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Black Sand Humbucker sized P90

Single Black Sand Humbucker sized P90 NZ$199 for NZ customers, if you’re overseas it’s GST free NZ$173.04

Pair Black Sand Humbucker sized P90 NZ$379 for NZ customers, if you’re overseas they’re GST free NZ$329.57

Alnico V, Neck- 6.96 KOhms, Bridge 7.94 KOhms

The Black Sand Humbucker sized P90 has all the clarity, punch and fullness of a P90 but built to fit humbucker guitars.

Perfect for most styles especially Blues, Classic Rock, Punk and even Extreme Metal.

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Frank Brothers guitar with Mr Glyn's Pickups

Black Sand Description

The humbucker sized P90 (HBSP90) is a great pickup – it sits tonally between a humbucker and and a strat type pickup.

If your neck humbucker is a bit thick and woolly sounding, you want more clarity, or just want a different tone, then this versatile pickup may be the answer.

The physical size of this pickup is identical to that of a “normal” humbucker so it will pop straight in to any humbucker guitar. They’re designed to be used with 500k pots too so you don’t need to change anything.

P90 pickups do have a reputation for being noisy but the Black Sand not only comes with shielded cable but is encased in a metal cover. This cover makes a huge difference in reducing interference from outside sources making this a very quiet pickup.

There really is no musical genre the Black Sand Humbucker size P90 is best suited to, from blues to punk, rock or even funk there is a place for this sound just about everywhere. Have a listen to these demos, you’ll hear how well it adapts to any situation.

I don’t guide demo players in any way, I just ask them to do what they feel the pickup wants. That way we get different interpretations of the pickups and in this case it really shown off the versatility.

And scroll down to the picture at the bottom of this page – there are a lot of funky cover options to look cool in any guitar.

Here is Warren Mendonsa aka blackstratblues. He uses a Black Sand set in his Gibson es335. Go check him out, you can thank me later.

P90’s are different to other single coil pickups. They have a wide, flat coil similar to that of a Jazzmaster but the magnetic field is a very different shape. Fender single coil pickups have the coil wound around the magnet giving a focused, precise percussive sound. A P90 has 2 bar magnets underneath the coil; this broadens the magnetic window allowing the pickup to listen to a bit more string and thickens the sound. I chose Alnico V bar magnets for this model to help give some grit and power characteristic of a P90.

Of course, too much power and the pickup would sound too thick and bass heavy which is not its purpose. Too little power and it just won’t snarl. I have aimed this pickup set at the clearer end of the P90 spectrum.

To give you an idea of this pickup’s versatility here it is in drop E tuning:

Leon Todd visited the workshop in February 2024 after which I sent him a pickup set. It’s a Cloud Nine humbucker in the bridge position and a Black Sand humbucker sized-P90 neck pickup. I think you’ll agree they really give an extra dimension to his Les Paul.

The Black Sand Humbucker sized P90 story

The development of my Black Sand Humbucker sized P90 was a bit backwards.

Usually I make a bridge pickup first and work from there but with this one the neck pickup came first.

I had a customer ask for a neck pickup for an es335 to sound clearer than his existing Gibson humbucker. He was finding the lower mids of the humbucker were getting in his way and needed a clearer sound with more character.

I worked on the Black Sand Humbucker sized P90 neck pickup for a while using my Les Paul as a test guitar. There’s a balance to getting the right neck pickup sound. There needs to be a bit of power but a danger of becoming too boomy. It was a case of tweaking the windings until it was right. I sold a few neck pickups before thinking it would be a good idea to have a set. So I started work on the bridge pickup.


I wanted this bridge pickup to have clarity in the lower mids to stand out from humbuckers while having enough power to grit up nicely. I wanted it to be clean when tickled and to growl at you when you dig in. P90’s are all about dynamics. It had to match the existing neck pickup or work well as a stand alone in a HSS situation.


Of all the pickups in my range the Black Sand Humbucker sized P90 came together the quickest. There were only 4 or 5 prototypes and I was happy. Experience and intuition combined with a notebook where I’ve written down details of every experimental pickup I’ve made since 1995.

The main challenge with this pickup was taming the bass. The bass needed to be clean and ringing without a dominant boom. That’s where testing with a band is so useful. A pickup can sound great at home volumes but when its up loud the bass can be overpowering. If the bass is too far forward it walks all over the bass guitar and can ruin a mix.

