Posted on April 3, 2023September 18, 2025 by mrglynspickups — Leave a comment

Kāhu hot Strat

Single Kāhu NZ$139 for NZ customers, if you’re overseas it’s GST free; NZ$120.87

Set Kāhu NZ$375 for NZ customers, if you’re overseas they’re GST free; NZ$326.09

Specifications: Flat Pole AlnicoV – Neck 7.KOhms, 1.75H, Middle 7.6KOhms, 1.75H, Bridge 11KOhms, 3.98H

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Kāhu Description

The Kāhu hot Strat Pickups set is for blues/rock players in need of that bit more power. With cleaner neck and middle pickups and a hotter, grittier bridge pickup it’s a set that acts more like a HSS set than a conventional Strat.

Without loosing their distinctively Strat personality the Kāhu are definitely Strat sounding but with an ugly streak. This is a true single coil set so they retain all the dynamics and feel of traditional pickups but with a fatness and power to bring out something different in your Strat.

The heart of the Kāhu hot Strat Pickups set is the bridge pickup, it’s warm and punchy and sustaining with a much greater output than a traditional bridge pickup. The highs are smoother, mids honky and the bass full. They’re designed to push your amp into overdrive rather than for clean sounds.

Kahu contemporary strat pickup, MrGlyns Pickups

For the blues player the true single coil nature of these pickups gives the dynamics and feel you expect from a Strat but with the singing sustain from more powerful pickups.

Clean Demo

The bridge pickup is a true single coil but it could be used as an alternative to a HSS set. No need to route out the body and pickguard for a humbucker, this bridge pickup will give you the fat lead tone you need.

The middle and neck pickups were designed to match but with a cleaner vibe, again thinking of using this as almost a HSS set. With less high end and considerably more mids and lows than a traditional Strat set the Kāhu set is for a non-traditional Strat player.

Dirty Demo

With the volume control backed off a tad the Kāhu set cleans up creating huge versatility through a dirty amp.

250k or 500kOhm pots?

Although this set was designed around a 250k volume pot (my preference) they also work well (some might say better) with a 500kOhm volume pot letting through more high end. They work well with a treble bleed if you don’t want treble roll off when using the volume control. If you’re buying a set I’ll send you one.

If you are wanting ‘vintage’ low powered pickups then look at the Bellbird or Kokako sets.

An Explanation

Here is an explanation of this design in my own words:

The Kāhu hot Strat Story

The Kāhu story is the story of the struggles of many of my customers when I was repairing guitars. A lot of people have a hard time with Strat pickups in particular the bridge. Strats have comfort and balance, the controls are fantastic, the 5 way, the volume control in just the right place. It’s a guitar that has everything right but for many players, especially from a humbucker background, the ‘vintage’ voiced pickups just don’t do it.

But Strats can be modified in so many ways to make them your own.

The starting point for this set was my Cruel Mistress Telecaster set. It’s my most popular pickup set and really brings a Telecaster to life. It’s based around the early Fender Broadcaster pickup. I wanted to do similar for the Stratocaster but with it’s own uniquely Stratocaster voice.

The Kāhu was in the development stage for nearly 2 years. A lot of the prototypes were close but were not quite right in some aspect. I don’t know how many gigs I did with these until they were just right.

The Strat should have its own unique voice and that idea was a big part of the design of these pickups. I wanted to retain that Strat character but give it something different as well.

The bridge pickup is designed to be an all purpose crunch rhythm and lead pickup with the middle and neck acting as cleaner, more traditional Strat tones. Think HSS, that’s what I’m going for here.

Here are all my Strat pickup demos on YouTube.

All my Strat sets are named after New Zealand birds. The Kāhu is a large harrier, an opportunistic predator, I see them from my house every day, patrolling the fields and hedges for prey.

Strat pickup set, black covers. Mr Glyn's Pickups — Kahu Set

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Updated September 2024

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updated September 2025

Posted on March 27, 2023September 18, 2025 by mrglynspickups — Leave a comment

Kōkako Strat Pickup

Single Kōkako Strat Pickup NZ$139 for NZ customers, if you’re overseas it’s GST free; NZ$120.87

Set Kōkako Strat Pickup NZ$375 for NZ customers, if you’re overseas they’re GST free; NZ$326.09

AlnicoV – Neck 6.15 KOhms, 2.79H, Middle 6.15 KOhms, 2.79H, Bridge 6.64 KOhms, 3.08H

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The Kōkako Strat Pickup is is strongly influenced by the Fender Stratocaster pickups of the 60’s but with a little more. It has a full yet clear bottom end , smooth highs and clear mids. It’s aimed at players who love the sounds of Frusciante and Hendrix. I class this as a vintage Stratocaster pickup but with a little more.

