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Strat Wiring – simple mod

Strat Wiring must be the most modded wiring of all. It’s not that the original wiring isn’t great, there are just so many other possibilities. When I worked as a guitar repairer I re-wired a lot of Stratocasters. There are so many options, so many things that can be changed. A lot of players have their favourite versions of wiring up these fantastic guitars.

What I did find when I as modifying other peoples guitars is they would often come back to something close to standard wiring in the end. After trying multiple switching in every combination, series, parallel, coil tapping, humbuckers … it goes on, they often returned their Strat so something very close to the way Leo Fender originally did it back in 1954. There is a lot to be said in favour of simplicity.

Here I’m simply going to show you the standard way of wiring a Strat and add one simple and useful modification – that cheeky little red wire. I can’t recall ever being asked to remove this modification to a Strat’s wiring, there’s simply no disadvantage.

Here is the diagram using the colour code for my own single coil pickups.

Strat Wiring Diagram

Strat wiring plus simple tone mod
Strat Wiring

How Strat controls work

The heart of Stratocasters is the 5 way switch. Interestingly it wasn’t until 1977 that Fender fitted them as standard. Before that it was a 3 way switch and players had to ‘balance’ it between 2 positions to get that famous in between Strat tone. We’ve got it easy these days. Position 2 or 4 on a 5 way is such an iconic Stratocaster sound – you can spot it anywhere.

That sound with 2 pickups on is often incorrectly called ‘out of phase’ – here’s a blog explaining what it really is.

Here is a Stratocaster control plate. It looks straightforward but why are there 2 tone controls? Must be treble and bass yeah? Well no, it’s a bit more complicated than that. This is a passive system (no battery) so the tones just cut treble giving your sound less highs, they can’t boost bass. The middle knob marked tone is the control for the neck pickup and the end one for the middle pickup.

With the switch in the position shown the neck pickup is selected and the middle knob acts as a tone. If this 5 way switch was 2 clicks on it would select just the middle pickup and the end tone know would be engaged.So you can pre-set a tone setting for a pickup. I guess it was considered a step up from the Telecaster’s single tone control for the whole guitar.

Strat controls
Strat controls

That’s great but it means with a standard stratocaster there is no tone control for the bridge pickup. If ever there was a pickup that needed a bit less treble its the strat bridge pickup. If you refer back to the wiring diagram you can see a little red wire on the switch connecting 2 legs together. Adding that little wire with mean that the tone control for the middle pickup will also work for the bridge pickup.

It’s the simplest of all Strat Wiring mods but a very useful one and a good place to start if you’re new to experimenting with wiring.

What is SSS, HSS and HSH?

SSS – means 2 single coil pickups so a simply a standard Strat configuration.

HSS – That’s a Strat but with a humbucker (H) in the bridge position. The reason you might want a humbucker is for a fatter bridge pickup sound. Standard Strat bridge pickups can sound a bit weedy. All the Strat bridge pickups I make have a little bit more power to offset this but a humbucker may well suit you better anyway. This makes for a very versatile guitar but retaining the simplicity of the original design. On stage there is so much going on that complicated switching options can often work against you.

HSH – You’ve guessed it – there’s a humbucker in the neck and bridge positions. This is often used with coil tapping. The idea is to have both Gibson and Fender sounds in one guitar. Usually positions 1 and 5 of the switch will give either bridge or neck humbucker on their own. Positions 2, 3 and 4 will be combinations of the middle single coil pickup and the humbucker with 1 coil switched off (coil tapping) or series/parallel etc. There are so many options and combinations possible and some spectacularly complicated wiring to figure out to make it work.

For some of the more complicated wiring options the conventional 5 way switch just isn’t enough. There is a type of switch commonly called a ‘super switch’ that gives these extra options. It looks the same from the outside and is the same to operate but under the hood there’s a lot more going on. This switch allows you to wire up just about all the options imaginable. Maybe I’ll write more about them some other time.

Do I turn it all up full?

A lot of players do but I feel they’re missing out on a lot of tones. Try backing off the volume and tone to about 8 and setting the amp sound to that. It really is worth trying it. As you turn the volume down your sound looses a little treble. This can really smooth things out and give you an easier tone to work with. With your volume at 8 you also have somewhere to go if you need that bit extra for a big solo.

