The Sassy is a full fat P90 set designed for that traditional P90 tone. Suitable for styles from blues to rock. Full and dynamic, aggressive but controllable. It has a touch sensitivity that makes this set a lot of fun to play with.
Sassy Demo
Description
The Mr Glyn’s “Sassy” P90 is a pickup set influenced by the Gibson P90’s of the late 50’s. The “Sassy” have a distinctive woody aggressive tone, full of character. The highs are smooth yet punchy, there’s a chiming bottom end and a very obvious mid range that pushes through the mix. If you tickle the strings they’re clean and clear but dig in and there’s no shortage of power to drive the front end of your amp.
I’ve grown to love P90’s over the years, it’s the sound of those early Gibson Les Paul Juniors. It’s a guitar pickup that needs no extras, just straight into a good amp. They’re happy to power pedals but there’s a fullness and balance that seems to need nothing else.
I think the Sassy is best served through ’50’s wiring – it really gives you the dynamic, touch sensitive range that made this style of pickup famous.
Philosophy behind the Sassy
Here’s a short video explaining my thinking behind the Sassy P90 pickup set.
The Sassy P90 story
I wanted the Sassy P90 set to live up to its name and have the dynamic range that I love about P90’s. The wide flat coil of a P90 gives a richer, less percussive tone than other single coil pickups and this is where the full tone comes from. I mounted both neck and bridge pickups on top of a pair of Alnico V magnets. This gives the power this pickup needs and helps add that bit of grit when played hard.
I’ve made the neck pickup smooth and fat but with clarity and chime enough for jazz. The bridge pickup has the dynamic, pushy mids and aggressive highs when pushed. But it cleans up when you ask it to in true p90 style.
This is a pickup set that would be happy in almost any situation, blues, rock, punk, reggae… If it’s a full bodied, dynamic P90 you’re after look no further. I have extensively gigged with a Sassy P90 loaded guitar and loved the woody mids and high end clarity. Back the volume off a tad and there’s a single coil chime, crank it and you have full fat lead tones.
The Sassy for lap steel
The Sassy is available in Dogear p90 and Soapbar P90.
I’ve named this set the Sassy”P90 set to reflect these pickup’s attitude, they’re bold, spicy, disrespectful and a bit cheeky.
If you need shims to adjust the height of a Dogear P90 just let me know, I can send you a file for 3d printing.
I also make a humbucker size P90 set – the “Black Sand” if you need some P90 goodness in your humbucker guitar, here’s a link to them:
The Black Sand Humbucker sized P90 has all the clarity, punch and fullness of a P90 but built to fit humbucker guitars.
Perfect for most styles especially Blues, Classic Rock, Punk and even Extreme Metal.
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Black Sand Description
The humbucker sized P90 (HBSP90) is a great pickup – it sits tonally between a humbucker and and a strat type pickup.
If your neck humbucker is a bit thick and woolly sounding, you want more clarity, or just want a different tone, then this versatile pickup may be the answer.
The physical size of this pickup is identical to that of a “normal” humbucker so it will pop straight in to any humbucker guitar. They’re designed to be used with 500k pots too so you don’t need to change anything.
P90 pickups do have a reputation for being noisy but the Black Sand not only comes with shielded cable but is encased in a metal cover. This cover makes a huge difference in reducing interference from outside sources making this a very quiet pickup.
There really is no musical genre the Black Sand Humbucker size P90 is best suited to, from blues to punk, rock or even funk there is a place for this sound just about everywhere. Have a listen to these demos, you’ll hear how well it adapts to any situation.
I don’t guide demo players in any way, I just ask them to do what they feel the pickup wants. That way we get different interpretations of the pickups and in this case it really shown off the versatility.
And scroll down to the picture at the bottom of this page – there are a lot of funky cover options to look cool in any guitar.
Here is Warren Mendonsa aka blackstratblues. He uses a Black Sand set in his Gibson es335. Go check him out, you can thank me later.
P90’s are different to other single coil pickups. They have a wide, flat coil similar to that of a Jazzmaster but the magnetic field is a very different shape. Fender single coil pickups have the coil wound around the magnet giving a focused, precise percussive sound. A P90 has 2 bar magnets underneath the coil; this broadens the magnetic window allowing the pickup to listen to a bit more string and thickens the sound. I chose Alnico V bar magnets for this model to help give some grit and power characteristic of a P90.