If you take an early 60’s Fender Strat pickup, add a little bottom end, take a wee bit of treble off the top and add a touch more power then you’ve got the Kokako. Sometimes a vintage pickup isn’t quite what you need, there are many situations where you need just that bit more.

The magnets are specially made alnico 5’s with my own stagger to suit modern string gauges and fretboad radiuses. Most Stratocaster pickups have a much flatter radius that the traditional 7.5 inch and my special stagger reflects that.

The Kōkako Strat Pickup Story

The Kokako set was spawned by a few things coming together in November ’22.

For a while I’ve been offering my Bellbird Stratocaster pickup set with various winding options – 5% under, 5% over or 10% over wound. The Bellbird is based on the Stratocaster pickups of the early ’60’s and it’s an equally good pickup with a slightly different wind count. I’ve been playing with a 10% over wound set in one of my own Strats and for me they have ‘that’ vintage Strat tone that’s perfect with a little dirt be it fuzz or overdrive.

I was sent a Strat pickup to re-wind and the customer told me his ideal sound was Hendrix pickups.

I’d just read an article saying how Seymour Duncan had wound some pickups for Hendrix and the spec of those pickups looked very similar to the 10% over wound Bellbirds.

That got me thinking.

The same day a customer contacted me wanting advice about my pickups and which one would be best for a John Frusciante sound.

Well, it’s the Bellbird +10% again.

I thought this was too good to let go.

I could have left the pickup as a version of the Bellbird but decided it needed its own life. Since its release in late 2022 it has become more popular that the Bellbird pickup.

The Design

Here is a short video in which I explain my thinking behind the Kokako pickup design. I talk about what the 10% extra windings do for the eq of the pickup, the unique magnet stagger for modern guitar strings and the difference in the bridge pickup. I hope you find it useful.

Kokako Strat Pickups explained

My Stratocaster pickups are named after native New Zealand birds like the Bellbird and the Tui; I chose the Kokako because its song reflects the tonal characteristics of the pickups. I wanted a bird that has a song fatter and fuller sounding than the Bellbird but not as aggressive as the Tui – so Kōkako Strat Pickup it is.

Here’s the original Bellbird pickup

And YouTube demos of all my Strat pickups

I would love you to subscribe to our newsletter (below). A new one is published every 6 weeks or so and it includes news, new products and a giveaway.

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Integrity alnico 2 vintage voiced humbucker

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updated 22 Sept 2023

Kōkako Strat Pickup

Posted on March 9, 2021June 27, 2024 by mrglynspickups — Leave a comment

Andy Marra ‘Bellbird’ Strat Pickup Demo

Thanks to Andy Marra for this “Bellbird” Strat Pickup Demo. It’s a privilege to have him using my pickups.

Strat Pickup Demo

I’ve based my Bellbird Vintage Strat set on the best of the old pickups I’ve had the pleasure of playing through. If I were to give you a year I’d say ’63 Strat. I use AWG42 heavy formvar insulated wire – there’s something about the thickness of that insulation that just works with an old Strat pickup.

The Bellbird set has been designed mainly for clean tones but they’re certainly not afraid to perform with a bit of gain. As part of a HSS set they’re great with one of my ‘Integrity’ humbuckers in the bridge position.

Thanks to Andy Marra for this “Bellbird” Strat Pickup Demo.

Check out the Mr Glyns Pickups Strat range

stratocaster range of pickups by MrGlyns — Strat Pickup

Posted on March 29, 2020September 18, 2025 by mrglynspickups — 1 Comment

Bellbird vintage Strat pickups

Single Bellbird NZ$139 for NZ customers, if you’re overseas it’s GST free; NZ$120.87

Set Bellbird NZ$375 for NZ customers, if you’re overseas they’re GST free; NZ$326.09

Bellbird vintage Strat pickups specifications: AlnicoV – Neck 5.68 KOhms, 2.36H, Middle 5.68 KOhms, 2.36H, Bridge 6.05 KOhms, 2.71H

Testimonials

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The Bellbird vintage Strat pickups are a vintage voiced strat pickup strongly influenced by the pre-CBS Fenders of the early 60’s. Clear and chiming, low powered and pure. Suitable for a huge range of styles, ideal for that traditional tone.