There were a load of prototypes in and out of a Les Paul, Tele Delux and PRS, through different amps and in the hands of different players. I never trust just my own ears with my pickups. I like to get opinions and suggestions from a few players before making any final decisions. I listen to what players say and I adjust prototypes accordingly, but at the end of the day the final decision is mine. I’m always aware of the phrase “a camel is a horse designed by committee”.

It took a while to get this one right. A pickup would sound great at workshop volume, then I’d play it in a band situation and it would be too boomy, too much like a humbucker. So I’d have a think and make another. In the end persistence paid off.

The pickups I finally settled on went into my Les Paul and off to a gig for the ultimate test, and that’s where they’re staying.

The neck “Black Sand” is a great match for either my “Integrity” or “Cloud Nine” bridge humbuckers or as a set with its equivalent “Black Sand” bridge humbucker sized P90. It is equally happy with Gibson or Fender scale lengths as you can hear from the demos. Currently I gig a Flying V with a Black Sand neck pickup with a Cloud Nine in the bridge position. With the extra clarity from the Black Sand I find I use the neck position a lot more and it’s so good for playing ‘Sweet Child Of Mine’.

Black Sand design

Here is a short video to explain my thinking behind this HBSP90 design. Initially it was just going to be a neck pickup. The aim was to solve the problem of neck humbuckers sounding too wooly in some situations. Then came the Black Sand bridge pickup to match. Now the set has taken on a life of its own live and has become one of my most popular pickup sets.

Naming pickups is not easy, I agonized over what to call this pickup set.

I wanted a name that would reflect the apparent contradiction in P90’s. From the perspective of a humbucker player they are clear and chiming. From the viewpoint of a single coil player they are powerful and gritty. They’re one thing while looking like another. I wanted a oxymoron to reflect this contradiction, one that might include the unique magnetic structure that gives the P90 its character.

So I went for a run along Muriwai beach to think. And there it was staring me in the face (literally). Muriwai has black volcanic sand due to its iron content and it’s also magnetic. So I’ve called this set the Black Sand Humbucker sized P90.

Jimmy Christmas on stage using Black Sand Humbucker sized P90
Jimmy Christmas – D4

I’m very happy with this pickup – hopefully you will be too.

I’ve been working on some new funky cover options. This pickup set finds it way into so many different kinds of guitars I felt it needed to have a lot of looks to match.

Black Sand Humbucker sized P90 cover options: sliders, nickel, black, toaster top, open, chrome; or cover in P90 style soapbar or dogear covers in black or cream.

https://www.youtube.com/channel/UCcDggiRTQyFec5KAVHsC2xA

Please subscribe to the Mr Glyn’s Pickups newsletter (click the link below). There’s a new edition every 6 weeks or so with news of new products and options. There’s a merch giveaway so send in pics of your Mr Glyn’s loaded guitars. I love receiving pics, videos and links to bands using Mr Glyn’s pickups. Send them in, I’ll happily feature you on my social media.

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Silver Lady-vintage Telecaster

Single Silver Lady-vintage Telecaster NZ$139 for NZ customers, if you’re overseas it’s GST free; NZ$120.87

Set Silver Lady-vintage Telecaster NZ$269 for NZ customers, if you’re overseas it’s GST free; NZ$233.91

Alnico III, Bridge 5.9 KOhms, 3.18H, Neck 7.25 KOhms, 2.39H

Silver Lady-vintage Telecaster pickup set is designed for the traditional telecaster player. The bridge pickup has plenty of Tele attitude but is never harsh. The neck pickup full, clear and perfectly balanced with the bridge pickup.

They are my take on the Fender Tele pickups found on 1950-1954 models, although are far from being clones. They reflect my experience with pickups of this era. They have a “sweeter,” less aggressive sound, distinct from the tighter, sharper tone of post-1955 Telecasters. They have a warm, sweet, and articulate sound with soft attack.

For that Tele twang I recommend my ‘Duchess’ set.

If you want a fatter Tele tone that will push your amp harder look at the ‘Cruel Mistress’ set.

Telecasters are brutally honest guitars. There’s no hiding behind fat mushy tones . If you can do it on a Telecaster then you really can really do it.

This pickup set is primarily for clean Telecaster players. They are ideal for those classic country tones or for textural rhythm players. They’re great for giving a pure signal for modulation effects.

I wanted to make a Telecaster set that would reflect the clear honest tone of an old Tele. It’s a delicate balance to get enough treble and for the top end to have sufficient warmth to be usable. But there can’t be any hint of woof or boom in the bottom end. The bottom needs to be full and clear with no muddiness. The bridge needs a twang but a warm twang without being over harsh.