Now I’m at the end of this blog I realise there are a lot more diagrams to draw and a lot of wiring options to discuss. Not just for Strats, there are modifications that can be done on any guitar.

For more Strat stuff and a listen to my own Strat pickups here’s my YouTube Strat Pickup demo playlist.

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updated 3 April 2023

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HS Strat Wiring

Here’s a suggested wiring diagram for a HS Strat.

I originally drew it up for Gabor from superfunawesimehappytime pedal show. He has a green Strat with a Mr Glyns Tui neck pickup and a Cloud Nine humbucker bridge pickup that he’s been using for YouTube pedal demos. Here’s the wiring diagram:

HS Strat Wiring Diagram

HS Strat Wiring diagram

What it does

The format is:

1 Humbucker

2 Coil tap Humbucker

3 Humbucker and Neck

4 Coil tap Humbucker and Neck

5 Neck

The 470K Ohm resistor is there so that the humbucker ‘sees’ the volume pot as 500KOhm and the single coil ‘sees’ it as 250KOhm, clever eh.

You can, of course just wire it up like a Telecaster but I think this HS Strat Wiring has some great benefits.

Here is is in action:

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updated 4 September 2023

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HS Strat Wiring

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Pandora 3 way Esquire

Pandora is NZ$165 for NZ customers, if you’re overseas it’s GST free; NZ$143.48

Pandora 3 way Esquire specifications: Alnico V – 10.07 KOhm 4.4H, 7.28KOhm 2.3H, 5.49KOhm 1.15H

The Pandora 3 way Esquire pickup took its inspiration from my desire to fix a problem.

Pandora 3way esquire pickup - MrGlyns Pickups

I’ve never been happy with the switching options given on the Fender Esquire so I came up with a plan.

Rather than switch in some capacitors or switch out parts of the circuit and create sounds you can make anyway using the tone control, I thought it would be better to have a tapped pickup so the player could generate usable, ‘real’ tones.

It’s simply a case of ‘tapping’ into the winding at different points to obtain different strength pickups from the one coil.

This essentially gives the player 3 different pickups in one.

So in the middle position it’s an Esquire pickup, one way it’s less than that (I’m calling it ‘Gold Foil’ though it isn’t). The other way it’s more – my Cruel Mistress pickup. This gives 3 distinct tones going from jangly rhythm to fat lead without losing the distinctive Esquire/Telecaster character.

It makes use of the normal 3 way switch to achieve this.

Then, of course, I realized that the main use for this wouldn’t be in Fender Esquires but in single pickup builds. The single pickup movement is getting bigger and this is the perfect tool to give those guitars extra versatility while still using a single Tele style bridge pickup.

So the experiments and trials began, there’s a lot to test with this sort of pickup. There were a lot of trials to get the 3 sounds to work well together, that’s different amps, pedals and most importantly with different drummers and bass players.

The ‘Cruel Mistress’ part was easy, it’s my best selling Telecaster pickup set. The middle position is based on a ’61 Esquire I once had the good fortune of getting to know. I was going for that clear, ringing bridge pickup tone we all know and love, a sound that stands out from a mix. I was so happy with how this pickup turned out that I have since made a Telecaster set from it – The Duchess. The third position I’m calling ‘Gold Foil’ but I could have equally called it ‘Lipstick’. It’s a tone in the character of that style of pickup though technically is neither.

I sat on the design for quite a while (about a year) thinking that although I really liked it the idea might be a bit complicated. I didn’t think people would want a pickup with all those switching options. I had done all the testing, was really happy with the sounds and feel but didn’t do anything about it.

Then on a whim I just posted on Instagram about it and received a huge response. It seemed players and builders liked the idea. So here it is, the Pandora 3 way Esquire.

Thanks to Reg Ayers for this demo : go and check out his YouTube channel – he makes some great pedals.

Pandora 3 way Esquire sounds great with a 500KOhm volume pot or to get the most out of it I recommend this wiring diagram:

Pandora 3 way Esquire suggested wiring diagram

Wiring diagram for Pandora 3 way esquire pickup, MrGlyns Pickups

The difference is that 1Meg volume pot (it’s usually 250KOhms) and those resistors. This enables each of the 3 pickup settings to ‘see’ the volume pot as a different value. It just emphasizes the good points of each setting, it’s subtle but it does make a difference.

