker size P90 by Mr Glyns Pickups
Mr Glyns Pickups humbucker size P90

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Mr Glyns Pickups
Mr Glyns Pickups

humbucker size P90 https://mrglynspickups.com/2020/03/29/black-sand-humbucker-sized-p90-neck/ https://www.youtube.com/c/MrGlynsPickups/videos

https://www.youtube.com/c/MrGlynsPickups/videos

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It’s new demo day – Sassy P90

P90 by Mr Glyns Pickups

Thanks to Nik Dobbin for his demo of the Sassy P90 . I love his no-nonsense approach to demos.

You can find more of his gear demos here: https://www.youtube.com/user/zaulkin/…

The Mr Glyn’s “Sassy” P90 is a pickup set influenced by the Gibson P90’s of the late 50’s. The “Sassy” have a distinctive woody aggressive tone, full of character. The highs are smooth yet punchy, there’s a chiming bottom end and a very obvious mid range that pushes through the mix. If you tickle the strings they’re clean and clear but dig in and there’s no shortage of power to drive the front end of your amp.

I’ve grown to love P90’s over the years, it’s the sound of those early Gibson Les Paul Juniors. It’s a pickup that needs no extras, just straight into a good amp. They’re happy to power pedals but there’s a fullness and balance that seems to need nothing else.

I wanted the “Sassy” P90 set to live up to its name and have the dynamic range that I love about P90’s. The wide flat coil of a P90 gives a richer, less percussive tone than other single coil pickups and this is where the full tone comes from. I’ve sat both neck and bridge pickups on top of a pair of Alnico V magnets to give the power this pickup needs and help add that bit of grit when played hard.

I’ve made the neck pickup smooth and fat but with clarity and chime enough for jazz. The bridge pickup has the dynamics, pushy mids and aggressive highs when pushed but cleans up when you ask it to.

This is a pickup set that would be happy in almost any situation, blues, rock, punk, reggae… If it’s a full bodied, dynamic P90 you’re after look no further.

The Sassy is available in Dogear and Soapbar.

I’ve named this set the “Sassy” P90 set to reflect these pickup’s attitude, they’re bold, spicy, disrespectful and a bit cheeky. https://mrglynspickups.com/

sassy soapbar
Sassy P90
Sassy P90 by Mr Glyns Pickups

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Sassy P90

Single – Sassy P90 NZ$189 for NZ customers, if you’re overseas it’s GST free; NZ$164.35

Pair – Sassy P90 NZ$369 for NZ customers, if you’re overseas they’re GST free; NZ$320.87

Alnico V, Neck- 6.7 KOhms, 4.42H, Alnico V, Bridge 7.55 KOhms, 5.23H

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The Mr Glyn’s “Sassy” P90 is a pickup set influenced by the Gibson P90’s of the late 50’s. The “Sassy” have a distinctive woody aggressive tone, full of character. The highs are smooth yet punchy, there’s a chiming bottom end and a very obvious mid range that pushes through the mix. If you tickle the strings they’re clean and clear but dig in and there’s no shortage of power to drive the front end of your amp.

I’ve grown to love P90’s over the years, it’s the sound of those early Gibson Les Paul Juniors. It’s a pickup that needs no extras, just straight into a good amp. They’re happy to power pedals but there’s a fullness and balance that seems to need nothing else.

The Sassy P90 story

I wanted the Sassy P90 set to live up to its name and have the dynamic range that I love about P90’s. The wide flat coil of a P90 gives a richer, less percussive tone than other single coil pickups and this is where the full tone comes from. I’ve sat both neck and bridge pickups on top of a pair of Alnico V magnets to give the power this pickup needs and help add that bit of grit when played hard.

I’ve made the neck pickup smooth and fat but with clarity and chime enough for jazz. The bridge pickup has the dynamics, pushy mids and aggressive highs when pushed but cleans up when you ask it to.

This is a pickup set that would be happy in almost any situation, blues, rock, punk, reggae… If it’s a full bodied, dynamic P90 you’re after look no further. I have extensively gigged with a Sassy P90 loaded guitar and loved the woody mids and high end clarity. Back the volume off a tad and there’s a single coil chime, crank it and you have full fat lead tones.

The Sassy is available in Dogear and Soapbar.

I’ve named this set the Sassy”P90 set to reflect these pickup’s attitude, they’re bold, spicy, disrespectful and a bit cheeky.