Of course, too much power and the pickup would sound too thick and bass heavy which is not its purpose. Too little power and it just won’t snarl. I have aimed this pickup set at the clearer end of the P90 spectrum.
To give you an idea of this pickup’s versatility here it is in drop E tuning:
Leon Todd visited the workshop in February 2024 after which I sent him a pickup set. It’s a Cloud Nine humbucker in the bridge position and a Black Sand humbucker sized-P90 neck pickup. I think you’ll agree they really give an extra dimension to his Les Paul.
The Black Sand Humbucker sized P90 story
The development of my Black Sand Humbucker sized P90 was a bit backwards.
Usually I make a bridge pickup first and work from there but with this one the neck pickup came first.
I had a customer ask for a neck pickup for an es335 to sound clearer than his existing Gibson humbucker. He was finding the lower mids of the humbucker were getting in his way and needed a clearer sound with more character.
I worked on the Black Sand Humbucker sized P90 neck pickup for a while using my Les Paul as a test guitar. There’s a balance to getting the right neck pickup sound. There needs to be a bit of power but a danger of becoming too boomy. It was a case of tweaking the windings until it was right. I sold a few neck pickups before thinking it would be a good idea to have a set. So I started work on the bridge pickup.
I wanted this bridge pickup to have clarity in the lower mids to stand out from humbuckers while having enough power to grit up nicely. I wanted it to be clean when tickled and to growl at you when you dig in. P90’s are all about dynamics. It had to match the existing neck pickup or work well as a stand alone in a HSS situation.
Of all the pickups in my range the Black Sand Humbucker sized P90 came together the quickest. There were only 4 or 5 prototypes and I was happy. Experience and intuition combined with a notebook where I’ve written down details of every experimental pickup I’ve made since 1995.
The main challenge with this pickup was taming the bass. The bass needed to be clean and ringing without a dominant boom. That’s where testing with a band is so useful. A pickup can sound great at home volumes but when its up loud the bass can be overpowering. If the bass is too far forward it walks all over the bass guitar and can ruin a mix.
There were a load of prototypes in and out of a Les Paul, Tele Delux and PRS, through different amps and in the hands of different players. I never trust just my own ears with my pickups. I like to get opinions and suggestions from a few players before making any final decisions. I listen to what players say and I adjust prototypes accordingly, but at the end of the day the final decision is mine. I’m always aware of the phrase “a camel is a horse designed by committee”.
It took a while to get this one right. A pickup would sound great at workshop volume, then I’d play it in a band situation and it would be too boomy, too much like a humbucker. So I’d have a think and make another. In the end persistence paid off.
The pickups I finally settled on went into my Les Paul and off to a gig for the ultimate test, and that’s where they’re staying.
The neck “Black Sand” is a great match for either my “Integrity” or “Cloud Nine” bridge humbuckers or as a set with its equivalent “Black Sand” bridge humbucker sized P90. It is equally happy with Gibson or Fender scale lengths as you can hear from the demos. Currently I gig a Flying V with a Black Sand neck pickup with a Cloud Nine in the bridge position. With the extra clarity from the Black Sand I find I use the neck position a lot more and it’s so good for playing ‘Sweet Child Of Mine’.
Black Sand design
Here is a short video to explain my thinking behind this HBSP90 design. Initially it was just going to be a neck pickup. The aim was to solve the problem of neck humbuckers sounding too wooly in some situations. Then came the Black Sand bridge pickup to match. Now the set has taken on a life of its own live and has become one of my most popular pickup sets.
Naming pickups is not easy, I agonized over what to call this pickup set.
I wanted a name that would reflect the apparent contradiction in P90’s. From the perspective of a humbucker player they are clear and chiming. From the viewpoint of a single coil player they are powerful and gritty. They’re one thing while looking like another. I wanted a oxymoron to reflect this contradiction, one that might include the unique magnetic structure that gives the P90 its character.
So I went for a run along Muriwai beach to think. And there it was staring me in the face (literally). Muriwai has black volcanic sand due to its iron content and it’s also magnetic. So I’ve called this set the Black Sand Humbucker sized P90.
Jimmy Christmas – D4
I’m very happy with this pickup – hopefully you will be too.
I’ve been working on some new funky cover options. This pickup set finds it way into so many different kinds of guitars I felt it needed to have a lot of looks to match.
Black Sand Humbucker sized P90 cover options: sliders, nickel, black, toaster top, open, chrome; or cover in P90 style soapbar or dogear covers in black or cream.
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