Here is the wiring colour code for the Pandora tele pickup.

Wiring Colour code for Pandora pickup
Pandora Color code
Pandora

Check out Mr Glyn’s YouTube channel https://www.youtube.com/@MrGlynsPickups/videos

Pandora 3 way Esquire

updated 28 April 2025

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Modern Wiring – Les Paul

I like to support my customers as much as I can so here is my drawing of Gibson Modern Wiring – Les Paul.

The modern wiring is used in most Les Paul’s and it’s great for players wanting to roll off some treble when the guitar volume is turned down.

The difference between the modern and 50’s wiring is in how the tone capacitor is connected to the volume pot. It’s a very simple modification if you have 50’s wiring and are curious.

Modern Wiring – Les Paul diagram

Les Paul Modern wiring diagram
Modern Wiring

An explanation

Here is a link to my Les Paul 50’s wiring diagram so you can see the difference.

The difference between modern and 50’s wiring is which leg of the volume pot the tone cap (in green) connects to. You will see that the tone pot is also wired differently but that doesn’t actually change anything, its just another way of doing the same thing. So if you simply want to go from modern to 50’s wiring disconnect the capacitor leg from the end lug of the volume pot and attach it to the middle lug – simple.

It’s a very simple modification if you have a soldering iron so its worth experimenting with to find which works best for you.

Remember, if you play with the volume and tones at full it makes no difference if you use modern or 50’s wiring. It’s when you use the volume and tones that things start to happen.

Another thing to remember is that you can actually use both wiring methods on the same guitar. It is possible, for instance, to use 50’s wiring for the neck pickup and modern for the bridge. That way the neck pickup would retain some clarity as you lower the volume.

The bridge pickup (with the modern wiring) looses some high end as the volume is turned down smoothing off the treble. It just depends on what you’re trying to get out of your Les Paul. Neither wiring method is right or wrong.

Then there’s capacitor choice, pot value, coil tap or series/parallel, or even out of phase – the list goes on. I will be writing more blogs to cover all that at some point. For a simple circuit there are a lot of possibilities.

As with all guitar mods I think it is important to use your ears and your musical taste. Try things out and find out for yourself what works best for the sound you are trying to achieve. Plenty of people will tell you that 50’s is best, that

It’s always important to remember that here is no right or wrong, despite what you may read on social media. It’s all just a matter of personal taste. These wiring differences are all subtle too, the place to start is with great pickups.

In this diagram I’ve used my humbucker colour code. I use the same colour code as Seymour Duncan. I felt it was easier that way as there is so much information and diagrams out there for this colour code. If you need to figure out the wiring for a different manufacturer there are conversion charts available on line.

50’s wiring

Here’s my diagram for the 50’s style wiring https://mrglynspickups.com/2022/10/12/50s-wiring/

Here are some demos of my humbuckers https://youtube.com/playlist?list=PLOdXLT6XwMykEOjfDKlY6fBikNmVCBQXB

I plan to draw more useful wiring diagrams in the future so please let me know if there’s anything you’re interested in.

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updated 24 March 2025

Modern Wiring – Les Paul

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50s wiring

I like to support my customers as much as I can so here is my drawing of Gibson 50s wiring. Hopefully it will help you fit your new pickups.

The 50s wiring is great for players wanting to retain some treble when the guitar volume is turned down.

The difference between the 50’s and modern wiring is in how the tone capacitor is connected to the volume pot. It’s a very simple modification if you have modern wiring and are curious.

I recommend this wiring for my Integrity humbuckers – https://mrglynspickups.com/2020/03/29/integrity-vintage-humbucker-2/

50s wiring diagram

50s wiring Les Paul by Mr Glyns Pickups

I’ve used my humbucker colour code (same as Seymour Duncan).

There really is nothing wrong with modern wiring, having your tone darken as you turn down the volume can be very useful in some settings. So try both and see which suits you best.

It seems that all the cool kids and ‘experts’ on the internet are telling us it has to be 50s wiring or nothing but for anyone with a soldering iron it’s an easy mod and completely reversible so experiment for yourself. You may find you like 50’s for the neck pickup and modern for the bridge.