Alnico III Telecaster Pickup

I’ve used Alnico III magnets with a vintage style wind on both these pickups. Alnico III are the lowest power of the Alnico range. Lower than Alnico II (strange but true). These lower powered magnets smooth out the attack giving a more gentle Tele twang than the more common Alnico V.

Alnico III have low string pull which increases sustain. The lower power magnets let the strings ring more clearly. As a result, here is less aggression in the treble and less bass punch than with alnico V.

All my magnets are specially made for me, they need to be just right.

Development

I was a guitar repairer and maker for many years before specializing in pickups. Through my repair work I came across a lot of old Telecaster pickups. Many of these pickups were faulty and needed re-winding. I’ve re-wound a lot of old Tele pickups. There is always a lot to learn from existing designs.

This is invaluable experience for designing my own version of this classic pickup set.

For this Telecaster set I enlisted the help of a couple of experienced Telecaster players as test pilots. I really needed plenty of opinions and testing through a variety of amplifiers to get this one right. It’s essential to get the treble right on a Tele pickup. Strong without being harsh.

Description

Here is my thinking behind this pickup set:

I’m really happy with the warm classic tone of this set, clear and chiming with just the right twang. So I have given them a classic name – “Silver Lady”.

Silver Lady-vintage Telecaster pickup set by MrGlyns Pickups
Vintage voiced Telecaster pickup

Available with chrome, nickel or gold cover.

https://www.youtube.com/c/MrGlynsPickups/videos

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Bellbird vintage Strat pickups

Single Bellbird NZ$139 for NZ customers, if you’re overseas it’s GST free; NZ$120.87

Set Bellbird NZ$375 for NZ customers, if you’re overseas they’re GST free; NZ$326.09

Bellbird vintage Strat pickups specifications: AlnicoV – Neck 5.68 KOhms, 2.36H, Middle 5.68 KOhms, 2.36H, Bridge 6.05 KOhms, 2.71H

The Bellbird vintage Strat pickups are a vintage voiced strat pickup strongly influenced by the pre-CBS Fenders of the early 60’s. Clear and chiming, low powered and pure. Suitable for a huge range of styles, ideal for that traditional tone.

Bellbird vintage Strat pickups demos

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The Stratocaster has been around since 1954 and the legend continues. Reading the internet (!?) tells me there have been good and bad years or decades, guitars to avoid and ones worth hundreds of thousands of dollars. I’ve been repairing guitars since 1995 so I’ve played a lot of old Strats and analyzed a lot of old pickups. Vintage pickups aren’t all great but the good ones are fantastic.

In the 90’s there were a lot of old Fender pickups around and they were cheap back then. I got to work on and repair so many vintage pickups. There was very little available information so I had to figure everything out. Looking back I think it was such a good way to develop an instinct as to how to get a great sound. With all the old spec now available I’ve really enjoyed topping up my knowledge.

I’ve become a huge fan of the L series Strats. Every one I’ve played (particularly ’63’s) have been great guitars. It’s just a shame they’re so expensive now and very few of them get played at gigs.

I’ve based my Bellbird vintage Strat pickups on the best of the old pickups I’ve had the pleasure of playing through and studying. So I use AWG42 heavy formvar insulated wire – there’s something about the thickness of that insulation that just works with an old Strat pickup.

I’ve aimed for that old quacking chime that makes Strats wonderfully percussive but with a singing quality that’s so musical. Warm and clear with beautiful almost reverb-like clean tones – that’s what I want out of an old Strat. The neck pickup sound needs to be fat, round and clear, the middle pickup needs to quack and the bridge a cut through twang without thinness. The all important ‘in between’ sounds in positions 2 and 4 must be balanced and characterful. Nothing says Strat more than these sounds.

Bellbird Neck Pickup

The neck pickup on a Strat is the ‘go to’ setting for a lot of Strat players. In designing this set I realised this is what I had to get right first. In using heavy formvar insulated wire I’ve kept to tradition. I use heavy bevel alnico V magnets with my own custom stagger to suit modern string gauges.

Bellbird Middle Pickup

I love the quack of Strat middle pickups. I’ve worked hard to achieve that distinctive middle tone. There’s something great in that sound. The magnets are so important in achieving just the right percussive snap without harshness. The other factor with middle pickups is how they work alongside the neck and bridge pickups. Those all important in between sounds are the essence of Stratocasters. The Bellbird middle pickup is the ideal partner for both neck and bridge.