Bellbird vintage Strat pickups demos

The Stratocaster has been around since 1954 and the legend continues. Reading the internet (!?) tells me there have been good and bad years or decades, guitars to avoid and ones worth hundreds of thousands of dollars. I’ve been repairing guitars since 1995 so I’ve played a lot of old Strats and analyzed a lot of old pickups. Vintage pickups aren’t all great but the good ones are fantastic.

In the 90’s there were a lot of old Fender pickups around and they were cheap back then. I got to work on and repair so many vintage pickups. There was very little available information so I had to figure everything out. Looking back I think it was such a good way to develop an instinct as to how to get a great sound. With all the old spec now available I’ve really enjoyed topping up my knowledge.

I’ve become a huge fan of the L series Strats. Every one I’ve played (particularly ’63’s) have been great guitars. It’s just a shame they’re so expensive now and very few of them get played at gigs.

I’ve based my Bellbird vintage Strat pickups on the best of the old pickups I’ve had the pleasure of playing through and studying. So I use AWG42 heavy formvar insulated wire – there’s something about the thickness of that insulation that just works with an old Strat pickup.

I’ve aimed for that old quacking chime that makes Strats wonderfully percussive but with a singing quality that’s so musical. Warm and clear with beautiful almost reverb-like clean tones – that’s what I want out of an old Strat. The neck pickup sound needs to be fat, round and clear, the middle pickup needs to quack and the bridge a cut through twang without thinness. The all important ‘in between’ sounds in positions 2 and 4 must be balanced and characterful. Nothing says Strat more than these sounds.

Bellbird Neck Pickup

The neck pickup on a Strat is the ‘go to’ setting for a lot of Strat players. In designing this set I realised this is what I had to get right first. In using heavy formvar insulated wire I’ve kept to tradition. I use heavy bevel alnico V magnets with my own custom stagger to suit modern string gauges.

Bellbird Middle Pickup

I love the quack of Strat middle pickups. I’ve worked hard to achieve that distinctive middle tone. There’s something great in that sound. The magnets are so important in achieving just the right percussive snap without harshness. The other factor with middle pickups is how they work alongside the neck and bridge pickups. Those all important in between sounds are the essence of Stratocasters. The Bellbird middle pickup is the ideal partner for both neck and bridge.

Bellbird Bridge Pickup

On the original early 60’s pickups all 3 were wound the same. I’ve chosen to give the bridge pickup a little extra, more like a late 70’s Strat Pickup. I want to reduce the ping of the attack and add a little more bottom end to make the bridge pickup more usable. I feel that makes this pickup set more suited to the modern player.

Under or Over Wound

At the checkout I have given you the option of having your Bellbirds under wound or overwound by 5%, or overwound by 10% as well as the standard wind. I don’t offer this for all pickups but the Bellbird is an equally good pickup in any of the 3 options. The early Fenders often varied within this range.

Standard Wind

The standard wind is the closest to the early 60’s Fenders. This is my personal favourite and all the demos are of the standard wind

Minus 5%

The minus 5% wind is for players wanting a super clean Strat sound. It has very clear treble and a little less bass than the standard wind. Suited to a very clean sound

Plus 5%

The extra 5% of windings gives a little more bass and slightly smoother treble along with that bit of extra power.

The Bellbird vintage Strat pickups has been designed mainly for clean tones but they’re certainly not afraid to perform with a bit of gain or fuzz. As part of a HSS set they’re great with one of my ‘Integrity’ humbuckers in the bridge position.

I agonised for months over names for my Strat pickup sets then during a camping trip to Tauwharanui Regional Park I heard my first Bellbird and realised that was the sound I had been looking for when I was designing this set.

The comparison in tone between the Bellbird and the more common Tui seemed exactly what I had in my head when designing my Strat pickups. Bellbirds don’t just go tweet, there’s a depth and warmth in the tone. It’s so hard to describe sound and the difference between pickups but I think the difference between the Bellbird and the Tui sum up the difference between my vintage and hot Strat pickups. So I called them the Bellbird and the Tui.