Here are some demos of my humbuckers https://youtube.com/playlist?list=PLOdXLT6XwMykEOjfDKlY6fBikNmVCBQXB

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Telecaster Wiring Diagram

I like to support my customers any way I can so here’s a Telecaster Wiring Diagram for a standard Telecaster to help you fit your set of Mr Glyns Pickups.

Telecaster Wiring Diagram

Telecaster Wiring Diagram. By Mr Glyns Pickups.
Tele Wiring Diagram

I’ve drawn this diagram using the colour code for Mr Glyn’s Pickups.

I use shielded cable for my Telecaster pickups so not only do they hum less but by swapping the red and white wires it’s easy to reverse their phase. That’s really useful if you want to use a 4 way switch to combine the two pickups in series as a humbucker.

This is the standard Telecaster Wiring Diagram – there are plenty of modifications you could make to change things a little.

Changing the capacitor to one of a lower value will lessen the effect of using the tone control. A .022 microfarad cap, for instance, will make the tone control more subtle to use but it’s not great if you like using the tone as a wah wah.

I like to use a treble bleed on my Tele to avoid treble loss when using the volume control – here’s some info about it https://mrglynspickups.com/2020/09/04/treble-bleed/

Here are my Telecaster Pickup demos: https://www.youtube.com/playlist?list=PLOdXLT6XwMylvwTfhCDTzJjmzhq2kQbLD

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Series Parallel switch

You may have heard of Series Parallel wiring in guitars, here’s how to do it.

There are numerous ways to wire a humbucker. The standard way is in series, its the sound we all know, with that pushy lower mid tone.

Some players like to coil tap their humbucker to get the option of a thinner more Fender type tone. That is essentially switching one coil off.

A less well used way to thin the sound is with a series/parallel switch. A humbucker wired in parallel with itself is more single coil like than in standard wiring, there’s less volume drop than coil tapping and it still hum cancels. I much prefer it.

So what is Series/Parallel all about?

The standard way of wiring a humbucker is in series. PAF’s are wired this way and it gives the traditional full sound with plenty of mids and bottom end. Its simply one coil following the other, the end of one coil connected to the beginning of the next.

Wiring a humbucker in parallel is quite a different sound. It’s much more similar to a single coil sound but the pickups is still hum cancelling. There is a drop in volume though not as much as with a coil tap (switching one coil off). And the pickup is still hum cancelling. It’s like taking away the lower mid range push that a series wired humbucker has and being left with more clarity.

This humbucker series parallel diagram shows how to do it with a push/pull switch. With the series parallel switch down and the humbucker is wired in series (normal), pull it up and it’s in parallel. The wiring colour code is for Mr Glyn’s Pickups (I use the same colours as Seymour Duncan).

Series Parallel diagram

Series Parallel switch for guitar pickups humbucker

Not such a hard diagram to follow is it? I’m not sure why this modification isn’t more popular. Maybe it’s a little harder to understand than coil tapping, maybe it’s because its a little more complicated to wire up. I certainly prefer it in my guitars to give an extra tonal option without taking anything away from the original sound.

Another example of 2 pickup coils wired in parallel is a Strat on position 2 and 4 of the switch. That sound is often incorrectly referred to as ‘out of phase’ but it actually is the sound of 2 coils wired in parallel with each other. So think of the chimey clarity a humbucker would have wired that way and that will give you an idea what a series parallel switch might do for you.

As with all guitar mods its worth having a play around and see if it suits you. It certainly works for me.

It would be great if you could subscribe to this blog (below) so you don’t miss out on any other pickup related articles.

I’m going to be posting a few more wiring diagrams in the near future. Keep an eye on this blog or my social media:

Have a look at Mr Glyns Pickups YouTube channel. There are lots of demos and ‘how to’ videos there.

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Mr Glyns Pickups is a small business which means I can communicate with my customers one to one. I’m always happy to discuss your requirements, answer questions and give advice. I want to know about the guitars my pickups are going in, send me pictures, send me recordings.

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Series Parallel switch

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Treble Bleed – quick 101

Mr Glyns Pickups website – https://mrglynspickups.com/

With a few models of my pickups I give a treble bleed. It makes such a difference to how the volume control works. They aren’t for everyone but it’s worth experimenting and finding out if it works for you.