Bellbird Bridge Pickup

On the original early 60’s pickups all 3 were wound the same. I’ve chosen to give the bridge pickup a little extra, more like a late 70’s Strat Pickup. I want to reduce the ping of the attack and add a little more bottom end to make the bridge pickup more usable. I feel that makes this pickup set more suited to the modern player.

Under or Over Wound

At the checkout I have given you the option of having your Bellbirds under wound or overwound by 5%, or overwound by 10% as well as the standard wind. I don’t offer this for all pickups but the Bellbird is an equally good pickup in any of the 3 options. The early Fenders often varied within this range.

Standard Wind

The standard wind is the closest to the early 60’s Fenders. This is my personal favourite and all the demos are of the standard wind

Minus 5%

The minus 5% wind is for players wanting a super clean Strat sound. It has very clear treble and a little less bass than the standard wind. Suited to a very clean sound

Plus 5%

The extra 5% of windings gives a little more bass and slightly smoother treble along with that bit of extra power.

The Bellbird vintage Strat pickups has been designed mainly for clean tones but they’re certainly not afraid to perform with a bit of gain or fuzz. As part of a HSS set they’re great with one of my ‘Integrity’ humbuckers in the bridge position.

I agonised for months over names for my Strat pickup sets then during a camping trip to Tauwharanui Regional Park I heard my first Bellbird and realised that was the sound I had been looking for when I was designing this set.

The comparison in tone between the Bellbird and the more common Tui seemed exactly what I had in my head when designing my Strat pickups. Bellbirds don’t just go tweet, there’s a depth and warmth in the tone. It’s so hard to describe sound and the difference between pickups but I think the difference between the Bellbird and the Tui sum up the difference between my vintage and hot Strat pickups. So I called them the Bellbird and the Tui.

Ji Fraser, Six60 performing with Bellbird pickups, MrGlyns Pickups
Ji Fraser – Bellbird Pickups
Bellbird vintage stratocaster pickup set in black, by MrGlyns Pickups

https://www.youtube.com/c/MrGlynsPickups/videos

Updated September 2024

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updated 18 September 2025

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Tui hot Strat

Single Tui hot Strat NZ$139 for NZ customers, if you’re overseas it’s GST free; $120.87

Set Tui hot Strat NZ$375 for NZ customers, if you’re overseas they’re GST free; $326.09

AlnicoV – Neck 6.73KOhms, 3.22H, Middle 6.73 KOhms, 3.22H, Bridge 7.12 KOhms, 3.51H.

The The Tui hot Strat set is designed for players wanting a little more from their Strat. A full sounding set suited best to blues and rock players. It will clean up with the best of them but is at its happiest playing dirty blues – think SRV and you’re getting there. Not only that, it’s the perfect Strat pickup for that Dave Gilmour tone.

They make a great neck and middle pickup as part of a HSS set with an Integrity or Cloud Nine bridge humbucker.

Full sounding and clear with a steel base plate to add that extra little push.

Dave Gilmour tone

In August of 2025 I went to see a set of my Tui pickups in action performing Pink Floyd. It was at the Civic Theater in Auckland. The lead guitarist was Brett Adams. He contacted me a couple of weeks before asking which of my pickups would give that Dave Gilmour tone. So I sent him some Tui. This is just recorded using my phone but I think you’ll agree they sound pretty special through a big PA.

It was quite an emotional experience for me.

Here’s some more Tui goodness, this time in a HSS configuration with a Cloud Nine humbucker.

And in HSS with an ‘Integrity’ humbucker. The Tui is the single coil I recommend with HSS sets, they work so well with that bridge humbucker.

I received this unexpected video from a customer:

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What’s different about the Tui?

Here’s a video I made (with help from the dogs) to explain how the steel base plate adds to the bottom end of these pickups. It just gives that little extra push that I feel these pickups need.

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The Tui hot Strat set story

The Tui hot Strat set is a step up in power from my Bellbird and Kokako sets while still retaining the character of the Stratocaster. This set is best suited to Blues/Rock players who like a bit of dirt. There’s more bottom end and smoother highs. It’s very well suited to HSS set ups alongside my Integrity or Cloud Nine humbuckers.

I’ve wound a lot of Strat pickups since I started in 1995. I started off re-winding cheap pickups and then moved on to repairing old dead Fender pickups. Every experiment was written down in a notebook with tone comments.

Back when I started there wasn’t much information available so there was a lot of reverse engineering and a lot of trying things out. That learning time was invaluable to developing instinct for how to change the sound of a pickup. I’ve still got the note book and I’m still adding to it.

In, I think, 2014 a customer of mine approached me wanting a set of Stratocaster pickups. He’s a great blues player and had recently moved from using a Les Paul to a Strat. He described the sound he was after and it seemed to me it was the same as I’d been after myself so I put some time in to designing a pickup set for him.

The Tui hot Strat needed to be most definitely a Strat sound. I hear plenty of Strat replacement pickups that are fine but just not Strat-ish enough. Secondly, I wanted a bit more power, just a bit, enough to make a good old valve amp clip a bit easier than a “vintage” pickup would. And there needed to be dynamics – tickle it and it’s clean, dig in and it grits up.

As I was making the original version of this set for a player used to humbuckers I wanted to reduce the ”ping” of the attack. I’ve added steel base plated as standard to this set. This changes the shape of the magnetic field, broadening the harmonic window. They add a wee bit of power, a wee bit of bass and reduce that pesky ping.

The neck pickup needed to have “that” Strat sound with fullness and clarity. It’s the ‘go to’ sound for most Strat players. The middle pickup needed to have some ‘quack’ to it with its own distinctive personality.

The bridge pickup shouldn’t be too thin, it needs to have plenty of highs but not too much of that ‘ping’ or it’s almost useless. Then there are the other sounds – positions 2 and 4, mistakenly referred to as ‘out of phase’. They are really just 2 pickups in parallel. It’s hard to predict what those sounds will be, there was a lot of experimenting.

So I consulted my old note book and wound a lot of pickups and fitted them in a few test Strats. I’ve been lucky enough to have some great players as repair customers and so I was able to get quite a few opinions.

Eventually I was happy and I fitted a set for my ex Les Paul customer and he loved them straight away. A few months later he contacted me to say he was still loving them. It’s great when players do that.

I’ve fitted Tui hot Strat sets into a lot of instruments and it turns out that not only blues players like them, they seem to work for everyone. I shouldn’t be surprised, the Stratocaster is such a versatile guitar, of course they do.

Further experiments have shown the Tui hot Strat pickups balance really well as part of a HSS set with either my Integrity or Cloud Nine humbuckers in the bridge position.

I agonised for months over names for my Strat pickup sets. Then, during a camping trip to Tauwharanui Regional Park, I heard my first Bellbird. The comparison in tone between the Bellbird and the more common Tui seemed exactly what I had in my head when designing my Strat pickups.

The Tui has turned out to be my best selling Stratocaster pickup. It appears there are a lot of players out there wanting a bit extra from their Strats without losing the character we all love.

Strat pickup set, black covers. Mr Glyn's Pickups

https://www.youtube.com/c/MrGlynsPickups/videos

updated 10 September 2025

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update 8 May 2023

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Cloud Nine-hot humbucker

6 String Cloud Nine hot humbucker Single NZ$219 for NZ customers, if you’re overseas it’s GST free; NZ$190.43,

Pair NZ$399 for NZ customers, if you’re overseas they’re GST free; NZ$346.96

Covers are NZ$20 ($17.39) extra each pickup

AlnicoV – Bridge 13.48 KOhms, 10.49H, Neck 7.9 KOhms 5.69H

The Cloud Nine-hot humbucker is a versatile ROCK pickup with plenty of mids, no shortage of power and with enough clarity to help you stand out in the mix. A great pickup set for the Blues/Rock player but also well suited to heavier sounds , think Randy Rhodes or EVH. It with push the front end of an amp but will also clean up especially with a treble bleed.

Cloud Nine in a Super Strat

Design

There are many factors determining the performance of a pickup. The Cloud Nine bridge pickup has asymmetrically wound coils. It not only has a different number of winds on each coil but they’re wound with a different number of turns per layer. Each of the two coils has a slightly different mid range response, This gives not only plenty of mids but a real mid range clarity. It means the pickup sits well in a mix.

The alnico 5 magnet that powers both neck and bridge are specially made for me to my spec.

The neck pickup is also asymmetrically wound for the same reasons. It’s wound to be fairly hot for neck pickup standards but with the alnico 5 magnet there is still high end clarity. It’s a big fat but clear neck pickup sound. This is a great fat lead tone rather than a funky rhythm pickup.

Cloud Nine bridge , Black Sand neck

Leon Todd visited the workshop in Feb 2024, I subsequently sent him a pickup set I thought might suit him.

Here is the result:

In a PRS SE

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Out of the blue I received an email from a customer in Tasmania who had recently bought a Cloud Nine-hot humbucker bridge pickup. He sent me a link to these clips. In The Final Countdown the rhythm guitars are the Cloud Nine coil tapped.