Treble bleed diagram

Treble bleed diagram
Treble Bleed Diagram

Pretty simple eh, it just straddles the ‘in’ and ‘out’ legs of the volume pot. Easy to fit, completely reversible and cheap – what’s not to like? Let’s take a deeper look.

A brief explanation of how a treble bleed circuit works and why you need one

With some help from Sammy the dog

Here’s a more wordy explanation: 

Have you noticed that as you turn the down your guitar volume you sound gets muddy? Some of the high frequencies are lost.

As the volume goes down so does the clarity. This can, of course, be useful. Quite often you’ll want to be able to take some sparkle off the sound especially with single coil pickups. But with humbuckers for many of us they just get too wooly and undefined at lover volume.
So here’s the solution, it’s cheap and simple, easy to fit and makes humbuckers so much more versatile. It doesn’t take anything away from the full volume sound. I’m talking about treble bleed circuits.

What is a Treble Bleed Circuit?

It’s a simple device that retains treble frequencies. As you turn your volume down some treble can still bleed through.

What do capacitors do?

For our purposes this is all you need to know about capacitors (caps for short). – They allow treble frequencies to pass through them but block bass. The frequencies involved depend on the value of the cap. That’s all we need to know to understand what’s going on here. They’re more commonly used in tone circuits but that’s another story. It can get very complicated, this isn’t the place for that.
The volume control (potentiometer or pot) on an electric guitar looks like this:

volume pot. Mr Glyn's Pickups

It’s a fairly simple device, As you turn the volume down the resistance between the ‘in’ and ‘out’ leg increases. This makes it increasingly harder for the signal from your pickups to get through. Less signal means quieter. That’s what happens when you turn your volume down. It’s very simple and works well except for that treble loss. On some guitars less treble can be a useful (Strats for me) but not always.
 Here’s the same thing with our cunning little circuit added:

Where do you put a treble bleed?

Guitar Treble Bleed

This one has the ‘Orange Drop’ treble bleed which has a resistor added to it. This resistor softens the treble as you turn down making the effect more subtle.

What does it sound like?

A you turn down the volume and the the resistance increases there’s an alternative path for the signal. Through the cap. But, as we know, the cap will only let treble through. This means your sound not only gets quieter but also thinner from the treble sneaking through the treble bleed.

As you turn the volume down you’re also turning the bass down. As a result you have a usable single coil (ish) sound when the volume is low. If you’re overdriving an amp the result is cleaning your sound up. So with a high gain amp and your volume at about 1/4 you get a bluesy breaking up sound. Crank the volume on the guitar and you’re rocking.

Treble Bleed values

This really is something worth playing around with. There are a few variations on the circuit but the idea is the same. If you want a less subtle effect just use a 0.001micro farad cap on it’s own. To soften the effect add a 150KOhm resistor in parallel. These values are just common values, play around with them, these are cheap components. You can try a resistor in series too, there are lots of options.


On most of my guitars I prefer a simple treble bleed, no coil taps or series parallel. Just the volume control. This isn’t a mod to use on every guitar, I find with Strats I welcome some tone roll off. But with a 2 volume control set up it may be worth treating the neck and bridge pickups differently.

Then there’s the matter of the 50’s wiring circuit in Les Pauls. With this wiring a treble bleed does very little. The difference between the 50’s wiring and modern wiring is just in how the tone control is wired. It is possible to use both systems on the same guitar. With a Les Paul the neck pickup can be wired with the ‘modern’ circuit and the bridge to 50’s wiring. A treble bleed can be added to the neck pickup to retain treble.

There really are a lot of options here and a lot of experimenting to be done. Remember there really is no right or wrong way to do this despite what you might read on the internet. If you come up with anything fantastic be sure to let me know.

So with a most models of my pickups I give you a bleed circuit or two. If I think it works with that pickup I’ll pop one or two in the box. I know a lot of manufacturers give sticker or a guitar pick for free with their pickups but I give a more practical little gift. It’s great if you use it, quite a few of my customers have tried one for the first time and liked it but even if it isn’t your thing maybe you have a Mate who’d be interested.

If you have any ideas or subject matter for blog articles please let me know.

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updated July 2025