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In a Les Paul

It’s worth mentioning how many Les Paul players use the Cloud Nine. It may be the scale length or particular dynamics of a Les Paul but these pickups just sing in a LP.

In a mix

Check out Wellington band Curlys Jewels using Cloud Nine’s in a Les Paul.

Description

Here are descriptions of both bridge and neck pickups and my thinking behind the designs.

Cloud Nine-hot humbucker Story

I am at heart a man of ROCK.

Since the advent of the DiMarzio Super Distortion pickup players have been able to get some power out of their pickups, enough to really push an amp.

The neck pickup needed to be clear and present but with enough power for some of those sweet lead lines.

I wanted the bridge pickup to have power to scream with the best of them while retaining enough clarity to have definition. When I play a 7th chord I want to hear it as a 7th and not sound mushy like a John Deere tractor at full throttle.

It’s a real danger with hot pickups that they lose character and tone. I needed a crunchy rhythm with strong mids and an over the top lead sound. I want to get squawking pinched harmonics whenever I please. Not only that but I need it it to clean up nicely and react well to a treble bleed circuit. A humbucker for every situation, for players not afraid of a bit of gain.

Not much to ask, eh!

I got through a lot of wire and magnets experimenting over the years to get this set right. I suppose I worked on it for about 5 years, different magnets, winds, wire thickness, insulation, winds per layer – there are a lot of factors. Whenever I felt I was close I used them at a gig to hear how they sat in the band. Pickups can sound quite different next to a drummer or in a mix. I tweaked and adjusted…

Eventually I was happy with the design and I was lucky enough to have legendary Kiwi band ‘Head Like A Hole’ help out with road testing. I knew if they came back from tour happy then I was on to a winner. They did.

It was a long process getting this pickup design just right but its a process I only have to go through once. When the design is finalized that’s it. Part of my desire to get it perfect is the knowledge that I’ll be using this design for the rest of my life.

When you get it right it feels so good, a sensitive pickup rich in harmonics is so much fun so I called it the “Cloud Nine” which how I felt at the end of it all.

This is the pickup set I gig with myself in my covers band now. I have them in both an Epiphone Sheraton and also in my Flying V. With this set up it works for everything from The Smiths to Metallica and all points in between. I don’t feel the need to swap guitar – these pickups work for everything. I have done literally hundreds of gigs with the Cloud Nine in countless venues, it always performs.

Matt Carson from Tablefox. Cloud Nine-hot humbucker
Matt Carson on stage with zebra Cloud Nine’s
Double Cream humbucker - Mr Glyns Pickups. Cloud Nine-hot humbucker

The Cloud Nine set comes with 4 conductor wire as standard to give you all the switching options you could ever need. I recommend series/parallel switching with this set. The bridge pickup is available in both 52mm and 49.2 mm spacing. If you need any help deciding which spacing is right for your guitar please get in touch via email, I’m always happy to help.

Here are some of the cover options available for the Cloud Nine humbucker set; I’m happy to age the covers; please just add a comment at the time of your order.

Selection of humbucker cover options, MrGlyns Pickups
Slider humbucker cover style, by MrGlyns Pickups
Gatsby humbucker cover, by MrGlyns Pickups
example of humbucker cover aging by MrGlyns Pickups

https://www.youtube.com/c/MrGlynsPickups/videos

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Integrity-vintage humbucker

Integrity-vintage humbucker Single NZ$219 for NZ customers, if you’re overseas it’s GST free; NZ$190.43

Integrity-vintage humbucker Pair NZ$399 for NZ customers, if you’re overseas they’re GST free; NZ$346.96

Cover NZ$20 ($17.39) extra each pickup

Alnico II – Bridge 8.02 KOhms, 6.43H. Neck 7.41 KOhms, 5.57H

Inspired by the early Gibson PAF pickups the Integrity-vintage humbucker give the classic full balanced tone we all love.

Asymmetric coils give an open sounding mid range and the rough cast Alnico II magnet gives clarity and balance. A rich bottom end, characterful mids and sweet treble make this a pickup set for every situation. Jazz, Blues, Rock, it does it all.

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Every pickup manufacturer makes a “Vintage” humbucker based on the Gibson PAF, of course they do – old Gibsons sound so good.

So how come they all sound so different? Well, the simple answer is that PAF’s were all different. Of any guitar pickups you’ll come across these are possibly the most variable.

I’ve been a full time luthier since 1995, whenever I come across an old humbucker I test the ohms and the gause and have a good listen. They’re all different. My conclusion is that pickup manufacturers have taken the PAF they like and based their own version on that. Old PAF’s vary so much so modern ones do as well.

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Here is Nik Dobbin show off an Integrity set. The guitar is an all mahogany PRS Santana SE II from the early 2000’s.

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Integrity-vintage humbucker requirements

I have designed my own version to be clear sounding, have obvious string separation and definition and to keep clarity no matter how much gain. The mids must be strong and woody, this is not a “scooped” pickup. The clean sound needs to be chimey and clear with no mush; through a valve amp I want clarity. When I tickle it I want clean and vocal sounding when it clips. The bridge pickup needs to be well behaved with high gain and clear with enough cut through so the drummer knows you’re there. The neck smooth, clear and articulate. Warm but with none of the boom you get with a more powerful pickup.

I don’t want much do I.

My “Integrity”-vintage humbucker has a rough cast Alnico II magnet. It uses plain enamel insulated magnet wire with asymmetric coils to open up the mids, just like the originals. Asymmetry in the coils creates a clearer mid range.

The very first pickup I ever made back in 1995 was a PAF style and I’ve been tweaking the recipe ever since.

Studying the intricacies of this pickup design have given me a huge respect for Seth Lover the designer of the original Gibson PAF. My version is not an exact replica of the originals, rather my own take on them. I have worked on countless PAF pickups over the years. I feel I have a good take on what makes them tick.

Its hard to imagine the guitar world without the PAF. Would Gibson be such a popular band without Seth Lover’s contribution? Its hard to say.

Like all my pickups I’ve used a number of test pilot players in its development as well as gigging it myself. Countless hours have gone into the testing stage of this design.A huge thanks to all the players and engineers involved in the development.

These pickups were played in studios and on stages in the hands of numerous players long before I gave them a name or built this website.

I made my first PAF type pickup in around 1995. It wasn’t until 2015 that I finally settles on this particular design. It has been a very long road for the integrity humbucker set. I am delighted to be offering them to you.

Here’s a great little demo of the Integrity’s in a mix. I encourage you to go and subscribe to this YouTube channel.

A Pickup in 4 Flavours

This pickup is available in 4 flavors to cover the various applications of this versatile pickup. You can select your option at the checkout.

The idea behind the 4 flavors is to simplify things for you. Rather than have 4 separate pickups with a similar vibe I’ve put them all under the umbrella of ‘Integrity’.

All 4 flavors fit within the range of the original PAF pickups. If you’re a Jazz or a rock player there’s an Integrity that will suit your style. All the pickups within this range use the same alnico II magnet, it’s just the windings that differ. If you are unsure which will work best for you just get in touch. I’m always happy to discuss your requirements.

The Standard wind –

This is the one I feel is the best balance between output and tone. All the demos are of this version unless otherwise stated. After my years of experimenting this is the version I like the best and use myself.

5% Underwound –

This has 5% less winding than the standard pickup. Less wire means less power but it also reduces the bass and gives a little more high end sparkle. If you want a low powered very clean humbucker this is for you. This one is all about clarity. Especially suited to archtop guitars. Here’s a nice little demo from TheSuperFunAwesomeHappyTimePedalShow.

Alex wanted a vintage vibe from his ’70’s Yamaha. He isn’t a rock player so was more concerned about the clean sound and light break up.

Integrity 5% under wound

A customer sent this little demo of his 5% under wound set. This is a great example showing how they respond to both clean and dirty sounds.

5% Overwound –

More winding mean a little more power but more significantly an increase in bass. Ideal for players wanting a classic rock tone or in HSS Strats.

Here is Nick Granville talking about his 5% over wound Integrity in the bridge position of a Strat.

He went for the Double Cream bobbins to match his single coils. I think you’ll agree it looks great.

10% Overwound –

An increase in power and bass from the standard pickup. Still very much the PAF vibe but with a bit more. This is a great rock pickup with the dynamic range to clean up nicely but with the power to push you amp. Suited to players using dirtier sounds from classic rock to Slash to early Van Halen.

The Integrity comes with 4 conductor wire to give you all the switching options. I very lightly wax pot the Integrity to reduce microphonic feedback but to retain some of the microphonic character of the originals.

The thinking behind the Integrity set

Here are a couple of short videos to explain the thinking behind the Integrity pickup set and its variants.

Integrity Neck Pickup
Integrity Bridge Pickup

In a HSS Strat

Here are a few videos showing the Integrity in different situations.

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The full and honest sound of the Integrity-vintage humbucker along with it’s timeless tone inspired the name “Integrity”. https://mrglynspickups.com/

There are a number of cover options so you can choose how your Integrity looks. Uncovered options are black, double white, double cream, and zebra or reverse zebra (in either cream or white) at no additional charge. Or you can add a cover to your purchase in: black, gold, chrome, nickel, sliders, gatsby or open raw nickel at $20 per pickup ($40 for a set).

Feel free to inquire about variations of these cover options. I can, for instance use gold screws with the black covers.

Integrity-vintage humbucker
Selection of humbucker cover options, MrGlyns Pickups
Gatsby humbucker cover, by MrGlyns Pickups
Slider humbucker cover style, by MrGlyns Pickups
example of humbucker cover aging by MrGlyns Pickups

If you would like your pickup aged don’t hesitate to ask. I can do any degree of ageing from just reducing the glare to the full steam punk treatment. If you are matching your new pickup to an old guitar I will ask for some photos of your guitar. That’s the best way for me to match the degree of ageing to suit you. I always enjoy working with my customers to achieve what they want.

Integrity-vintage humbucker

Testimonials

I put the integrity pick ups into my Jim Root Jazzmaster last week.
I gigged with the guitar on Sat night and am so happy.
They have the versatility that I’m looking for.
Thanks

Bought a set of Mr Glyn’s Integrity humbuckers and they are awesome! These pickups do everything from clean to blues rock to screaming distorted rock tones. So great to just roll off the volume, have it clean up but still stay loud and defined. My guitar is now super versatile and sounds great! Thanks

https://keningtonmusic.com/

Integrity-vintage humbucker – updated 21 Oct 2025

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Cruel Mistress hot Tele

Single Cruel Mistress hot Tele NZ$139 for NZ customers. If you’re overseas it’s GST free; $NZ120.87

Pair Cruel Mistress hot Tele NZ$269 for NZ customers. If you’re overseas they’re GST free; $NZ233.91

AlnicoV – Bridge 10.65 KOhms, 4.96H. Neck 7.25 KOhms, 2.48H

Mr Glyns Cruel Mistress hot Tele Pickups are designed for the Tele player who wants more than the traditional country twang. They have a full bottom end, cut through mids and a top end that is strong but never harsh. They’ll push your amp that bit harder without losing that Telecaster character.

Brett Kingman demos (I think he likes them)

More Cruel Mistress hot Tele demos

Description

There is nothing like the high end snarl of a good Tele bridge pickup. However, Telecaster Pickups are complicated. It’s a sound that needs to be just right. Too much treble and it can sound grating and obnoxious, too little and it just isn’t a Tele. The treble needs warmth while still cutting through a mix like a zombie banjo.

I wanted to make a pickup with more power to drive an amp harder while keeping the Tele character. My biggest concern was not losing what a Tele is all about.

In my repair work I came across a lot of replacement Telecaster pickups that just don’t sound like Teles. Bridge pickups need grit and the neck a chimey clarity and together they should be full and open and matched well enough to create almost a reverb sound with the switch in the middle position. Good Telecasters have a very distinctive tone and I felt I needed to retain that but at the same time offer more.

The Cruel Mistress hot Tele uses Alnico V magnets to help with the attack and AWG43 wire for the snarl.

A Tele neck pickup needs to be smooth and warm and have a great balance with the bridge pickup so that the middle position rings with an almost reverb-like tone. The difficulty with Telecaster neck pickups is there just isn’t much space under that cover. As a result it can be a hard pickup to get right and there were a lot of experiments and disappointments on the way. Eventually I came on a design that has enough bottom end to sound full but not so much to sound boomy. And the final pickup was a great match to the bridge.

I had help from the ears of a couple of pro players who were generous enough to let me load their guitars with prototype pickups for testing. The whole process takes time and only after many road tests and versions did I fix on a design. As a result, each of my designs have been developed over many years of subtle changes and road tests. Having help like this means my pickups are trialled by different players, through many different amps and playing styles. The neck/bridge balance as well as dynamics/compression need to be tested in as many situations as possible to find a pickup that will work for most players.

So if you need some grit and aggression from your Telecaster Pickups this is the set for you.

Cruel Mistress Tele pickup set on stage with Rob Lock
Rob Lock
Telecaster Bridge pickup, MrGlyns Pickups
Telecaster Neck pickup, MrGlyns Pickups

https://www.youtube.com/channel/UCcDggiRTQyFec5KAVHsC2xA

updated 19 May 2025

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